The Farce of Sodom is a sexually explicit play which satirizes the reign of Charles II of England during the Restoration of the English monarchy. Explicit and uncompromising in tone, this send-up of the Royal Court grossly exaggerates the rumors surrounding the court of the king. We witness the homosexual King Bolloximian ban ordinary sexual intercourse in his kingdom, decreeing that only anal intercourse be permitted among the entire population. The excesses of the wealthy are shown in a sequence of erotic acts in a court preoccupied with luxuriating in debauchery. Eventually the nature of the acts the wealthy are consigned to perform upsets enough members of the court, and King Bolloximian is violently deposed. He and his closest companions are then consigned to hellfire. Banned for centuries, during recent years The Farce of Sodom has attracted renewed appreciation, with a version of the drama staged at the 2011 Edinburgh Festival.

John Wilmot, the notorious Earl of Rochester, was the darling of the polished, profligate court of Charles II. One of the finest poets of the Restoration, patron to important playwrights, model for countless witty young rakes in Restoration comedies, he lived a full but short life, dying in 1680 (with a dramatic deathbed renunciation of his atheism) at the age of thirty-three. This edition of Rochester's poetry, brilliantly annotated and introduced by David M. Vieth, has been a classic work for decades.

John Wilmot, second Earl of Rochester (1647-80), was a leading member of the group of `court wits' surrounding Charles II. One of the wittiest and most sexually explicit poets in English, his poems circulated principally in manuscript, which makes the tracing of their transmissional history a peculiarly difficult task. In this long-awaited edition, Harold Love, one of the leading scholars of seventeenth-century manuscript circulation, presents a scholarly text based on detailed examination of the manuscripts, with full textual and explanatory notes. It will be an important contribution to the study of manuscript publication as well as a vital resource for all students of Rochester.

The Farce of Sodom is a sexually explicit play which satirizes the reign of Charles II of England during the Restoration of the English monarchy. Explicit and uncompromising in tone, this send-up of the Royal Court grossly exaggerates the rumors surrounding the court of the king. We witness the homosexual King Bolloximian ban ordinary sexual intercourse in his kingdom, decreeing that only anal intercourse be permitted among the entire population. The excesses of the wealthy are shown in a sequence of erotic acts in a court preoccupied with luxuriating in debauchery. Eventually the nature of the acts the wealthy are consigned to perform upsets enough members of the court, and King Bolloximian is violently deposed. He and his closest companions are then consigned to hellfire. Banned for centuries, during recent years The Farce of Sodom has attracted renewed appreciation, with a version of the drama staged at the 2011 Edinburgh Festival.