First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.

First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.

The United States Geological Survey (USGS) is a scientific organization created in 1879, and is part of the U.S. government. Their scientists explore our environment and ecosystems, to determine the natural dangers we are facing. The agency has over 10,000 employees that collect, monitor, and analyze data so that they have a better understanding of our problems. The USGS is dedicated to provide reliable, investigated information to enhance and protect our quality of life. This is one of their bulletins.

Despite the immense popularity of his works for musical theater in the late nineteenth and early twentieth centuries, Andre Messager has, to a large extent, been neglected by contemporary musicologists and musicians outside France. This book offers a new appraisal of Messager's life and work, correcting errors perpetuated in previous bibliographies, and documenting the broad scope of his contributions as a composer, conductor, and artistic director of several of the great operatic companies of Paris and London.

A biographical sketch, the first ever written in English, is followed by a comprehensive list of works that supplies details of first performances, their publication, and principal reviews. The list covers songs and instrumental compositions, as well as operettas and other works for the stage. The bibliography lists not only titles that deal specifically with Messager but also a number of general works that may prove useful in the study of the period in which Messager lived and worked. Archival materials are listed together with more generally available printed sources. The volume includes a discography, appendices, and an index. Providing comprehensive, up-to-date information in a convenient format, this bio-bibliography will be a valuable research tool for studies of French music of the period.