Graphic Design in Museum Exhibitions offers an in-depth analysis of the multiple roles that exhibition graphics perform in contemporary museums and exhibitions. Drawing on a study of exhibitions that took place at the Victoria and Albert Museum, London, the Museum of London and the Haus der Geschichte, Bonn, Piehl brings together approaches from museum studies, design practice and narrative theory to examine museum exhibitions as multimodal narratives in which graphics account for one set of narrative resources. The analysis underlines the importance of aspects such as accessibility and at the same time problematises conceptualisations that focus only on the effectiveness of graphics as display device, by drawing attention to the contributions that graphics make towards the content on display and to the ways in which it is experienced in the museum space. Graphic Design in Museum Exhibitions argues for a critical reading of and engagement with exhibition graphic design as part of wider debates around meaning-making in museum studies and exhibition-making practice. As such, the book should be essential reading for academics, researchers and students from the fields of museum and design studies. Practitioners such as exhibition designers, graphic designers, curators and other exhibition makers should also find much to interest them in the book.

Graphic Design in Museum Exhibitions offers an in-depth analysis of the multiple roles that exhibition graphics perform in contemporary museums and exhibitions. Drawing on a study of exhibitions that took place at the Victoria and Albert Museum, London, the Museum of London and the Haus der Geschichte, Bonn, Piehl brings together approaches from museum studies, design practice and narrative theory to examine museum exhibitions as multimodal narratives in which graphics account for one set of narrative resources. The analysis underlines the importance of aspects such as accessibility and at the same time problematises conceptualisations that focus only on the effectiveness of graphics as display device, by drawing attention to the contributions that graphics make towards the content on display and to the ways in which it is experienced in the museum space. Graphic Design in Museum Exhibitions argues for a critical reading of and engagement with exhibition graphic design as part of wider debates around meaning-making in museum studies and exhibition-making practice. As such, the book should be essential reading for academics, researchers and students from the fields of museum and design studies. Practitioners such as exhibition designers, graphic designers, curators and other exhibition makers should also find much to interest them in the book.

Der Schwerpunkt dieses Buches liegt in der Auseinandersetzung mit Prozessen der menschlichen Wahrnehmung und den Moglichkeiten, Wahrnehmung, den Informationstransfer im Rahmen der Konzeption und Gestaltung von Gebrauchsanleitungen, zu steuern und zu optimieren. Umfassend werden Kriterien und Losungsmoglichkeiten vorgestellt. Anhand einer Reihe von Anleitungen werden diese Aspekte umgesetzt und uberpruft. Inhaltlich befassen sich diese Beispielanleitungen mit Details des taglichen Lebens. Dem Leser wird es selbst uberlassen, ob er fundierte Informationen herausnehmen, oder ob er uber den Sinn von Gebrauchsanleitungen nachdenken mochte. Die Spannung entsteht durch die ungewohnliche Kombination von theoretischen Uberlegungen und Illustrationen, die nicht nur die verbalen Inhalte bebildern, sondern eigene assoziative Inhalte tragen."