"One of the greatest poets and dramatists of our century" (Observer) Brecht's Lehrstucke or short 'didactic' pieces written during the years 1929 to 1933, are some of his most experimental work. Rejecting conventional theatre, they are spare and highly formalised, drawing on traditional Japanese and Chinese theatre. They show Brecht in collaboration with the composers Hindemith, Weill and Eisler, influenced by the new techniques of montage in the visual arts and seeking new means of expression. Brecht intended them for performance by schools, workers' groups and choral societies rather than by professionals, with the idea that the moral and political lessons contained in them are best conveyed by participating in an actual production. In addition to the Lehrstucke, the volume contains The Mother, a longer play, again with music by Eisler, based on the novel by Gorky. A story of dawning political consciousness, told with irony and narrative drive, its central character is one of Brecht's great female roles. The original production starred Brecht's wife Helene Weigel and Brecht was buried with the red flag that was a prop in the production.

"Those who dismiss Brecht as a yea-sayer to Stalinism are advised to read these journals and moderate their opinion." (Paul Bailey, Weekend Telegraph) Brecht's "Work Journals" cover the period from 1938 to 1955, the years of exile in Denmark, Sweden, Finland and America, and his return via Switzerland to East Berlin. His criticisms of the work of other writers and intellectuals are perceptive and polemic, and the accounts of his own writing practice provide insight into the creation of his dramatic works of the period, the development of his political thinking and his theories about epic theatre. Also integrated into the journals are Brecht's immediate reactions to and commentary upon the events of the period: his political exile's view of the course of World War II and his account of the House Un-American Activities committee."A marvellous, motley collage of political ideas, domestic detail, artistic debate, poems, photographs and cuttings from newspapers and magazines, assembled, undoubtedly for posterity by one of the great writers of the century" (New Statesman and Society)

"Brecht on Performance: Messingkauf and Modelbooks" presents a selection of Brecht's principal writings for directors and theatre practitioners, and is suitable for acting schools, directors, actors, students and teachers of Theatre Studies. Through these texts Brecht provides a general practical approach to acting and to realising texts for the stage that crystallises and makes concrete many of the more theoretical aspects of his other writing.The volume is in two parts. The first features an entirely new commentated edition of Brecht's dialogues and essays about the practice of theatre, known as the "Messingkauf," or "Buying Brass," including the 'Practice Pieces' for actors (rehearsal scenes for classics by Shakespeare and Schiller). The second contains rehearsal and production records from Brecht's work on productions of" Life of Galileo," "Antigone," "Mother Courage" and others.Edited by an international team of Brecht scholars and including an essay by director and teacher Di Trevis examining the practical application of these texts for theatres and actors today, "Brecht on Performance" is a wonderfully rich resource. The text is illustrated with over 30 photographs from the "Modelbooks."

Everyone knows that Bertolt Brecht was one of the great 20th-century innovators in theatre - the literary-theatrical equivalent of a Picasso or Stravinsky - and Germany's greatest poet of the last century, but the playwright was also a dazzling writer of stories. Storytelling permeated his art as a dramatist; fundamentally in his plays he was a storyteller. This volume collects the complete short stories written by Brecht, including the prize-winning 'The Monster', and the fragmentary memoir ghost-written by Brecht, 'Life Story of the boxer Samson-Korner'. Brecht scholars Marc Silberman and Shuhsi Kao provide an introduction and editorial notes.Fans of Brecht will find in the 37 stories assembled here the same directness, lack of affectation, and wry humour that characterise his plays. Every lover of short stories will discover an unexpected trove of pleasure in this "mine for short-story addicts" ("Observer").

This new Student Edition, featuring the classic John Willett translation of the play, includes an introduction by Katherine Hollander, which explores the following: * Contexts (Thirty Years War, 1618-1648; World War II and exile; sources; influential figures such as Brecht, Margarete Steffin, Helene Weigel and Karin Michaelis) * Themes (war; nature; capitalism) * Dramatic devices (epic theatre) * Production history and critical reception * Academic debate (Marxist, feminist and postmodernist) * Further study Widely regarded as Brecht's best work, Mother Courage and her Children was written in 1938-9 and received its premiere in Zurich in 1941. Mother Courage - a canteen woman serving with the Swedish Army during the Thirty Years War (1618-48) - follows the armies, selling provisions and liquor to the troops. Both her sons die in the war and her dumb daughter, Kattrin, is mortally wounded as she beats a drum to warn the town of Halle of an impending attack. Yet, all the while, Mother Courage continues her travels with her wagon, indomitably businesslike, calculating how she can make material profit from the war and turn conflict into capital.

Brecht's series of twenty-four interconnected playlets describe events which took place in ordinary German households in the 1930s. They dramatise with clinical precision the suspicion and anxiety experienced by ordinary people, particularly Jewish citizens, as the power of Hitler grew. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. This Student Edition features an extensive introduction and commentary and includes: a chronology of the Brecht's life and work; a synopsis of each playlet; an introduction to the context of the play; commentary on themes, characters, style and language; a review of the play in performance; notes on individual words and phrases in the text, and questions for further study.

One of Bertolt Brecht's best-loved and most performed plays, The Threepenny Opera was first staged in 1928 at the Theater am Schiffbauerdamm, Berlin (now the home of the Berliner Ensemble). Based on the eighteenth-century The Beggar's Opera by John Gay, the play is a satire on the bourgeois society of the Weimar Republic, but set in a mock-Victorian Soho. With Kurt Weill's music, which was one of the earliest and most successful attempts to introduce the jazz idiom into the theatre, it became a popular hit throughout the western world. This new edition is published here in John Willett and Ralph Manhein's classic translation with commentary and notes by Anja Hartl.

Brecht's series of twenty-four interconnected playlets describe events which took place in ordinary German households in the 1930s. They dramatize with clinical precision the suspicion and anxiety experienced by ordinary people, particularly Jewish citizens, as the power of Hitler grew.

This volume is translated by John Willett, joint editor of Brecht's collected plays in English and is accompanied by an extensive introduction and commentary.

"What Brecht shows us here is more or less harmless by comparison with what came later. Perhaps this is its greatest strength: we know the results, what we are looking for is the beginnings."-Max Frisch

'Brecht's dark, dazzling world-view...makes an absolutely devastating impact. The play is fuelled by the brilliant perception that everyone requires such a dual or split personality to survive.' Evening Standard Three gods come to earth hoping to discover one really good person. No one can be found until they meet Shen Te, a prostitute with a heart of gold. Rewarded by the gods, she gives up her profession and buys a tabacco shop but finds it is impossible to survive as a good person in a corrupt world without the support of her ruthless alter ego Shui Ta. Brecht's parable of good and evil was first performed in 1943 and remains one of his most popular and frequently produced plays worldwide. This Student Edition features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature.

Published by Methuen Drama, the collected dramatic works of Bertolt Brecht are presented in the most comprehensive and authoritative editions of Brecht's plays in the English language.The fifth volume in the Brecht Collected Plays series brings together two of Brecht's best-known and most frequently performed and studied plays: Life of Galileo and Mother Courage and Her Children. Galileo, which examines the conflict between free inquiry and official ideology, contains one of Brecht's most human and complex central characters. Temporarily silenced by the Inquisition's threat of torture, and forced to abjure his theories publicly, Galileo continues to work in private, eventually smuggling his work out of the country. As an examination of the problems that face not only the scientist but also the whole spirit of free inquiry when brought into conflict with the requirements of government or official ideology, Life of Galileo has few equals. The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.

"Brecht on Performance: Messingkauf and Modelbooks" presents a selection of Brecht's principal writings for directors and theatre practitioners, and is suitable for acting schools, directors, actors, students and teachers of Theatre Studies. Through these texts Brecht provides a general practical approach to acting and to realising texts for the stage that crystallises and makes concrete many of the more theoretical aspects of his other writing.The volume is in two parts. The first features an entirely new commentated edition of Brecht's dialogues and essays about the practice of theatre, known as the "Messingkauf," or "Buying Brass," including the 'Practice Pieces' for actors (rehearsal scenes for classics by Shakespeare and Schiller). The second contains rehearsal and production records from Brecht's work on productions of" Life of Galileo," "Antigone," "Mother Courage" and others.Edited by an international team of Brecht scholars and including an essay by director and teacher Di Trevis examining the practical application of these texts for theatres and actors today, "Brecht on Performance" is a wonderfully rich resource. The text is illustrated with over 30 photographs from the "Modelbooks."

In this chronicle of the European Thirty Years War and taking place between the years 1624 and 1636, Mother Courage follows the armies back and forth across Europe, selling provisions and liquor from her canteen wagon to whomever she can. One by one she loses her children to the war but will not part with her livelihood - the wagon. The Berlin production of 1949, with Helene Weigel as Mother Courage, marked the foundation of the Berliner Ensemble. Considered by many to be one of the greatest anti-war plays ever written and Brecht's masterpiece, the play is a powerful example of Epic Theatre and Brecht's use of alienation effect to focus attention not on individual characters but on the issues of the play. This edition published in Methuen Drama's Modern Classics series offers a full introduction as well as Brecht's own notes and textual variants, setting it apart from all other editions available in the English language. The play is presented in John Willett's trusted translation. 'One of the greatest poets and dramatists of our century' (Observer).

Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his appetite for scientific investigation, Galileo's heretical discoveries about the solar system bring him to the attention of the Inquisition. He is scared into publicly abjuring his theories but, despite his self-contempt, goes on working in private, eventually helping to smuggle his writings out of the country.As an examination of the problems that face not only the scientist but also the whole spirit of free inquiry when brought into conflict with the requirements of government or official ideology, Life of Galileo has few equals.Written in exile in 1937-9 and first performed in Zurich in 1943, Galileo was first staged in English in 1947 by Joseph Losey in a version jointly prepared by Brecht and Charles Laughton, who played the title role. Printed here is the complete translation by Brecht scholar John Willett. The much shorter Laughton version is also included in full as an appendix, along with Brecht's own copious notes on the play making this the most trusted scholarly edition of the text.

This Student Edition of Brecht's classic dramatisation of the conflict between free enquiry and official ideology features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his appetite for scientific investigation, Galileo's heretical discoveries about the solar system bring him to the attention of the Inquisition. He is scared into publicly abjuring his theories but, despite his self-contempt, goes on working in private, eventually helping to smuggle his writings out of the country.As an examination of the problems that face not only the scientist but also the whole spirit of free inquiry when brought into conflict with the requirements of government or official ideology, Life of Galileo has few equals. Written in exile in 1937-9 and first performed in Zurich in 1943, Galileo was first staged in English in 1947 by Joseph Losey in a version jointly prepared by Brecht and Charles Laughton, who played the title role. Printed here is the complete translation by John Willett.

Based on John Gay's eighteenth century Beggar's Opera, The Threepenny Opera, first staged in 1928 at the Theater am Schiffbauerdamm in Berlin, is a vicious satire on the bourgeois capitalist society of the Weimar Republic, but set in a mock-Victorian Soho. It focuses on the feud between Macheaf - an amoral criminal - and his father in law, a racketeer who controls and exploits London's beggars and is intent on having Macheaf hanged. Despite the resistance by Macheaf's friend the Chief of Police, Macheaf is eventually condemned to hang until in a comic reversal the queen pardons him and grants him a title and land. With Kurt Weill's unforgettable music - one of the earliest and most successful attempts to introduce jazz to the theatre - it became a popular hit throughout the western world. Published in Methuen Drama's Modern Classics series in a trusted translation by Ralph Manheim and John Willett, this edition features extensive notes and commentary including an introduction to the play, Brecht's own notes on the play, a full appendix of textual variants, a note by composer Kurt Weill, a transcript of a discussion about the play between Brecht and a theatre director, plus editorial notes on the genesis of the play.

Written in exile during the Second World War, the story of Brecht's classic play subverts an ancient Chinese tale - echoed in the Judgement of Solomon - in which two women claim the same child. The message of Brecht's parable is that resources should go to those who will make best use of them. Thanks to the rascally judge, Azdak, one of Brecht's most vivid creations, this story has a happy outcome: the child is entrusted to the peasant Grusha, who has loved and nurtured it.Published in Methuen Drama's Modern Classics series, this edition features an extensive introduction, Brecht's own notes on the play and a full appendix of textual variants. It is the standard critical edition of the work in an acclaimed translation by James and Tania Stern with W. H. Auden.

Written in 1940 during Brecht's exile in Finland, Puntila is one of his greatest creations - to be ranked alongside "Galileo" and "Mother Courage." A hard-drinking Finnish landowner, Puntila suffers from a divided personality: when drunk he is human and humane; when sober, surly and self-centred. The play contains some of the best comedy Brecht wrote for the theatre.

This translation by John Willett is accompanied by Brecht's own notes and relevant texts, as well as an extensive introduction and commentary by John Willett and Ralph Manheim, editor's of Brecht's collected plays in English.

Published by Methuen Drama, the collected dramatic works of Bertolt Brecht are presented in the most comprehensive and authoritative editions of Brecht's plays in the English language. The seventh volume of Brecht's Collected Plays contains the plays which Brecht wrote during his six-year stay in the United States from 1942 to 1948. The Visions of Simone Machard is a French resistance version of the Joan of Arc story. Schweyk in the Second World War transposes Hasek's 'good soldier' to the Prague of Hitler and Heydrich. The Caucasian Chalk Circle, based on the biblical story of the judgement of Solomon, was originally written for production on Broadway, with W. H. Auden responsible for the verse. A morality masterpiece, the play powerfully demonstrates Brecht's pioneering theatrical techniques and has since become one of his most popular works. The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.

Published by Methuen Drama, the collected dramatic works of Bertolt Brecht are presented in the most comprehensive and authoritative editions of Brecht's plays in the English language.This second volume of Brecht's Collected Plays brings together some of his most glittering Berlin successes including The Threepenny Opera, The Rise and Fall of the City of Mahagonny, The Seven Deadly Sins, Man Equals Man and The Elephant Calf. The Threepenny Opera is the story of the mercurial beggar turned entrepeneur Peachum and his battles with the criminal Mac 'the Knife'; Mahagonny, an operatic satire on the search for an American capitalist utopia; The Seven Deadly Sins is a ballet with songs that predicts the downfall of the petty bourgeosie and was first performed as the Nazis planned their book burning exercise. Man equals Man is an exploration of the theory of equality and The Elephant Calf is a play within a play based on an Indian folk story.The translators include W H Auden and Chester Kallman, Ralph Manheim, Gerhard Nellhaus and John Willett. The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.

Educational policy-makers around the world constantly make decisions about how to use scarce resources to improve the education of children. Unfortunately, their decisions are rarely informed by evidence on the consequences of these initiatives in other settings. Nor are decisions typically accompanied by well-formulated plans to evaluate their causal impacts. As a result, knowledge about what works in different situations has been very slow to accumulate. Over the last several decades, advances in research methodology, administrative record keeping, and statistical software have dramatically increased the potential for researchers to conduct compelling evaluations of the causal impacts of educational interventions, and the number of well-designed studies is growing. Written in clear, concise prose, Methods Matter: Improving Causal Inference in Educational and Social Science Research offers essential guidance for those who evaluate educational policies. Using numerous examples of high-quality studies that have evaluated the causal impacts of important educational interventions, the authors go beyond the simple presentation of new analytical methods to discuss the controversies surrounding each study, and provide heuristic explanations that are also broadly accessible. Murnane and Willett offer strong methodological insights on causal inference, while also examining the consequences of a wide variety of educational policies implemented in the U.S. and abroad. Representing a unique contribution to the literature surrounding educational research, this landmark text will be invaluable for students and researchers in education and public policy, as well as those interested in social science. Features: * Includes numerous useful examples of high-quality studies * Helps readers produce better educational research * A clear and concise guide for evaluating causal impacts of educational interventions

Written between 1939-1942 The Messingkauf Dialogues are among the most concise, witty and light-hearted of all Brecht's theoretical discussions of theatre. They are the blue print for Brecht's radical re-creation of theatre making in 1930s and mark a transition from realism to modernism in his plays. Here actor, actress, dramaturg (or literary advisor) and electrician argue with the Brechtian Philosopher who wants to exploit their talent for his own purposes. The result is a debate about the place of art in society.

Mother Courage and Her Children is widely regarded as Brecht's best work, a theatrical landmark and one of the most powerful anti-war plays in history. This translation by Michael Hofmann was published to coincide with the UK tour by English Touring Theatre in 2006. In this chronicle of the Thirty Years War of the seventeenth century, Mother Courage follows the armies back and forth across Europe, selling provisions and liquor from her canteen wagon. As the action of the play progresses between the years 1624 and 1646 she loses her children to the war but remains indomitable, refusing to part with her livelihood - the wagon. The play is one of the most celebrated examples of Epic Theatre and of Brecht's use of alienation effect to focus attention on the issues of the play above the individual characters. It remains regarded as one of the greatest plays of the twentieth century and one of the great anti-war plays of all time. The Berlin production of 1949, with Helene Weigel as Mother Courage, marked the foundation of the Berliner Ensemble. Translated by the celebrated, German-born translator Michael Hofmann who has won multiple awards for his translation of works from German into English, the stage production was acclaimed for his 'gutsy,colloquial translation' (The Stage).

Described by Brecht as 'a gangster play that would recall certain events familiar to us all', Arturo Ui is a witty and savage satire of the rise of Hitler - recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade. Using a wide range of parody and pastiche - from Al Capone to Shakespeare's Richard III and Goethe's Faust - Brecht's compelling parable continues to have relevance wherever totalitarianism appears today. Written during the Second World War in 1941, the play was one of the Berliner Ensemble's most outstanding box-office successes in 1959, and has continued to attract a succession of major actors, including Leonard Rossiter, Christopher Plummer, Antony Sher and Al Pacino. Presented in Methuen Drama's Modern Classics series, this is the standard critical edition of the play featuring extensive editorial notes and an introduction.

Published by Methuen Drama, the collected dramatic works of Bertolt Brecht are presented in the most comprehensive and authoritative editions of Brecht's plays in the English language.

Volume One of Brecht's Collected Plays contains Brecht's first performed stage works. Baal is inspired by Brecht's student life in Augsburg and follows the life of a young poet on the rocky road to inspiration; Drums in the Night was written in response to Brecht's experience as a medical orderly in the aftermath of the First World War; and In the Jungle of Cities, set in Chicago, covers the downfall of a family that has moved from the prairies to the jungle of the big city - award-winning in its day, it was described by a leading German daily as the play that 'has given our time a new tone, a new melody, a new vision'.

This volume also includes The Life of Edward II of England, a ballad-like adaptation of Marlowe's original, and five one-act plays The Beggar or the Dead Dog, Driving Out The Devil, Lux in Tenebris, The Catch and A Respectable Wedding in which the bourgeois proceedings take a hilarious turn for the unseemly.

The translators are Jean Benedetti, Eva Geiser and Ernest Borneman, Richard Grunberger, Michael Hamburger, Gerhard Nellhaus, Peter Tegel and John Willett. The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.

Brecht's famous parable, written in exile in 1939-41, shows that in an unjust society good can only survive by means of evil. In it, the gods come to earth in search of enough good people to justify their existence. They find Shen Teh, a good-hearted but penniless prostitute, and make her a gift that enables her to set up her own business. But her goodness brings ruin and she must disguise herself as a man in order to muster sufficient ruthlessness to survive. Published in Methuen Drama's Modern Classics series, this edition features an introduction and extensive notes and textual variants.