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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
SWORD FIGHTING; A MANUAL FOR ACTORS AND DIRECTORS is a
comprehensive new work on the art of creating realistic and
exciting fight sequences for theatre, film and TV. This book is the
product of thirty years research and experimentation into
traditional European martial arts by acclaimed fight director John
Waller and his associates, and possibly the most wide-ranging and
practical book on stage combat ever published.
A gripping tale of one of history's most bizarre events, and
what it reveals about the strange possibilities of human nature
In the searing July heat of 1518, Frau Troffea stepped into the
streets of Strasbourg and began to dance. Bathed in sweat, she
continued to dance. Overcome with exhaustion, she stopped, and then
resumed her solitary jig a few hours later. Over the next two
months, roughly four hundred people succumbed to the same agonizing
compulsion. At its peak, the epidemic claimed the lives of fifteen
men, women, and children a day. Possibly 100 people danced to their
deaths in one of the most bizarre and terrifying plagues in
history.
John Waller compellingly evokes the sights, sounds, and aromas;
the diseases and hardships; the fervent supernaturalism and the
desperate hedonism of the late medieval world. Based on new
evidence, he explains why the plague occurred and how it came to an
end. In doing so, he sheds light on the strangest capabilities of
the human mind and on our own susceptibility to mass hysteria.
The great biologist Louis Pasteur suppressed 'awkward' data because
it didn't support the case he was making. John Snow, the 'first
epidemiologist' was doing nothing others had not done before.
Gregor Mendel, the supposed 'founder of genetics' never grasped the
fundamental principles of 'Mendelian' genetics. Joseph Lister's
famously clean hospital wards were actually notorious dirty. And
Einstein's general relativity was only 'confirmed' in 1919 because
an eminent British scientist cooked his figures. These are just
some of the revelations explored in this book. Drawing on current
history of science scholarship, Fabulous Science shows that many of
our greatest heroes of science were less than honest about their
experimental data and not above using friends in high places to
help get their ideas accepted. It also reveals that the alleged
revolutionaries of the history of science were often nothing of the
sort. Prodigiously able they may have been, but the epithet of the
'man before his time' usually obscures vital contributions made
their unsung contemporaries and the intrinsic merits of ideas they
overturned. These distortions of the historical record mostly arise
from our tendency to read the present back into the past. But in
many cases, scientists owe their immortality to a combination of
astonishing effrontery and their skills as self-promoters.
Olde Kensington, a small neighborhood just north of Center City
Philadelphia, was predominantly a post-industrial area when I moved
in, yet ominous signs of imminent change seemed to indicate that
the fate of the place rested in other hands. Muddling my way
through the unfamiliar streets on foot, the city seemed to push and
pull me in this direction or that one, like it was leading me
somewhere. Sometimes I resisted, others I followed, but I never
caught a glimpse of my secret guide, who insisted on remaining
shrouded in the empty spaces of the city. As a record of these
ambulations, this work limns the tension between the extant and the
imminent, the intervalic experience of living in a city in flux,
and a complicated relationship to place.
The concept of heredity is fundamental to how we see ourselves and
others. It goes far beyond the obvious continuity of physical
traits across generations. We routinely ascribe similarities in
personality, intellect, outlook, and aptitude between family
members to what's passed down in sperm and eggs. The simple idea
that children take after their ancestors has long been central to
science and medicine and to the breeding of plants and animals. It
has also been used for ideological purposes to impute innate
differences in character and rationality between males and females
and among different ethnicities and social classes. Slavery,
colonialism, and genocide, the unequal treatment of women, and the
concentration of power and wealth in the hands of the few have been
consistently rationalized in the language of heredity and 'natural'
hierarchy. In this Very Short Introduction John Waller traces the
diverse ideas about biological inheritance expressed by Europeans
and their colonial descendants during two millennia of human
history. He charts the changing ways in which scholars and
laypersons have believed heredity to work, the development of
spurious and self-serving beliefs about heredity by dominant
groups, the recent revolution in our ability to understand the
mechanics of heredity, and the difficult dilemmas our species is
likely to face as we gain increasing mastery over the contents of
our own genomes. ABOUT THE SERIES: The Very Short Introductions
series from Oxford University Press contains hundreds of titles in
almost every subject area. These pocket-sized books are the perfect
way to get ahead in a new subject quickly. Our expert authors
combine facts, analysis, perspective, new ideas, and enthusiasm to
make interesting and challenging topics highly readable.
This is a new release of the original 1936 edition.
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