Crime drama starring rapper 50 Cent (aka Curtis Jackson) as a weapons dealer who is under investigation by the FBI. Rich (Jackson) is in the middle of a gun deal gone wrong when ex-con Angel (Val Kilmer), who is working for the cops to get inside information on Rich's crew, saves his life. However, when Rich's lover and weapons supplier, Gabriella (AnnaLynne McCord) begins to get suspicious and is caught in the middle of a shoot-up herself, things look set to turn ugly.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Have you ever wondered how the wheel was invented or who created the first video game? Do you understand how the internet works and why vaccines save lives? Are you aware that fossil fuels not only power cars and planes, but are also used to generate the electricity that powers almost everything else? Do you know about alternative energy sources and how they work? Would you like to know more about robotic surgery, vertical farming or gene therapy? Then this is the book for you!

From celebrated Black writers, creators, and thinkers—and with a foreword by John Legend—comes a collection of letters and original illustrations on the subject of Black love, a powerful and heartfelt celebration of Blackness in all its many forms. In this exquisite anthology of letters and illustrations, Cole Brown and Natalie Johnson bring together a constellation of influential Black figures to write to the people, places, and moments that mean the most to them. With a foreword from John Legend and contributions from Brontez Purnell, Morgan Jerkins, Reverend Al Sharpton, and Dr. Imani Perry, among many others, Black Love Letters is an ode to a phenomenal community: a testament to the fact that where there has been pain and suffering, there has also always been immeasurable, irrepressible joy and love. Contributors: Akili King, Alex Elle, Allisa Findley, Barbara Edelin Belinda Walker, Ben Crump, Bill Whitaker, Bilquisu Abdullah, Brianna Holt, Brontez Purnell, Cole Brown, Danez Smith, Deborah Willis, Dick Parsons, Douglas Jones, Douglas Kearney, Dr. Imani Perry, Jamila Woods, Jan Menafee, Jayne Allen, Jeh Johnson, Jenna Wortham, Joel Caston, Jonathan Capehart, Joy Reid, Justus Pugh, Kwame Dawes, Lynae Vanee, Mahogany L. Brown, Malachi Elijah, Michael Eric Dyson, Morgan Jerkins, Nadia Owusu, Natalie Johnson, Rakia Reynolds, Reverend Al Sharpton, Rhianna Jones, Roze Traore, Sojourner Brown, Tarana Burke, Tembe Denton Hurst, Topaz Jones, Tracey Michae'l Lewis-Giggetts, and VJ Jenkins

This book is open access under a CC BY 4.0 license. This book investigates what international placements of healthcare employees in low resource settings add to the UK workforce and the efficacy of its national health system. The authors present empirical data collected from a volunteer deployment project in Uganda focused on reducing maternal and new-born mortality and discuss the learning and experiential outcomes for UK health care professionals acting as long term volunteers in low resource settings. They also develop a model for structured placement that offers optimal learning and experiential outcomes and minimizes risk, while shedding new light on the role that international placements play as part of continuing professional development both in the UK and in other sending countries.

This study turned the tables on a conventional understanding of the four instruments of national power (diplomacy, information, military and economic measures/D.I.M.E.) to see how potential adversaries could use these against the national security interests of Canada and the United States. Moreover, this particular work focuses on qualitative research regarding cyber threats that have continually beleaguered these nations by malevolent actors mostly over the last five years. This study also affords consideration to how nefarious individuals, non-state actors, or nation states can implement the instruments of national power through the application of a new model named the York Intelligence Red Team Model-Cyber (YIRTM-C) using sources guided by the Federal Qualitative Secondary Data Case Study Triangulation Model to arrive at results.

The father of the intelligent design movement, Phillip Johnson, thinks the new atheists are right How? They've put serious discussion about God back on the public agenda. Despite their conclusions, folks like Richard Dawkins, Sam Harris and Daniel Dennett are asking the right questions. They're making belief in any religion an issue again, especially in the university context where, for decades, questions about faith and reason have been taken off the table for serious discussion. Open debate is exactly what we need on the topics of God, evolution and creation. Together Johnson and John Mark Reynolds help us see the unique opportunity these vociferous and even evangelistic atheists are creating in their attempt to convert us to their unbelief. The authors show that we need not fear or react against these challenges. Rather they point to better ways to engage the opinions of this new, aggressive form of antireligious activity. With skill and insight they energetically take on the question of whether the evidence leads to a materialistic naturalism or points toward a creator God. Be informed. Be encouraged. Join the discussion.

Investigates how Americans have remembered violence and resistance since the Civil War, including Confederate monuments, historical markers, college classrooms, and history books. George Floyd’s murder in the summer of 2020 sparked a national reckoning for the United States that had been 400 years in the making. Millions of Americans took to the streets to protest both the murder and the centuries of systemic racism that already existed among European colonists but transformed with the arrival of the first enslaved African Americans in 1619. The violence needed to enforce that systemic racism for all those years, from the slave driver’s whip to state-sponsored police brutality, attracted the immediate attention of the protesters. The resistance of the protesters echoed generations of African Americans’ resisting the violence and oppression of white supremacy. Their opposition to violence soon spread to other aspects of systemic racism, including a cultural hegemony built on and reinforcing white supremacy. At the heart of this white supremacist culture is the memory of the Civil War era, when in 1861 8 million white Americans revolted against their country to try to safeguard the enslavement of 4 million African Americans. The volume has three interconnected sections that build on one another. The first section, “Violence,” explores systemic racism in the Civil War era and now with essays on slavery, policing, and slave patrols. The second section, titled “Resistance,” shows how African Americans resisted violence for the past two centuries, with essays discussing matters including self-emancipation and African American soldiers. The final section, “Memory,” investigates how Americans have remembered this violence and resistance since the Civil War, including Confederate monuments and historical markers. This volume is intended for nonhistorians interested in showing the intertwined and longstanding connections between systemic racism, violence, resistance, and the memory of the Civil War era in the United States that finally exploded in the summer of 2020.

Photonic Crystals: The Road from Theory to Practice explores the theoretical road leading to the practical application of photonic band gaps. These new optimal devices are based on symmetry and resonance and the benefits and limitations of hybrid "two dimensional" slab systems in three dimensions. The book also explains that they also signify a return to the ideal of an omnidirectional band gap in a structure inspired by and emulating the simplicity of two dimensions. Finally, the book takes a look at computational methods to solve the mathematical problems that underlie all undertakings in this field. Photonic Crystals: The Road from Theory to Practice should rapidly bring the optical professional and engineer up to speed on this intersection of electromagnetism and solid-state physics. It will also provide an excellent addition to any graduate course in optics.

This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare's world. Informed by The Body in Parts, the essays in this book respond also to the notion of an early modern 'body-mind' in which Shakespeare and his contemporaries are understood in terms of bodily parts and cognitive processes. What might the impact of such understandings be on our picture of Shakespeare's theatre or on our histories of the early modern period, broadly speaking? This book provides a wide range of approaches to this challenge, covering histories of cognition, studies of early modern stage practices, textual studies, and historical phenomenology, as well as new cultural histories by some of the key proponents of this approach at the present time. Because of the breadth of material covered, full weight is given to issues that are hotly debated at the present time within Shakespeare Studies: presentist scholarship is presented alongside more historically-focused studies, for example, and phenomenological studies of material culture are included along with close readings of texts. What the contributors have in common is a refusal to read the work of Shakespeare and his contemporaries either psychologically or materially; instead, these essays address a willingness to study early modern phenomena (like the Elizabethan stage) as manifesting an early modern belief in the embodiment of cognition.