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Showing 1 - 7 of 7 matches in All Departments
Jon Harris has lived, breathed and drawn Cambridge for over 50 years. His architect's sense of structure and fabric, his draughtsman's eye and vigorous use of pen and brush have produced an outstanding body of work. In 1997 the Fitzwilliam Museum honoured him with an exhibition of some 90 paintings and drawings. A great many of his best works are published for the fi rst time in Artist about Cambridge. They include drawings from the more than 40 sketchbooks which have been his constant companions over the past half century. Jon Harris's text describes in compelling detail how the images came into being. Harris's work is not a depiction of Cambridge as the tourist might like to have it, but is rather about his fascination with unregarded vistas, its back streets, crucial buildings lost to the wrecking ball, and with the city's industrial past. The artist's unrivalled knowledge and understanding of Cambridge and its environs inform every painting and drawing, helping you enjoy a thousand things you might otherwise miss.
As the co-authors present 13 of American Prof. of Russian Lee B. Croft's scholarly articles (in English with Russian examples), the articles fascinate as they advance the reader's knowledge of: glossolalia, poetic decipherment and translation, language philosophy and psychology, linguistic iconicity and language universals, an American Nobel-laureate scientist's inspiration, literary pornography, pervasive triplicity, spontaneous human combustion and polylingual alphamagic squares.
Horror sequel continuing the story of a group of ill-fated cavers. After Sarah Carter (Shauna MacDonald) is rescued from the Appalachian caves where several of her friends came to a bloody end, she is made to go back and help to try and find any remaining survivors. The local Sheriff (Gavan O'Herlihy) is not wholly convinced by Sarah's version of events or about what she claims she and her friends encountered in the caves and so pushes for the rescue expedition. It soon becomes clear, however, that every awful thing Sarah told him was true.
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