Poor Souls is an account of American Catholic parish life, laced with subtle, yet probing satire, as told through the eyes of seminarian Martin Flanagan. Set in the Diocese of Covert at the Parish of Our Lady of the Poor and Forgotten Souls in Purgatory, Catholics and non-Catholics alike will delight in Hyacinth, the ever-vigilant, long-time parish housekeeper; Pastor Emeritus, Father Boniface; the irascible and irreverent Father Jack Ash; and a host of other dysfunctional souls. Beyond the sanctuary, Poor Souls reveals a great mix of sin and grace among broken believers. "An unexpected revelation of life in the seminary and parish, McMullen reveals the very human lives of Roman Catholic clergy knowingly yet lovingly. McMullen's novel is so real it will make you laugh and cry at the same time. Uproariously shrewd and marvelously told." - Doug Chambers, The Joshua Decree "POOR SOULS gives the reader a rollicking tale of seminarians and priests in their service of the church. McMullen, writing as an insider, masterfully strikes insightful chords of humor without resorting to ridicule."- Clark Gabriel Field, The Celibate "Poor Souls is unpretentious; it doesn't aim at the high drama of a Graham Greene or the fetching mystical aura of Diary of a Country Priest. The intention of the author is to 'highlight the ordinary, and indeed the sinful, as being transformed by grace into something worthy of God.' It employs the banality of everyday living to convey the Catholic element without ever resorting to signs and wonders or, worse, 'pious-speak'." - Leo Madigan, Literary Critic

The Miracle of Stalag 8A is a retelling of the fascinating story of Olivier Messiaen's composition of his Quartet for the End of Time. Set in France & Germany from 1939 to 1941, Messiaen served in the French army, was captured at Verdun, and sent to Stalag 8A in Gorlitz, Germany, where he composed the great work, The Quartet for the End of Time. The enigmatic Messiaen, an avant-garde composer and also a devout Catholic, along with Etienne Pasquier, an agnostic cellist, Henri Akoka, a Jewish Trotskyite Clarinetist, and Jean le Boulaire, an atheistic violinist, become the famous quartet of Stalag 8A. These four very different men collaborated to create musical history in the most unlikely of places. Messiaen's Quartet, composed in a Stalag, transforms man's inhumanity to man with hope. Yet to the avant-garde, he was too traditional and too religious; to the traditionalists and religious, he was too avant-garde. As a result he will always stand somewhere outside of Time. The first performance of the Quartet for the End of Time at Stalag 8A in January 1941 has become, in the words of Paul Griffiths, "one of the great stories of twentieth-century music." - From the Publisher

From the forgotten history of 1830s Indiana, John William McMullen unearths the true story of Benjamin Petit, a French Attorney turned missionary priest, and his mission to the Potawatomi People in the Diocese of Vincennes, Indiana. Under the urging of the saintly Bishop Simon Brut, Petit joined the northern Indiana Potawatomi tribes in 1837, a year before their forced removal west. McMullen retells the incredible journey of Petit who traveled with the Potawatomi People and became part of their history. "The deportation of Chief Menominee and his tribe of Potawatomi Indians from their reservation at Twin Lakes in Marshall County, in September, 1838, is one of the darkest pages in the history of Indiana. The farther in time we get away from this event the clearer this will appear and the more interest will be attached to the route which is consecrated by the blood of that helpless people at the hands of a civilized and Christian state: The Potawatomi Trail. "Of all the names connected with this crime, there is one, Father Benjamin Petit, the Christian martyr, which stands like a star in the firmament, growing brighter and it will shine on through for ages to come." - Benjamin Stuart, Indiana journalist, early 20th century "For American Indians the scars of injustice inflicted upon them in the past are deep, painful, and, tragically, are inherited from one generation to the next. Those injustices have become ghosts in the cultural memory of a people crying out for justice. We must fully disclose the past in order to deal with the many years and generations of unresolved grief and distrust." -Thomas Hamilton, member of Citizen Potawatomi Nation. John William McMullen resides in Evansville, Indiana with his wife and children

The Miracle of Stalag 8A is a retelling of the fascinating story of Olivier Messiaen's composition of his Quartet for the End of Time. Set in France & Germany from 1939 to 1941, Messiaen served in the French army, was captured at Verdun, and sent to Stalag 8A in Gorlitz, Germany, where he composed the great work, The Quartet for the End of Time. The enigmatic Messiaen, an avant-garde composer and also a devout Catholic, along with Etienne Pasquier, an agnostic cellist, Henri Akoka, a Jewish Trotskyite Clarinetist, and Jean le Boulaire, an atheistic violinist, become the famous quartet of Stalag 8A. These four very different men collaborated to create musical history in the most unlikely of places. Messiaen's Quartet, composed in a Stalag, transforms man's inhumanity to man with hope. Yet to the avant-garde, he was too traditional and too religious; to the traditionalists and religious, he was too avant-garde. As a result he will always stand somewhere outside of Time. The first performance of the Quartet for the End of Time at Stalag 8A in January 1941 has become, in the words of Paul Griffiths, "one of the great stories of twentieth-century music."

Set in 1981 during the last week of summer vacation, Eugene Thomas dares Lambert McChesney and his adolescent peers to walk across the alleged haunted railroad bridge in the middle of the night. Reagan was President and the threat of nuclear war and the proverbial doomsday scenario hung over every American's head. Yet with imminent death just a push of a button away, the thought of walking across the alleged haunted railroad bridge in the middle of the night seemed even more ominous to adolescent boys. Lambert McChesney and his cohorts were embarking upon adolescence when Reagan was king and God was in his heaven and all was well with the world. So it seemed and so they believed.