Published to mark the artist's 90th birthday, this is the first and only book to provide an overview of Bryan Organ, one of the world's great portrait painters.

This book tells the story of Bryan Organ, whose works have been commissioned by the National Portrait Gallery more than any other 20th-century painter. It is itself a portrait, one that draws on his beginnings on the school cricket pitch and at art college as well as his time sketching others in recording studios, on the polo field and at the Elysée Palace. It tells the stories of his most important paintings, his friendship with Graham Sutherland, and his endless experimentation with movement, space and form. For the first time, it offers a contextual overview of his paintings, drawings, prints and sketches from the 1950s to today.

Whether painting Prince Charles, Sir Harold Macmillan, Elton John, President Mitterrand or pigeon fanciers Mr and Mrs Sharples, Organ’s strategy is to find a point of contact with his sitters and get to know them. As this beautiful book illustrates, his acute powers of observation, his facility as a draughtsman and meticulous painting technique enable him to create a psychological likeness that feels like a real human encounter.

Despite his success, Organ has always shunned the limelight. When his controversial 1970 portrait of Princess Margaret hit the front pages, he found it difficult to cope with the uproar and retreated to France. Some ten years later, his portrait of Princess Diana was slashed by an anti-monarchist, and Organ decided that enough was enough. Since then, he has continued to work quietly, but refuses to be involved in any exhibitions and avoids all press coverage. Organ provided unprecedented access to his entire archive for this book, the only overview of his illustrious career.

"The Refuge and the Fortress" offers an account of academic refugees in Britain, including those who fled Nazi Germany, and through their testimonies, seeks to understand the qualities they bestowed on their adoptive country. It provides an honest portrayal of the encounters of people from other cultures with the characteristics of the British.

'The Refuge and the Fortress' offers an account of academic refugees in Britain, including those who fled Nazi Germany, and through their testimonies, seeks to understand the qualities they bestowed on their adoptive country. It provides an honest portrayal of the encounters of people from other cultures with the characteristics of the British.

'A call to arms from one of the great television journalists of his generation' Robert McCrum There is a question at the heart of this book: What sort of a society do we want to live in? It is rare in history that so many nations in the developed world are in crisis at the same time. There has been a disintegration of trust in political leaders and in the media that holds them to account. For all the progress humankind has made, for all the inventions and new technologies, our society is being undermined by inequality. We should care not simply because of its impact on productivity and growth, but because it's wrong. It's wrong that some don't have enough money to eat whilst others fly wagyu beef halfway across the planet for a couple of amusing mouthfuls. It's wrong that there are council residents unable to safely escape their homes if they catch fire. To fix it, we must begin by seeking out the truth about our world. In The State of Us, Jon Snow traces how the life of the nation has changed across his five-decade career, from getting thrown out of university for protesting apartheid to interviewing every prime minister since Margaret Thatcher. In doing so, he shows how the greatest problems at home and abroad so often come down to inequality and an unwillingness to confront it. But that is not our fate. Despite the challenges, Snow has witnessed profound social progress. In this passionate rallying cry, he argues that at its best, journalism reflects not just who we are now, but who we can be. We've had enough of division; the future is for us.

London today is embattled as rarely before. In a city of enormous wealth, poverty is rampant. The burnt-out hulk of Grenfell Tower stands as an appalling reminder that inequality can be so acute as to be murderous. Here, Claire Armitstead has drawn together fiction, reportage and poetry to capture the schisms defining the contemporary city. With nearly 40% of the capital's population born outside the country, Tales of Two Londons eschews what Armitstead labels a "tyranny of tone," emphasising voices rarely heard. Featuring writers such as Ali Smith, Jon Snow, Arifa Akbar and Ruth Padel alongside stories from previously unpublished immigrants and refugees, this is a compelling collection which captures the fabric of the city: its housing, its food, its pubs, its buses, even its graveyards.

It is rare in history that so many nations in the developed world are in crisis at the same time. There has been a disintegration of trust in political leaders and in the media that holds them to account. For all the progress humankind has made, for all the inventions and new technologies, our society is being undermined by inequality. We should care not simply because of its impact on productivity and growth, but because it's wrong. It's wrong that some don't have enough money to eat whilst others fly wagyu beef halfway across the planet for a couple of amusing mouthfuls. It's wrong that there are council residents unable to safely escape their homes if they catch fire. To fix it, we must begin by seeking out the truth about our world. In The State of Us, Jon Snow traces how the life of the nation has changed across his five-decade career, from getting thrown out of university for protesting apartheid to interviewing every prime minister since Margaret Thatcher. In doing so, he shows how the greatest problems at home and abroad so often come down to inequality and an unwillingness to confront it. But that is not our fate. Despite the challenges, Snow has witnessed profound social progress. In this passionate rallying cry, he argues that at its best, journalism reflects not just who we are now, but who we can be. We've had enough of division; the future is for us.

A range of distinguished contributors from the media, journalism, the arts, politics and the church speak candidly and engagingly about their understanding and experience of faith, its impact on them and their work, and its place in public life. In one of her last public engagements before her death, PD James recalls how influential the language of Anglicanism was in shaping her as a writer. Jon Snow, a former cathedral chorister, reveals what goes through your mind when interviewing tyrants. Douglas Hurd reflects on the sometimes conflicted experience of faith in the public arena. John Simpson discloses what keeps you going when reporting on war from the front line. Rowan Williams gives a flavour of the sheer number of polarized opinions that an Archbishop of Canterbury has to try to manage at any one time. These and other well-known figures offer fascinating insights into living in the public eye as a person of faith. All royalties from the sale of this book will be given to the Winchester Cathedral Appeal.

The compelling autobiography of one of the great and most committed newsmen of our time: full, frank, and occasionally very funny, Jon Snow's memoirs are as revealing about the great and the not-so-good as about his own passionate involvement in the reporting of world affairs. Jon Snow is perhaps the most highly regarded newsman of our time; his qualities as a journalist and as a human being - his passion, warmth, intelligence, frankness and humour - are widely recognised and evident for all to see most nights on Channel 4 News and now in the pages of his first book. His vivid personal chronicle is filled with anecdotes and pithy observations, and delightfully records his life and times since becoming a journalist in the early 1970s. He reported widely on Cold War conflicts in Iran, Iraq, Afghanistan, Eritrea, Ethiopia, Angola and Central America before becoming a resident correspondent in Washington D.C. in the 1980s, and he has met and interviewed most of the world's leaders. Drawing lessons from these experiences, he has pertinent things to say about how the increasing world disorder came about following the fall of the Berlin Wall; how the West's constant search for an enemy has helped unhinge the world; and how and why the media have, in general, been less than helpful in drawing attention to key political and global developments.

A Russian Diary is the book that Anna Politkovskaya had recently completed when she was murdered in a contract killing in Moscow. Covering the period from the Russian parliamentary elections of December 2003 to the tragic aftermath of the Beslan school siege in late 2005, A Russian Diary is an unflinching record of the plight of millions of Russians and a pitiless report on the cynicism and corruption of Vladimir Putin's Presidency.