Nearing the end of his career as a ship surgeon, he agreed in 1817 to take a three year posting to St Helena. Stokoe set out for St Helena on HMS Conqueror in 1817. At St Helena there was discord following the Governor, Lieutenant-General Sir Hudson Lowe's controversial decision to dismiss Napoleon's doctor, Barry O'Mara. About this time, Napoleon asked that Mr Stokoe, who had once attended him and who he understood was returning to St Helena, might attend him again 'or would the Governor authorize some other English doctor to come, providing he sign similar conditions as had been accepted by Stokoe in the past.' Immediately after, Mr Stokoe arrived at St Helena, was put under arrest and tried on varying counts-seven in all. The whole was found proven. The third indictment read, 'That he had signed a paper purporting to be a bulletin of General Bonaparte's health, and divulged the same to the General and his attendants contrary to orders, ' and the seventh, 'That he had contrary to his duty, and the character of a British Naval Officer, communicated to General Bonaparte or his attendant an infamous and calumnious imputation cast upon Lieutenant-General Sir Hudson Lowe. etc. by Barry O'Meara, late surgeon in the Royal Navy' (also now dismissed) 'implying that Sir Hudson Lowe had practiced with the said O'Meara to induce him to put an end to the existence of General Bonaparte. ' Stokoe, though dismissed the Navy, was put on half-pay. At Stokoe's treatment Napoleon, enraged, refused the future services of British doctors. This book is Stokoe's own defense, another book with damning evidence against the notorious Governor-Sir Hudson Lowe

ELEVATED HORROR! Max, the A.I. superintendent of Maxwell Towers has found a kindred soul in one of his residents, a young, disturbed boy call Sam Bowers. Together they work to rid the building of all the ne'er do wells who lurk in the dark corridors of the block, luring them to the dreaded thirteenth floor. But this power has started to corrupt Sam, surprising even Max - and their activities have not gone unnoticed, as WPC Hester Benedict becomes more aware of the sinister events taking place at the building. The breakout star of legendary British comic Scream! Max and his thirteenth floor are back in a brand-new story written by Guy Adams (Heavens Gate) and includes art by Frazer Irving (Batman and Robin), John Stokes (Star Wars), Tom Paterson (Sweeny Toddler), Kelley Jones (The Sandman), VV Glass (Dr Who) and Vince Locke (A History of Violence).

The scholars who have contributed to this book were asked to take part in a collaborative act of demystification, a reconsideration of the eschatological ideas of the 1890s in the light of the critical thought of the 1990s. Their essays draw upon a range of approaches, and are broadly interdisciplinary. All are characterized by the realization that, with a century's hindsight, the late 1800s should be seen not so much as a period of decadence as of discovery and growth.

This moderately abridged graphic adaptation of "Great Expectations" encourages readers to enjoy classical literature while remaining faithful to Charles Dickens' original work. Readers follow the wonderful tale of Pip, Miss Havisham, and the spiteful Estella at their own pace. Alternative text versions are offered for different reading levels and teacher resources are available with lesson plans and activities for students from grade 6 and up. The striking color artwork captures the ambiance of Victorian life and makes the story more accessible than ever.

Marney the Fox is a Lassie-style tale of a lone fox up against wicked humans via Watership Down and Fantastic Mr Fox. Written by the late M Scott Goodall and beautifully illustrated by John Stokes, Marney the Fox is a Tarka the Otter-style tale of a lone fox, channelling Lassie and The Fantastic Mr Fox along the way. Marney is a young fox trying to survive against the odds, from dodging blood-thirsty humans to encountering other wild animals. This is a beautifully illustrated story capturing the British countryside and wildlife in astonishing detail showcases Stokes' finest work, a masterpiece that has lain un-reprinted for decades and makes an ideal children's book and early Christmas present. * This extraordinarily beautiful book is a lost classic from children's literature and makes a perfect Christmas gift. * There is no other children's graphic novel like it, for its breathtaking rendition of the English countryside and the moving story that owes nods to Tarka the Otter in its sensitive portrayal of animals. * Never before collected. * From the new Treasury of British Comics list from Rebellion, highlighting classic British comics.

This quick graphic adaptation of "Great Expectations" encourages readers to enjoy classical literature while remaining faithful to Charles Dickens' original work. Readers follow the wonderful tale of Pip, Miss Havisham, and the spiteful Estella at their own pace. Alternative text versions are offered for different reading levels and teacher resources are available with lesson plans and activities for students from grade 6 and up. The striking color artwork captures the ambiance of Victorian life and makes the story more accessible than ever.

Two young gentlemen living in 1890's England use imaginary friends to inject some excitement into their seemingly dull lives. Jack Worthing invents a brother, "Ernest," whom he pretends to be in order to visit his beloved Gwendolen in the city. Meanwhile, friend Algy Moncrieff uses the name "Ernest" while visiting Jack's beautiful young ward, Cecily in the country. Much confusion ensues as the two women find out they have been deceived by their "Ernests." Some would call this a society comedy; others, a Victorian farce. Regardless of the term used, this full colour graphic novel captures the era effortlessly. With an intricate attention to detail, wonderful characterisation and dramatically expressive and humorous artwork, this really is a graphic novel to cherish.

Karl Marx's youngest daughter Eleanor (1855-98) is one of the most significant figures in the cultural politics of the late nineteenth century. As a feminist and radical socialist she never flinched from confrontation; as an aspiring actress, working journalist and literary translator she advanced contemporary understanding of Flaubert, Ibsen and Shakespeare. This collection of newly commissioned essays helps to establish the full extent of her outstanding achievements.

This volume of the Complete Works of Oscar Wilde is the second volume of Wilde's journalism. Throughout the 1880s Oscar Wilde devoted the greater part of his creative energies to working as a professional journalist and he was prepared to write on a remarkable range of topics - from cookery books to lyric poetry, from classical translations to three-volume novels, from dress reform to transatlantic visitors. He also reviewed theatrical productions and art exhibitions of many kinds. Between 1887 and 1889 he edited the pioneering Woman's World magazine to which he contributed lengthy columns discussing literary and other matters of interest to an educated female readership. This is the first comprehensive edition of Wilde's journalism since 1908. It includes all of his known contributions, both signed and anonymous, to periodicals and newspapers. Of the more than 150 items - reviews, articles, editorials - a significant number have been identified for the first time, while the authenticity of others previously thought to be by Wilde is questioned. An extensive commentary offers the sources for Wilde's extraordinary cultural knowledge and provides cross-references to his oeuvre as whole. In the case of the book reviews, the commentary indicates relevant pages and passages in the works under discussion. Uniquely witty, intellectually acute, and socially aware Wilde's journalism not only displays the extensive reading and stylistic experimentation that prepared the way for his major works of the 1890s, it provides an essential record of the vibrant and rapidly changing journalistic culture in which he played a major part. This second volume of journalism presents all of Wilde's journalistic writings published between November 1887 and April 1895. It also contains a section of 'Dubia', which contains items where a degree of uncertainty regarding Wilde's authorship remains.

This volume of the Complete Works of Oscar Wilde is the first volume of Wilde's journalism. Throughout the 1880s Oscar Wilde devoted the greater part of his creative energies to working as a professional journalist and he was prepared to write on a remarkable range of topics - from cookery books to lyric poetry, from classical translations to three-volume novels, from dress reform to transatlantic visitors. He also reviewed theatrical productions and art exhibitions of many kinds. Between 1887 and 1889 he edited the pioneering Woman's World magazine to which he contributed lengthy columns discussing literary and other matters of interest to an educated female readership. This is the first comprehensive edition of Wilde's journalism since 1908. It includes all of his known contributions, both signed and anonymous, to periodicals and newspapers. Of the more than 150 items - reviews, articles, editorials - a significant number have been identified for the first time, while the authenticity of others previously thought to be by Wilde is questioned. An extensive commentary offers the sources for Wilde's extraordinary cultural knowledge and provides cross-references to his oeuvre as whole. In the case of the book reviews, the commentary indicates relevant pages and passages in the works under discussion. Uniquely witty, intellectually acute, and socially aware Wilde's journalism not only displays the extensive reading and stylistic experimentation that prepared the way for his major works of the 1890s, it provides an essential record of the vibrant and rapidly changing journalistic culture in which he played a major part.

A reduced, simplified dialogue version of the Original Text for a fast-paced read. Two young gentlemen living in 1890's England use imaginary friends to inject some excitement into their seemingly dull lives. Jack Worthing invents a brother, "Ernest", whom he pretends to be in order to visit his beloved Gwendolen in the city. Meanwhile, friend Algy Moncrieff uses the name "Ernest" while visiting Jack's beautiful young ward, Cecily in the country. Much confusion ensues as the two women find out they have been deceived by their "Ernests". Some would call this a society comedy; others, a Victorian farce. Regardless of the term used, this full colour graphic novel captures the era effortlessly. With an intricate attention to detail, wonderful characterisation and dramatically expressive and humorous artwork, this really is a graphic novel to cherish.

For centuries English and French theatrical traditions have had an uneasy relationship with one another: mutual admiration, mutual envy, mutual distrust. Just as the fascination of difference lies in the potential for sameness, so these opposed traditions have observed each other at close quarters and invited each other back home. In an unusually detailed and carefully illustrated book, John Stokes explores the reception of the French actress by the English audiences, from the early nineteenth century to the middle of the twentieth - a period when the relationship between England and France was transformed and redefined. Mlle Mars, Sarah Bernhardt and Edwige Feuillere are among the many actresses invoked; prominent English spectators include William Hazlitt, Charles Dickens, and Oscar Wilde. The result is a vivid coming together of theatre history and cultural studies, and will appeal to scholars of English and French literature as well as students of acting.

Oscar Wilde was a major influence on the culture of his time, and remains relevant today, as a model of wit and style, a sexual icon, and a moral example. In a sequence of detailed and imaginative chapters on Wilde and his times, John Stokes shows how in the 1880s and 1890s Wilde played a vital part in the development of modern culture, inspiring others to carry his ideas on into the twentieth century. Stokes offers studies of Wilde's place in the Romantic tradition, and of his relationships with such legendary figures of the fin de siecle as Aubrey Beardsley, Alfred Jarry and Arthur Symons. And always, as part of the process of historical enquiry, Stokes considers those who came after: humanitarian disciples who kept Wilde's memory sacred, performers in his plays, actors who impersonated the man himself. Oscar Wilde: Myths, Miracles and Imitations explains why Wilde, a 'material ghost', haunts us still.

For centuries English and French theatrical traditions have had an uneasy relationship with one another: mutual admiration, mutual envy, mutual distrust. Just as the fascination of difference lies in the potential for sameness, so these opposed traditions have observed each other at close quarters and invited each other back home. In this unusually detailed and carefully illustrated 2005 book, John Stokes explores the reception of the French actress by the English audiences, from the early nineteenth century to the middle of the twentieth - a period when the relationship between England and France was transformed and redefined. Mlle Mars, Sarah Bernhardt and Edwige Feuillere are among the many actresses invoked; prominent English spectators include William Hazlitt, Charles Dickens, and Oscar Wilde. The result is a vivid coming together of theatre history and cultural studies, and will appeal to scholars of English and French literature as well as students of acting.