Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

France's Lost Empires brings together ten essays that collectively investigate the historical, cultural, and political legacies of French colonialism and, specifically, the endings of the French empire(s). Combining analyses of three "lost" territories (Canada, India, and Saint Dominigue) of the "first" French colonial empire, that of the Ancien Regime, with investigations of the decolonization of the "new" colonies of the "second" French overseas empire (specifically in North Africa), the essays presented here investigate the ways in whicih colonial loss has been absorbed and narrativized within French culture and society, and how nostalgia for that past has played a fundamental role in shaping French colonial discourses and memories. Beginning with the Haitian Revolution and its historicization during the 1820s and ending with an examination of the "postcolonial" republic at the end of the twentieth century, the chronological structure of the volume serves to reveal the extent to which the memories of territorial loss have been sustained throughout French colonial history and remain evident in current metropolitan representations and memories of empire. In analyzing the longevity of these tropes of loss and nostalgia, and their importance in shaping France's identity as a colonial power both during and after periods of colonization, France's Lost Empires reveals a basic premise: it is not simply successful conquest which creates a self-validating colonial discourse; failure can do so too. Indeed, the pervasive and tenacious nostalgia for past colonial glories, variously identified by the contributors to this volume, suggests that, for some, the emotional attachment to France's colonies has not waned and remians today as it was in nineteenth-century France.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This Routledge Literary Sourcebook offers the ideal introduction to the work of John Keats, a central figure in English Romanticism and one of the most popular poets in the literary canon.
The Sourcebook is arranged in four sections: Contexts, Interpretations, Key Poems and Further Reading. Each combines clear introductory passgaes with relevant reprinted documents. Key features include:
* A chronology of Keats's life and excerpts from his letters
* An overview of the criticism of his work, from early responses to important recent essays
* Excerpts from a range of critical texts, with explanatory headnotes
* Extensively annotated full texts or key passages from Keats's most widely studied poems
* Helpful recommendations for further reading
Cross-referencing throughout the volume highlights the links between texts, contexts and reception, enabling even beginners to make original and informed readings of Keats's epoque-changing work.

The essays in this collection all revolve around the notion of change in Ireland, whether by revolution or by evolution. Developments in the shared histories of Ireland and Great Britain are an important theme throughout the book. The volume begins by examining two remarkable Irishmen on the make in Georgian London: the boxing historian Pierce Egan and the extraordinary Charles Macklin, eighteenth-century actor, playwright and manslaughterer. The focus then moves to aspects of Hibernian influence and the presence of the Irish Diaspora in Great Britain from the medieval period up to the late nineteenth- and early twentieth-century celebrations of St Patrick's Day in Manchester. The book also considers the very different attitudes to the British Empire evident in the career of the 1916 rebel Sir Roger Casement and the Victorian philologist and colonial servant Whitley Stokes. Further essays look at writings by Scottish Marxists on the state of Ireland in the 1920s and the pronouncements on the Troubles by John Lennon and Paul McCartney. The book also examines change in the culture of the island of Ireland, from the development of the Irish historical novel in the nineteenth century, to ecology in contemporary Irish women's poetry, to the present state of the Roman Catholic Church in Ireland. Contemporary Irish authors examined include Roddy Doyle, Joseph O'Connor and Martin McDonagh.

Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by and responded to advertising, while copywriters borrowed from the wider literary culture, especially through poetical advertisements and comic imitation. This study to pays sustained attention to the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them. With its many fascinating examples of contemporary advertisements read against literary texts, this study combines an intriguing approach to the literary culture of the day with an examination of the cultural impact of its commercial language.

"For anyone who has ever wondered about the differences between metaphor and metonym or a trochee and a dactyl, this compact, well-organized handbook promises to be useful."
--"Library Journal"

Poetry: An Introduction is an accessible and clearly written introduction to the structural and methodological principles underpinning poetry and its study. It aims to equip the student, researcher, and general reader with a body of technical information that will sharpen and deepen their engagement with individual poems.

Strachan and Terry provide a lively map through what might on first experience seem the most daunting aspects of poetry: poetic sound effects, rhythm and meter, the typographic display of poems on the page, the language of poetry, and the use made by poets of techniques of comparison and association. The book's discussion of poetic terminology is allied throughout to illustrative readings that show the usefulness of the terminology in approaching particular poems; its emphasis is always a practical one, demonstrating how poems actually work.

Beginning with an historical overview of the development of English poetry from its earliest origins and finishing with an authoritative dictionary of poetical terms, Poetry: An Introduction is an indispensable guide to the understanding of poetry.

Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by and responded to advertising, while copywriters borrowed from the wider literary culture, especially through poetical advertisements and comic imitation. This 2007 study to pays sustained attention to the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them. With its many fascinating examples of contemporary advertisements read against literary texts, this study combines an intriguing approach to the literary culture of the day with an examination of the cultural impact of its commercial language.

Quickly equips readers with the strategies to understand and deepen their engagement with individual poems Praise for the first edition: 'Wide-ranging, provocative, and thorough, Strachan and Terry provide the student with all the tools necessary for the study of poetry. I can think of no other volume that offers the reader so much in so few pages. This is the text of choice for all students and teachers of the subject.' Duncan Wu, University of Glasgow Based on their extensive teaching experience, the authors provide a lively route map through the main aspects of poetry such as sound effects, rhythm and metre, the typographic display of poems on the page and the language of poetry using practical examples throughout. o Packed full of examples, from the work of Shakespeare to Edwin Morgan and from Sylvia Plath to John Agard o Detailed index of poets, works, terms, forms & concepts o Full glossary of poetic terms, from /acatalectic/ to /wrenched accent/, with cross-references and page references of examples New for this edition: o End-of-chapter exercises and follow-up research tasks o New readings of modern women's poetry o Section on How to Write Poetry with exercises o Suggestions for further reading -- both books and websites