A revealing look at headline-grabbing controversies revolving around charges of plagiarism and fraud in the profession of history. Focusing on 12 key controversies on both sides of teh political spectrum, Wiener seeks to understand why some cases make the healdines and end carers while others do not. He looks at the case of Michael Bellesiles, teh historian of gun culture accused of research fraud; accused plagiarists and celebrity historians Stephen Ambrose and Doris Kearns Goodwin; and Pulitzer Prize winner Joseph J Ellis.

Hours after the USSR collapsed in 1991, Congress began making plans to establish the official memory of the Cold War. Conservatives dominated the proceedings, spending millions to portray the conflict as a triumph of good over evil and a defeat of totalitarianism equal in significance to World War II. In this provocative book, historian Jon Wiener visits Cold War monuments, museums, and memorials across the United States to find out how the era is being remembered. The authorOCOs journey provides a history of the Cold War, one that turns many conventional notions on their heads.In an engaging travelogue that takes readers to sites such as the life-size recreation of BerlinOCOs Checkpoint Charlie at the Reagan Library, the fallout shelter display at the Smithsonian, and exhibits about Sgt. Elvis, AmericaOCOs most famous Cold War veteran, Wiener discovers that the Cold War isnOCOt being remembered. ItOCOs being forgotten. Despite an immense effort, the conservativesOCO monuments werenOCOt built, their historic sites have few visitors, and many of their museums have now shifted focus to other topics. Proponents of the notion of a heroic Cold War victory failed; the public didnOCOt buy the official story. Lively, readable, and well-informed, this book expands current discussions about memory and history, and raises intriguing questions about popular skepticism toward official ideology."

* I exist to say, 'No, that isn't the way it is, ' or 'What you believe to be true is not true for the following reasons.' I am a master of the obvious. I mean, if there's a hole in the road, I will, viciously, outrageously, say there's a hole in the road and if you don't fill it in you'll break the axle of your car. One is not loved for being helpful.
Gore Vidal, one of America's foremost essayists, screenwriters, and novelists, died July 31, 2012. He was, in addition, a terrific conversationalist. Dick Cavett once described him as the best talker since Oscar Wilde. And Vidal was never more eloquent, or caustic, than when let loose on his favorite topic, the history and politics of the United States.
This book is made up from four interviews conducted with his long-time interlocutor, the writer and radio host Jon Wiener, in which Vidal grapples with matters evidently close to his heart: the history of the American Empire, the rise of the National Security State, and his own life in politics, both as a commentator and candidate.
The interviews cover a twenty-year span, from 1988 to 2008, when Vidal was at the height of his powers. His extraordinary facility for developing an argument, tracing connections between past and present, and drawing on an encyclopedic knowledge of America's place in the world, are all on full display. And, of course, it being Gore Vidal, an ample sprinkling of gloriously acerbic one-liners is also provided.

When FBI Director J. Edgar Hoover reported to the Nixon White House in 1972 about the Bureau's surveillance of John Lennon, he began by explaining that Lennon was a "former member of the Beatles singing group." When a copy of this letter arrived in response to Jon Wiener's 1981 Freedom of Information request, the entire text was withheld--along with almost 200 other pages--on the grounds that releasing it would endanger national security. This book tells the story of the author's remarkable fourteen-year court battle to win release of the Lennon files under the Freedom of Information Act in a case that went all the way to the Supreme Court. With the publication of "Gimme Some Truth," 100 key pages of the Lennon FBI file are available--complete and unexpurgated, fully annotated and presented in a "before and after" format.
Lennon's file was compiled in 1972, when the war in Vietnam was at its peak, when Nixon was facing reelection, and when the "clever Beatle" was living in New York and joining up with the New Left and the anti-war movement. The Nixon administration's efforts to "neutralize" Lennon are the subject of Lennon's file. The documents are reproduced in facsimile so that readers can see all the classification stamps, marginal notes, blacked out passages and--in some cases--the initials of J. Edgar Hoover. The file includes lengthy reports by confidential informants detailing the daily lives of anti-war activists, memos to the White House, transcripts of TV shows on which Lennon appeared, and a proposal that Lennon be arrested by local police on drug charges.
Fascinating, engrossing, at points hilarious and absurd, "Gimme Some Truth "documents an era when rock music seemed to have real political force and when youth culture challenged the status quo in Washington. It also delineates the ways the Reagan, Bush, and Clinton administrations fought to preserve government secrecy, and highlights the legal strategies adopted by those who have challenged it.