Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

One of the leading exponents of the nineteenth century's Gothic Revival, the architect Sir George Gilbert Scott (1811-78) most famously designed the Albert Memorial in Kensington Gardens and the Midland Grand Hotel at St Pancras. In the design and restoration of churches and cathedrals, his work was distinguished by its care, skill and sheer volume: most medieval cathedrals in England and Wales, including Westminster Abbey, benefited from Scott's expertise in some form. Written between 1864 and his death, then edited by his son and fellow architect George Gilbert Scott (1839-97), this 1879 autobiography was among the first of its kind, recording the background, career and opinions of a prolific professional architect. Moreover, the work includes a defence of Scott's principles against what he saw as the 'anti-restoration movement', led by John Ruskin and others. Altogether, these lucid memoirs confirm Scott's place at the centre of Victorian design.

The importance of this book cannot be underestimated. There is no one book that exposes Westcott and Hort's false Greek Text and false Greek theory behind that text any more thoroughly and convincingly than The Revision Revised. Dean Burgon defends the traditional text of the New Testament. He shows clearly the defects in both manuscript "B" (Vaticanus) and manuscript "Aleph" (Sinaiticus). It is very important to see the arguments contained in this historic volume because virtually the same Greek text of Westcott and Hort (1881) FORMS THE BASIS OF ALMOST ALL OF THE MODERN VERSIONS AND PERVERSIONS. See the Appendix, pages 2-3.

In this book Dean Burgon delivers seven sermons preached to his students at the University of Oxford. In the sermons, he defends the inerrancy of the Bible--down to the very words, syllables, and letters of it. He also gives sound principles of Biblical interpretation. Before these seven constructive sermons, the Dean makes a 228 page answer to "Essays and Reviews." In this answer he shows himself a champion of Bible believing truth and an opponent of every heresy and heretic attempt to dishonor God's inerrant Words. This book is a continuation of the Dean's "The Traditional Text."

Dean Burgon demonstrates that the methodology of modern textual criticism fails to hold up when examined against the last twelve verses of Mark. The entire system of textual critics must be rejected. He shows that Bishop B. F. Westcott and Professor F. J. A. Hort and their followers are categorically wrong in their approach to the text of the New Testament. Dean Burgon's book is a fatal blow to the manuscripts "B" and "Aleph," which are the favorite manuscripts of the modern textual critics.