When Aubrey, a young Englishman, meets a mysterious man from London high society, Lord Ruthven, they become unlikely friends. Shortly after, Aubrey decides to accompany the noble on a trip to Rome. However, when a moral disagreement arises between the two, Aubrey decides to leave Ruthven in Rome, and goes off on his own. Arriving in Greece, Aubrey meets Ianthe, and the two share an immediate connection. After sharing stories and an evening together, Aubrey and Ianthe part ways for the night. However, after a devastating turn of events, Aubrey and Ruthven reunite, and Aubrey, ready to leave Greece behind, is happy to travel with the older man once again. But as they continue their travels, Aubrey slowly begins to notice Ruthven's odd behavior. After even more consideration, Aubrey realizes a shocking pattern-nearly everyone that Ruthven comes in close contact to meets an untimely end. Afraid of his newly acquired knowledge, Aubrey attempts to distance himself from the suspicious man, though he is forced to reconsider his efforts when Ruthven expresses intent to marry Aubrey's sister. First published under Lord Byron's name, The Vampyre rose to immediate commercial success. However, though he was inspired by a discarded piece of Lord Bryon's work, both authors have since admitted that John William Polidori was the true writer of The Vampyre. Considered to be the first work of vampire fiction, The Vampyre had an immense role in shaping vampires as literary figures, influencing the canonical rules of vampires that many still follow today. First published in 1819, Polidori's The Vampyre remains to be a thrilling and spooky read centuries later, and has since inspired both film and theater adaptations. With mystery and eerie suspense, Polidori's work is an extraordinary example of 19th century gothic horror. This edition of The Vampyre by John William Polidori features a striking new cover design and is printed in a font that is both modern and readable. With these accommodations, The Vampyre caters to a contemporary audience while preserving the original innovation of John William Polidori's work.

John William Polidori (1795 1821) was, for a brief period, the personal physician to Lord Byron. Half Italian, he was the uncle of the Rossetti siblings, and it was William Michael Rossetti, in his role as family recorder, who published Polidori's manuscript diary after nearly a century, in 1911. This account of his time with Byron (which ended two months later when they quarrelled and parted company) is the only contemporary account of the few weeks, crucial to the development of the Romantic movement, during which Mary Shelley's Frankenstein arose from a storytelling competition at the Villa Diodati. Polidori's later career as a physician and writer was hampered by a severe accident in 1817 which left him with brain damage. His most famous work, The Vampyre, was published in 1819, but attributed to Byron, leading both men to threaten the publisher with lawsuits. Polidori died (probably a suicide) two years later."

In the early 1800s, young British aristocrat Aubrey travels through Italy and Greece in the company of the mercurial and fantastic Lord Ruthven. Later, he believes his friend to have been mysteriously slain. But when Ruthven returns from the dead to prey on his sister, he realizes that the enigmatic stranger is none other than a vampire The character of the Byronesque vampire Lord Ruthven was first created in 1816 by John William Polidori on the same night that Mary Shelley created Frankenstein. This volume includes the original 1819 Polidori novella, a fragment from Lord Byron showing his own take on the character, an 1820 stage adaptation by French author Charles Nodier and an 1821 vaudeville play by Eugene Scribe. The book also includes an all-new story pitting Ruthven against Dracula and Sherlock Holmes by renowned playwright and translator Frank J. Morlock.

'June 18. Began my ghost story after tea. Twelve o' clock, really began to talk ghostly. [Lord Byron] repeated some verses of Coleridge's Christabel, of the witch's breast; when silence ensued, and Shelley, suddenly shrieking and putting his hands to his head, ran out of the room with a candle.' (from the Diary of Dr John William Polidori, 1816). So John William Polidori (1795-1821) records one of the most famous storytelling evenings in English literature, the stormy night at the Villa Diodati that was the source of Mary Shelley's Frankenstein and his own tale "The Vampyre", as well as his Gothic novel "Ernestus Berchtold". Polidori's still compelling works, included here in full, created figures of seductive evil that continue to exert a powerful hold over literature and popular culture. In addition, this collection makes available some of Polidori's fascinating lesser-known works such as his medical thesis on nightmares, his pamphlet on the death penalty, his poetry and diary. Many of these have not been republished since the nineteenth century. Now Polidori emerges from the shadows, an impetuous, sensitive writer with a sometimes fierce talent.His encounters with Byron, Shelley and their circle contributed to his fame and notoriety, and to his neglect, since they outshone him. Here he can be read by his own mysterious taper. Franklin Bishop's introduction describes the context in which The Vampyre was written and deepens our understanding of Romanticism and the Gothic.