Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A landmark history exploring and celebrating the lives of Black Victorians. Beyond the patrician vision of Victorian Britain traditionally advanced in our textbooks, there always existed another, more diverse Britain, populated by people of colour marking achievements both ordinary and extraordinary. In this deeply researched and dynamic history, Woolf and Abraham reach into the archives to recentre our attention on marginalised Black Victorians, from leading medic George Rice to political agitator William Cuffay to abolitionists Henry ‘Box’ Brown and Sarah Parker Remond; from pre-Raphaelite muse Fanny Eaton to renowned composer Samuel Coleridge-Taylor. While acknowledging the paradoxes of Victorian views of race, Black Victorians demonstrates, with storytelling verve and a liberatory impulse, how Black people were visible and influential, firmly rooted in British life.  

A landmark work of revisionist history exploring and celebrating the lives of Black Victorians. Our vision of Victorian Britain tends to the monolithic - white, imperialist, prurient, patrician. However, though until very recently overlooked in our textbooks, there was another, more diverse Britain, populated by people of colour marking achievements both ordinary and extraordinary. In this deeply researched, dynamic and revelatory history, Woolf and Abraham reach back into the archives to recentre our attention on marginalised Black Victorians, from leading medic George Rice to protestor William Cuffay to attention-grabbing abolitionists Henry 'Box' Brown and Sarah Parker Remond; from pre-Raphaelite muse Fanny Eaton to composer Samuel Coleridge Taylor. Black Victorians shows how Black lives were visible, present and influential - not temporary presences but established and rooted; and how paradox and ambivalence characterised the Victorian view of race.