THE TOP TEN INTERNATIONAL BESTSELLER Winner of the August Prize for Fiction Dazzlingly inventive, witty and mysterious: a writer pieces together the story of a young man's death in an exhilarating narrative puzzle reminiscent of the hit podcast Serial. A young man dies in a car crash - accident or suicide? An unnamed writer with an agenda of his own sets out to piece together Samuel's story. From friends, relatives and neighbours, a portrait emerges of a loving son, reluctant bureaucrat, contrived poser, loyal friend. But who was Samuel really, and what happened to him? In filling out the contours of his existence, the writer grasps at a fundamental question: how do we account for the substance of a life? 'My books of the year [include] Jonas Hassen Khemiri's enigmatic novel' Joyce Carol Oates Heartbreakingly sad and laugh-out-loud funny . . . Its chorus of drifters, romantics and cynics stick in the memory, each competing to tell their own truth' Hari Kunzru 'Unforgettable. In this non-putdownable puzzle of a story, Khemiri manages to both thrill and break your heart' Gary Shteyngart 'Khemiri's audacious and richly drawn novel pushes the boundaries of literary fiction . . . Beneath the structural pyrotechnics lies a broader story of imposition, appropriation and lack of individual agency: that of the immigrant experience' Lucy Scholes, The National

Winner 2011 Obie for Playwriting
A New York Times Critic's Pick
"Invasion " is a tornado of words, images and ideas, all centered around a magical name: Abulkasem. The play assaults our deepest prejudices about identity, race and language. At once hilarious, disturbing and poignant, this deeply subversive play deconstructs a threatening identity - the Arabic male - and forces us to confront our own cultural identity.

'A bold and remarkable novel...full of heart and compassion' Dinaw Mengestu A bad-tempered grandfather, now living abroad, is back in Stockholm to see his adult children. The son is a failure, the daughter is having a baby with the wrong man, and their mother is a heartless deserter. Only he, the patriarch, is perfect - according to himself, at least. Over ten intense days, the strained relationships of this chaotic but entirely normal family unfold, and painful memories begin to resurface. Something has to give. But the son is duty-bound to his father by a murky, years-old agreement - can it be renegotiated, or will it bind everyone to the past for ever? 'The dynamics of each relationship are superbly complex, and Khemiri's wry, comic touch gives a lightness to the inevitability as the children follow in their father's footsteps' Guardian 'Excellent...the complex portrait of a family that is both identifiable and distinctive, normal and strange' TLS

*Finalist for the US National Book Award in Translated Literature* An addictive novel about contemporary parenthood and modern family life. 'A beautiful study of familial need and mess...insightful till it hurts.' Nikita Lalwani 'Bold and remarkable...full of heart and compassion.' Dinaw Mengestu A grandfather returns home from abroad to visit his adult children. The son is a failure. The daughter is having a baby with the wrong man. Only the grandfather, the proud patriarch, is perfect - at least, according to himself. Over the course of ten intense days, the relationships of this chaotic and entirely normal family unfold and painful memories resurface. Something has to give. But the son is duty-bound to his father through an arrangement they call 'the father clause'. Can it be renegotiated, or will it bind everyone to the past forever? In The Family Clause, multi-award-winning writer Jonas Hassen Khemiri has created a tender, funny and bruising novel about what it means to be a good parent, the difficulty of understanding those closest to us, and how it sometimes takes courage just to stick around. An ode to families, their dynamics, their boundaries and their silences, in all their messy glory, it reveals one of the real challenges in life: how to stop your family defining your destiny.

A car has exploded. A city has been crippled by fear. Amor wanders around the city, doing his best to blend in. He's going to exchange a drill head. He's going to call his brothers. He's going to stop stalking Valeria and take care of his long-since-dead grandma. Most important of all: he must not attract any suspicious glances. But what is normal behaviour? Who is a potential perpetrator? And how many times can Shavi call in one day? For 24 intense hours we find ourselves in Amor's head, where the lines between criminal and victim, love and chemistry, and fantasy and reality become more and more blurred.