From the Royal Shakespeare Company - a modern, definitive edition of Shakespeare's great drama of ambition, desire and guilt. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Macbeth in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are three interviews with leading directors - Rupert Goold, Gregory Doran and Trevor Nunn - providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare's career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended - as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare's works for the twenty-first century.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Recession is a time for asking fundamental questions about value. At a time when governments are being forced to make swingeing savings in public expenditure, why should they continue to invest public money funding research into ancient Greek tragedy, literary value, philosophical conundrums or the aesthetics of design? Does such research deliver 'value for money' and 'public benefit'? Such questions have become especially pertinent in the UK in recent years, in the context of the drive by government to instrumentalize research across the disciplines and the prominence of discussions about 'economic impact' and 'knowledge transfer'. In this book a group of distinguished humanities researchers, all working in Britain, but publishing research of international importance, reflect on the public value of their discipline, using particular research projects as case-studies. Their essays are passionate, sometimes polemical, often witty and consistently thought-provoking, covering a range of humanities disciplines from theology to architecture and from media studies to anthropology.

From the Royal Shakespeare Company - a modern, definitive edition of Shakespeare's most loved comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of A Midsummer Night's Dream in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are three interviews with leading directors Michael Boyd, Gregory Doran and Tim Supple, providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare's career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended - as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare's works for the twenty-first century.

A dazzling biography of two interwoven, tragic lives: John Keats and F. Scott Fitzgerald. 'Highly engaging ... Go now, read this book' THE TIMES 'For awhile after you quit Keats,' Fitzgerald once wrote, 'All other poetry seems to be only whistling or humming.' John Keats died two hundred years ago, in February 1821. F. Scott Fitzgerald defined a decade that began one hundred years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender is the Night and other works from the poet's lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love, and wrote into a new decade of release, experimentation and decadence. Luminous and vital, this biography goes through the looking glass to meet afresh two of the greatest and best-known Romantic writers in their twinned centuries.

A Times and Sunday Times Best Book of 2020 ‘Radical Wordsworth deserves to take its place as the finest modern introduction to his work, life and impact’ Financial Times ‘Richly repays reading … It is hard to think of another poet who has changed our world so much’ Sunday Times A dazzling new biography of Wordsworth’s radical life as a thinker and poetical innovator, published to mark the 250th anniversary of his birth. William Wordsworth wrote the first great poetic autobiography. We owe to him the idea that places of outstanding natural beauty should become what he called ‘a sort of national property’. He changed forever the way we think about childhood, about the sense of the self, about our connection to the natural environment, and about the purpose of poetry. He was born among the mountains of the English Lake District. He walked into the French Revolution, had a love affair and an illegitimate child, before witnessing horrific violence in Paris. His friendship with Samuel Taylor Coleridge was at the core of the Romantic movement. As he retreated from radical politics and into an imaginative world within, his influence would endure as he shaped the ideas of thinkers, writers and activists throughout the nineteenth century in both Britain and the United States. This wonderful book opens what Wordsworth called ‘the hiding places of my power’. W. H. Auden once wrote that ‘Poetry makes nothing happen’. He was wrong. Wordsworth’s poetry changed the world. Award-winning biographer and critic Jonathan Bate tells the story of how it happened.

From one of our most eminent and accessible literary critics, a groundbreaking account of how the Greek and Roman classics forged Shakespeare's imagination Ben Jonson famously accused Shakespeare of having "small Latin and less Greek." But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In a book that combines stylistic brilliance, accessibility, and extraordinary range, acclaimed literary critic and biographer Jonathan Bate, one of the world's leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became.

This work is a series of pieces on the link between literature and the environment and why poetry matters in the new millennium. Jonathan Bate explains how words like "culture" and "environment" have evolved since the writing of Jane Austen, Thomas Hardy and the Romantics to the year 2000.

‘Enlightening, moving’ SIR IAN MCKELLEN From the acclaimed and bestselling biographer Jonathan Bate, a luminous new exploration of Shakespeare and how his themes can untangle comedy and tragedy, learning and loving in our modern lives. ‘The web of our life is of a mingled yarn, good and ill together.’ How does one survive the death of a loved one, the mess of war, the experience of being schooled, of falling in love, of growing old, of losing your mind? Shakespeare’s world is never too far different from our own ‘permeated with the same tragedies, the same existential questions and domestic worries. In this extraordinary book, Jonathan Bate brings then and now together. He investigates moments of his own life – losses and challenges – and asks whether, if you persevere with Shakespeare, he can offer a word of wisdom or a human insight for any time or any crisis. Along the way we meet actors such as Judi Dench and Simon Callow, and writers such as Dr Johnson, John Keats, Virginia Woolf and Sylvia Plath, who turned to Shakespeare in their own dark times. This is a personal story about loss, the black dog of depression, unexpected journeys and the very human things that echo through time, resonating with us all at one point or another.

First published in 1991, Romantic Ecology reassesses the poetry of William Wordsworth in the context of the abiding pastoral tradition in English Literature. Jonathan Bate explores the politics of poetry and argues that contrary to critics who suggest that the Wordsworth was a reactionary who failed to represent the harsh economic reality of his native Lake District, the poet's politics were fundamentally 'green'. As our first truly ecological poet, Wordsworth articulated a powerful and enduring vision of human integration with nature which exercised a formative influence on later conservation movements and is of immediate relevance to great environmental issues today. Challenging the orthodoxies of new historicist criticism, Jonathan Bate sets a new agenda for the study of Romanticism in the 1990s.

First published in 1991, Romantic Ecology reassesses the poetry of William Wordsworth in the context of the abiding pastoral tradition in English Literature. Jonathan Bate explores the politics of poetry and argues that contrary to critics who suggest that the Wordsworth was a reactionary who failed to represent the harsh economic reality of his native Lake District, the poet's politics were fundamentally 'green'. As our first truly ecological poet, Wordsworth articulated a powerful and enduring vision of human integration with nature which exercised a formative influence on later conservation movements and is of immediate relevance to great environmental issues today. Challenging the orthodoxies of new historicist criticism, Jonathan Bate sets a new agenda for the study of Romanticism in the 1990s.

The object of this text is to provide a comprehensive selection of critical texts which address the connection between ecology, culture and literature. It aims to offer a complete guide to the growing area of "ecocriticism" and a wealth of material on green issues from the romantic period to the present. The most important aspects of this field are covered in depth. These include: romantic ecology and its legacy; the earth, memory and the critique of modernity; nature/culture/gender; ecocritical principles; environmental literary history; and the nature of the text. Included in this collection are extracts from leading modern ecocritics and figures from the past who pioneered a green approach to literature and culture. As a whole, the reader encourages a reassessment of the whole development of criticism and offers a prospect for its future. The book includes extracts from William Wordsworth, Henry David Thoreau, William Morris, Virginia Woolf, D.H. Lawrence, Theodore W. Adorno, Martin Heidegger, Raymond Williams, Theodore Roszac, Claude Levi-Strauss, Jean-Francois Lyotard, Jonathan Bate, Kate Soper, Terry Gifford, Louise Westling, Richard Kerridge and Jhan Hochman.

"The text of any Shakespeare play is a living negotiable entity: scholarship and theatre practice work together to keep the plays alive and vividly present." - Greg Doran, RSC Artistic Director Emeritus Developed in partnership with the Royal Shakespeare Company, this Complete Works of William Shakespeare combines exemplary textual scholarship with beautiful design. Curated by expert editors Sir Jonathan Bate and Professor Eric Rasmussen, the text in this collection is based on the iconic 1623 First Folio: the first and original Complete Works lovingly assembled by Shakespeare's fellow actors, and the version of Shakespeare's text preferred by many actors and directors today. This stunning revised edition goes further to present Shakespeare's plays as they were originally intended - as living theatre to be enjoyed and performed on stage. Along with new colour photographs from a vibrant range of RSC productions, a new Stage Notes feature documenting the staging choices in 100 RSC productions showcases the myriad ways in which Shakespeare's plays can be brought to life. Now featuring the entire range of Shakespeare's plays, poems and sonnets, this edition is expanded to include both The Passionate Pilgrim and A Lover's Complaint. Along with Bate's excellent general introduction and short essays, this collection includes a range of aids to the reader such as on-page notes explaining unfamiliar terms and key facts boxes providing plot summaries and additional helpful context. A Complete Works for the 21st century, this versatile and highly collectable edition will inspire students, theatre practitioners and lovers of Shakespeare everywhere.

This is the first selection of the great Romantic 'peasant poet' John Clare to make available the full range of his accomplishment - as the chronicler of nature and childhood, the champion of folkways in the face of enclosure and oppression, the love poet, the political satirist and solitary visionary, confined in his maturity to lunatic asylums. 'Clare grabs hold of you - no, he doesn't grab hold of you, he is already there, talking to you before you've arrived on the scene, telling you about himself, about the things that are closest and dearest to him, and it would no more occur to him to do otherwise than it would occur to Whitman to stop singing you his song of himself.' John Ashbery 'It is what Lawrence calls the poetry of the living present.' Seamus Heaney

SHORTLISTED FOR THE 2015 SAMUEL JOHNSON PRIZE 'Gripping and at times ineffably sad, this book would be poetic even without the poetry. It will be the standard biography of Ted Hughes for a long time to come' Sunday Times 'Seldom has the life of a writer rattled along with such furious activity ... A moving, fascinating biography' The Times Ted Hughes, Poet Laureate, was one of the greatest writers of the twentieth century. He is one of Britain's most important poets, a poet of claws and cages: Jaguar, Hawk and Crow. Event and animal are turned to myth in his work. Yet he is also a poet of deep tenderness, of restorative memory steeped in the English literary tradition. A poet of motion and force, of rivers, light and redemption, of beasts in brooding landscapes. With an equal gift for poetry and prose, and with a soul as capacious as any poet who has lived, he was also a prolific children's writer and has been hailed as the greatest English letter-writer since John Keats. With his magnetic personality and an insatiable appetite for friendship, for love and for life, he also attracted more scandal than any poet since Lord Byron. At the centre of the book is Hughes's lifelong quest to come to terms with the suicide of his first wife, Sylvia Plath, the saddest and most infamous moment in the public history of modern poetry. Ted Hughes left behind him a more complete archive of notes and journals than any other major poet, including thousands of pages of drafts, unpublished poems and memorandum books that make up an almost complete record of Hughes's inner life, preserved by him for posterity. Renowned scholar Sir Jonathan Bate has spent five years in his archives, unearthing a wealth of new material. His book offers for the first time the full story of Ted Hughes's life as it was lived, remembered and reshaped in his art. It is a book that honours, though not uncritically, Ted Hughes's poetry and the art of life-writing, approached by his biographer with an honesty answerable to Hughes's own.

A dazzling biography of two interwoven, tragic lives: John Keats and F. Scott Fitzgerald. 'Highly engaging ... Go now, read this book' THE TIMES 'For awhile after you quit Keats,' Fitzgerald once wrote, 'All other poetry seems to be only whistling or humming.' John Keats died two hundred years ago, in February 1821. F. Scott Fitzgerald defined a decade that began one hundred years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender is the Night and other works from the poet's lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love, and wrote into a new decade of release, experimentation and decadence. Luminous and vital, this biography goes through the looking glass to meet afresh two of the greatest and best-known Romantic writers in their twinned centuries.

"O mother, mother! What have you done?"
--"Coriolanus"
Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of this gripping political and personal tragedy--along with more than a hundred pages of exclusive features, including
- an original Introduction to "Coriolanus"
- incisive scene-by-scene synopsis and analysis with vital facts about the work
- commentary on past and current productions based on interviews with leading directors, actors, and designers
- photographs of key RSC productions
- an overview of Shakespeare's theatrical career and chronology of his plays
Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: Enter Cassandra (Scene 2) ACT II Scene I. A Part of the Grecian Camp Enter Ajax and THersites Ajax. Thersites ! Thersites. Agamemnon ? how if he had boils ? full, all over, generally ? Ajax. Thersites l TROILUS ? 5 65 Thersites. And those boils did run ? say so, did not the general run then ? were not that a botchy core ? Ajax. Dog! Thersites. Then would come some matter from him; I see none now. Ajax. Thou bitch-wolf's son, canst thou not hear ? Bea ting him Feel, then, 11 Thersites. The plague of Greece upon thee, thou -"ongrel beef-witted lord ! -. rff- '.-'., . Ajax. Speak then, thou vinewed'st leaven, speak ! I will beat thee into handsomeness. Thersites. I shall sooner rail thee into wit and holiness; but I think thy horse will sooner con an oration than thou learn a prayer without book. Thou canst strike, canst thou? a redjrnurrain o' thy jade's tricks! 20 Ajax. Toadstool, learn me the proclamation. Thersites. Dost thou think I have no sense, thou strikest me thus ? Ajax. The proclamation! Thersites. Thou art proclaimed a fool, I think. Ajax. Do not, porpentine, do not! my fingers itch. Thersites. I would thou didst itch from head to foot and I had the scratching of thee; I would make thee the loathsomest scab in Greece. When thou art forth in the incursions, thou strikest as slow as another. 31 Ajax. I say, the proclamation ! Thersites. Thou grumblest and railest every hour on Achilles, and thou art as full of envy at his greatness as Cerberus is at Proserpina's beauty, ay, that thou barkest at him. Ajax. Mistress Thersites ! Thersites. Thou shouldst strike him., / J. /. /..t''.'" Ajax. cpbio' .r Thersites. He would pun thee into shivers with his fisi, as a sailor breaks a biscuit. 41 ...

'What distinguished Clare is an unspectacular joy and a love for the inexorable one-thing-after-anotherness of the world' Seamus Heaney John Clare (1793-1864) was a great Romantic poet, with a name to rival that of Blake, Byron, Wordsworth or Shelley - and a life to match. The 'poet's poet', he has a place in the national pantheon and, more tangibly, a plaque in Westminster Abbey's Poets' Corner, unveiled in 1989. Here at last is Clare's full story, from his birth in poverty and employment as an agricultural labourer, via his burgeoning promise as a writer - cultivated under the gaze of rival patrons - and moment of fame, in the company of John Keats, as the toast of literary London, to his final decline into mental illness and the last years of his life, confined in asylums. Clare's ringing voice - quick-witted, passionate, vulnerable, courageous - emerges through extracts from his letters, journals, autobiographical writings and poems, as Jonathan Bate brings this complex man, his revered work and his ribald world, vividly to life.

'All good poetry is the spontaneous poetry of powerful feelings' -William Wordsworth No generation of poets has felt more powerfully and enduringly than the Romantics of the late eighteenth and early nineteenth centuries. In this indispensable volume, Sir Jonathan Bate - prizewinning biographer of Wordsworth, Keats and John Clare - brings together the most loved poems of the age, together with many forgotten gems. Alongside classics such as Coleridge's 'Kubla Khan' and 'Frost at Midnight', the odes of Keats and generous selections from Wordsworth's Lyrical Ballads and The Prelude, the reader will discover the wit of Byron, the wildness of Blake, the passion of Shelley, a wealth of nature poems by Clare, and the distinctive voices of women Romantics such as Charlotte Smith, Mary Robinson, Felicia Hemans, Dorothy Wordsworth and Letitia Landon.

From the Royal Shakespeare Company - a modern, definitive edition of Shakespeare's epic retelling of the Wars of the Roses. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Henry VI in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with two leading directors and a designer - Edward Hal and Michael Boyd, and Tom Piper - providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare's career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended - as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare's works for the twenty-first century.

From the Royal Shakespeare Company - a modern, definitive edition of Shakespeare's magical late play. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Cymbeline in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with two leading directors - Dominic Cooke and Emma Rice - providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare's career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended - as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare's works for the twenty-first century.

From the Royal Shakespeare Company - a modern, definitive edition of Shakespeare's anarchic comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of The Comedy of Errors in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with three leading directors - Paul Hunter, Nancy Meckler and Tim Supple - providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare's career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended - as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare's works for the twenty-first century.