Gy?rgy Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. "Soul and Form" was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Luk?cs laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text.

For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Luk?cs wrote at the time of "Soul and Form," and an introduction by Judith Butler, which compares Luk?cs's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Luk?csian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.

Do we still need philosophical discourse as part of communication within our culture? Is philosophical endeavor still valid? This text offers students the views of some of the most popular, distinguished contemporary philosophers who have placed their mark on philosophy. Jurgen Habermas, Richard Rorty, Leszek Kolakowski, and Ernest Gellner bring their ideas into confrontation in a unique debate devoted to the present state of philosophy. This work is a valuable addition to any course dealing with contemporary philosophical thought. Habermas begins with a comprehensive account of contextualism. According to him, contextualism is a new form of historicism. What are the merits of an approach that takes into account both a historical and a cultural context? Is the pragmatism promoted by Richard Rorty an acceptable criticism of our platonic heritage? If so, does this mean the end of rationality as a regulative ideal of the human universe? Rorty's answer is "Yes." This world-renowned American thinker recommends putting a full stop at the end of a narrative which was useful in pursuit of our ancestors' purposes but is no longer useful for ours. Leszek Kolakowski attempts to undermine the alleged pragmatic merits of pragmatism from the position of an analytic philosopher who continues to value classical elements of philosophical tradition. Ernest Gellner also turns against Rorty's pragmatism, which he denounces as a product of the Enlightenment roots of American culture and its centuries of political and economic stability. The future of Western culture may depend on the answers to the questions asked by these authors.

Gy?rgy Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. "Soul and Form" was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Luk?cs laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text.

For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Luk?cs wrote at the time of "Soul and Form," and an introduction by Judith Butler, which compares Luk?cs's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Luk?csian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.

Is government justified? This perennial question is central to political philosophy and has never been more alive than at the present time, in the midst of continuing political and social upheaval worldwide. This collection of new essays by thirteen philosophers addresses questions of political authority in light of recent work in political theory. Whether supporters or critics of the state, the authors make their arguments using up-to-date analytical tools, such as game and decision theory, and the hindsight provided by modern history. For and Against the State will be an important collection for students of philosophy, politics, economics, and history.