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Showing 1 - 5 of 5 matches in All Departments
A revealing look at headline-grabbing controversies revolving around charges of plagiarism and fraud in the profession of history. Focusing on 12 key controversies on both sides of teh political spectrum, Wiener seeks to understand why some cases make the healdines and end carers while others do not. He looks at the case of Michael Bellesiles, teh historian of gun culture accused of research fraud; accused plagiarists and celebrity historians Stephen Ambrose and Doris Kearns Goodwin; and Pulitzer Prize winner Joseph J Ellis.
Histories of the US sixties invariably focus on New York City, but Los Angeles was an epicenter of that decade's political and social earthquake. L.A. was a launchpad for Black Power-where Malcolm X and Angela Davis first came to prominence and the Watts uprising shook the nation-and home to the Chicano walkouts and Moratorium, as well as birthplace of 'Asian America' as a political identity, base of the antiwar movement, and of course, centre of California counterculture. Mike Davis and Jon Wiener provide the first comprehensive movement history of L.A. in the sixties, drawing on extensive archival research, scores of interviews with principal figures of the 1960s movements, and personal histories (both Davis and Wiener are native Los Angelenos). Following on from Davis's award-winning L.A. history, City of Quartz, Set the Night on Fire is a fascinating historical corrective, delivered in scintillating and fiercely elegant prose.
Hours after the USSR collapsed in 1991, Congress began making plans to establish the official memory of the Cold War. Conservatives dominated the proceedings, spending millions to portray the conflict as a triumph of good over evil and a defeat of totalitarianism equal in significance to World War II. In this provocative book, historian Jon Wiener visits Cold War monuments, museums, and memorials across the United States to find out how the era is being remembered. The authorOCOs journey provides a history of the Cold War, one that turns many conventional notions on their heads.In an engaging travelogue that takes readers to sites such as the life-size recreation of BerlinOCOs Checkpoint Charlie at the Reagan Library, the fallout shelter display at the Smithsonian, and exhibits about Sgt. Elvis, AmericaOCOs most famous Cold War veteran, Wiener discovers that the Cold War isnOCOt being remembered. ItOCOs being forgotten. Despite an immense effort, the conservativesOCO monuments werenOCOt built, their historic sites have few visitors, and many of their museums have now shifted focus to other topics. Proponents of the notion of a heroic Cold War victory failed; the public didnOCOt buy the official story. Lively, readable, and well-informed, this book expands current discussions about memory and history, and raises intriguing questions about popular skepticism toward official ideology."
* I exist to say, 'No, that isn't the way it is, ' or 'What you
believe to be true is not true for the following reasons.' I am a
master of the obvious. I mean, if there's a hole in the road, I
will, viciously, outrageously, say there's a hole in the road and
if you don't fill it in you'll break the axle of your car. One is
not loved for being helpful.
When FBI Director J. Edgar Hoover reported to the Nixon White House
in 1972 about the Bureau's surveillance of John Lennon, he began by
explaining that Lennon was a "former member of the Beatles singing
group." When a copy of this letter arrived in response to Jon
Wiener's 1981 Freedom of Information request, the entire text was
withheld--along with almost 200 other pages--on the grounds that
releasing it would endanger national security. This book tells the
story of the author's remarkable fourteen-year court battle to win
release of the Lennon files under the Freedom of Information Act in
a case that went all the way to the Supreme Court. With the
publication of "Gimme Some Truth," 100 key pages of the Lennon FBI
file are available--complete and unexpurgated, fully annotated and
presented in a "before and after" format.
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