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A. S. Neill, founder of Summerhill, the most admired and most
feared of all progressive schools, was famous as a schoolteacher,
educational reformer, and author of illuminating and stylish books
about education and the mind of the child. But few people know he
was also a dedicated, prolific, uninhibited, witty and often
mischievous letter writer. This selection of gems, first published
in 1983, has been chosen from hundreds of his letters by his
biographer. It includes letters about education, children,
politics, writing, fatherhood, the Bomb, old age and death. All the
best, Neill was the familiar ending of his letters to the famous H.
G. Wells, Bertrand Russell, Henry Miller, Paul Goodman, Wilhelm
Reich, Homer Lane; to important educators W. B. Curry of
Dartington, John Aitkenhead of Kilquhanity, Bob Mackenzie of
Braehead, Dora Russell of Beacon Hill; to unknown friends, parents,
and even casual correspondents. To read these letters is to share
the company of a great and always delightful man, who wrote each
one with the same commitment and gaiety."
A. S. Neill was arguably the most famous child educator of the
twentieth century. He was certainly the most controversial. All
over the world, countless parents and teachers have been shocked,
delighted or inspired by his subversive ideas about education, or
by a visit to 'that dreadful school' which continues to this day -
Summerhill. First published in 1983, this sympathetic but critical
exploration of his iconoclastic ideas and personality is the result
of interviews with two hundred ex-pupils, parents and teachers
about life at Summerhill, and of the practicality of Neill's
philosophy about child freedom. Jonathan Croall has also drawn on
many unpublished letters and documents, which help to illuminate
Neill's personal struggles, and his analysis and friendship with
Homer Lane, Wilhelm Stekel and Wilhelm Reich. The result is a
fascinating and revealing portrait of a remarkable man who, in his
absolute determination to be 'on the side of the child', remained
in permanent opposition to the adult world.
Was the country really united in the face of the common enemy? Did
people actually put the community's needs before their own? Or were
such ideas simply a series of myths created at the time and
nurtured ever since. The recollections of this book, first
published in 1989, attempt to answer such questions by evoking the
reality of life on the home front during the war years. Here is a
uniquely personal portrait of a nation at war, extensively
illustrated with photographs, diaries, letters, poems, and other
memorabilia belonging to the men and women whose wartime lives fill
this absorbing book. This title will be of interest to students of
history.
A. S. Neill, founder of Summerhill, the most admired and most
feared of all progressive schools, was famous as a schoolteacher,
educational reformer, and author of illuminating and stylish books
about education and the mind of the child. But few people know he
was also a dedicated, prolific, uninhibited, witty and often
mischievous letter writer. This selection of gems, first published
in 1983, has been chosen from hundreds of his letters by his
biographer. It includes letters about education, children,
politics, writing, fatherhood, the Bomb, old age and death.
Was the country really united in the face of the common enemy? Did
people actually put the community's needs before their own? Or were
such ideas simply a series of myths created at the time and
nurtured ever since. The recollections of this book, first
published in 1989, attempt to answer such questions by evoking the
reality of life on the home front during the war years. Here is a
uniquely personal portrait of a nation at war, extensively
illustrated with photographs, diaries, letters, poems, and other
memorabilia belonging to the men and women whose wartime lives fill
this absorbing book. This title will be of interest to students of
history.
A. S. Neill was arguably the most famous child educator of the
twentieth century. He was certainly the most controversial. All
over the world, countless parents and teachers have been shocked,
delighted or inspired by his subversive ideas about education, or
by a visit to 'that dreadful school' which continues to this day -
Summerhill. First published in 1983, this sympathetic but critical
exploration of his iconoclastic ideas and personality is the result
of interviews with two hundred ex-pupils, parents and teachers
about life at Summerhill, and of the practicality of Neill's
philosophy about child freedom. Jonathan Croall has also drawn on
many unpublished letters and documents, which help to illuminate
Neill's personal struggles, and his analysis and friendship with
Homer Lane, Wilhelm Stekel and Wilhelm Reich. The result is a
fascinating and revealing portrait of a remarkable man who, in his
absolute determination to be 'on the side of the child', remained
in permanent opposition to the adult world.
Hamlet is arguably the most famous play on the planet, and the
greatest of all Shakespeare's works. Its rich story and complex
leading role have provoked intense debate and myriad
interpretations. To play such a uniquely multi-faceted character as
Hamlet represents the supreme challenge for a young actor.
Performing Hamlet contains Jonathan Croall's revealing in-depth
interviews with five distinguished actors who have played the
Prince this century: Jude Law: 'You get to speak possibly the most
beautiful lines about humankind ever given to an actor.' Simon
Russell Beale: 'Hamlet is a very hospitable role: it will take
anything you throw at it.' David Tennant: 'No other part has been
so satisfying. It was tough, but utterly compelling.' Maxine Peake:
'Hamlet was a way of accessing bits of me as an actress I've not
been able to access before.' Adrian Lester: 'Working with Peter
Brook on Hamlet changed me as an actor, and for the better.' The
book benefits from the author's interviews with six leading
directors of the play during these years: Greg Doran, Nicholas
Hytner, Michael Grandage, John Caird, Sarah Frankcom and Simon
Godwin. Many other productions are described, from those starring
Michael Redgrave, Alec Guinness and Paul Scofield in the 1950s, to
the performances of Benedict Cumberbatch, Andrew Scott and Paapa
Essiedu in recent times. The volume also includes an updated text
of the author's earlier book Hamlet Observed, and an account of
actors' experiences of performing at Elsinore.
King Lear is arguably the most complex and demanding play in the
whole of Shakespeare. Once thought impossible to stage, today it is
performed with increasing frequency, both in Britain and America.
It has been staged more often in the last fifty years than in the
previous 350 years of its performance history, its bleak message
clearly chiming in with the growing harshness, cruelty and violence
of the modern world. Performing King Lear offers a very different
and practical perspective from most studies of the play, being
centred firmly on the reality of creation and performance. The book
is based on Jonathan Croall's unique interviews with twenty of the
most distinguished actors to have undertaken this daunting role
during the last forty years, including Donald Sinden, Tim
Pigott-Smith, Timothy West, Julian Glover, Oliver Ford Davies,
Derek Jacobi, Christopher Plummer, Michael Pennington, Brian Cox
and Simon Russell Beale. He has also talked to two dozen leading
directors who have staged the play in London, Stratford and
elsewhere. Among them are Nicholas Hytner, David Hare, Kenneth
Branagh, Adrian Noble, Deborah Warner, Jonathan Miller and Dominic
Dromgoole. Each reveals in precise and absorbing detail how they
have dealt with the formidable challenge of interpreting and
staging Shakespeare's great tragedy.
New in paperback, John Gielgud: Matinee Idol to Movie Star is the
most authoritative and comprehensive account of the finest
classical actor of the twentieth century. This entertaining but
critical biography charts the ups and downs of Gielgud's long and
glittering career, from his young ground-breaking Hamlet to his
later success in plays by Pinter, Storey, Bond and Bennett, and his
recognition as a major movie star following his role in Arthur. It
also reassesses his complex relationship with his great rival
Laurence Olivier and throws fresh light on his personal
relationships and the turbulent episodes of his private life that
threatened to shatter his career. For this biography Jonathan
Croall's exhaustive research has included over a hundred new
interviews with key people from his life and career, including
Peter Brook, Kenneth Branagh, Alec Guinness, Joan Plowright and
Eileen Atkins, and it draws on several hundred letters to and from
Gielgud that have never been published, including correspondences
with Noel Coward, Somerset Maugham, Siegfried Sassoon, Edith Evans
and Edward Gordon Craig. What emerges is an intimate, complex and
often startling portrait of this great actor and much-loved man.
Gielgud's interpretations of Shakespeare's great roles made
Shakespeare's plays a commercial success on London's West End for
the first time. He was also hugely influential as a director and an
actor-manager and worked extensively in film and television later
in life. Since Jonathan Croall's first biography of Gielgud was
published in 2000 a considerable amount of new material has come to
light and the result is a much more rounded, candid and richly
textured portrait of this celebrated stage and screen actor.
'A glorious compendium of John's scintillating irreverences and
fabulous faux pas... He was one of the greatest of all theatrical
personalities, and these utterly characteristic throwaway squibs
bring him vividly back to life.' Simon Callow This delicious feast
of "Gielgoodies", compiled by Gielgud's biographer, reveals a less
well-known side to this celebrated man of the theatre: his
lightning wit, his love of scandal and gossip, his wicked delight
in putting down his fellow-artists, his relish of bawdy humour.
Full of startling new material, drawn from many unpublished letters
and Jonathan Croall's extensive interviews, the book also
celebrates the man who dropped a thousand bricks. Gielgud's
excruciating gaffes were legendary, and here are both the famous
and the unknown, collected in all their glory. Whether committed
backstage, in the wings or in rehearsals, on film sets or in
television studios, they bring this merry and much-loved man
vividly to life.
Containing over a hundred interviews conducted over the last
fifteen
years with leading directors, actors and writers at the
National
Theatre, "Buzz Buzz " is a fantastic compendium that offers
unrivalled insight into the work and practice of the best theatre
talent.
In these illuminating interviews playwrights such as Michael
Frayn,
Kwame Kwei-Armah, Rebecca Lenkiewicz, David Hare, Pam Gems and
Tony
Kushner and many others talk about the roots of their work,
their
methods of research, and how they collaborate with their
directors,
while actors from Fiona Shaw to Kenneth Branagh, and directors
from
Peter Hall to Marianne Elliott, contribute fascinating insights
into
their ideas and ways of working. The book covers plays by the
Greeks
and Shakespeare, English and European classics, and the best of
modern
English, Irish and American drama.""
Theatre writer and commentator Jonathan Croall draws on the
vast
wealth of interviews he's conducted at the National Theatre in
this
fascinating and wide-ranging book.
"Bacchai is one of the top dozen plays ever written. Whenever it's
performed, it seems extraordinarily timely. It's haunted me all my
life.' Peter Hall After huge successes with Aeschylus' The Oresteia
and Sophocles' The Oedipus Plays, Peter Hall turned to Bacchai,
Euripides' powerful tragedy about the cult of Dionysus. On the
National's Olivier stage he presented a stunningly imaginative
production played in masks, using a new translation by Colin
Teevan, with original music by Harrison Birtwhistle, and designs by
Alison Chitty. Jonathan Croall observed the rehearsal process in
minute detail, regularly interviewing the actors and creative team
as the production moved from readthrough to preview. His book
offers an intimate and absorbing picture of how a team of
world-class theatrical talents brought one of the masterpieces of
Greek theatre to the stage. This new edition includes an extra
chapter on the production's visit to the ancient theatre of
Epidaurus in Greece, and a new foreward by Peter Hall."
This text gives an account of how tourism has ruined precious
landscapes, polluted coast and countryside, and destroyed the
distinctive cultures of many communities. But it also looks as a
variety of pioneering inititives in which local people play a key
role in tourism development.
As a handsome and popular romantic actor with a fan club rivalling
that of Ivor Novello, John Stuart was frequently mobbed by his
adoring fans. He starred in films by Alfred Hitchcock and G.W.
Pabst, played opposite British stars such as Madeleine Carroll, Fay
Compton, Gracie Fields, and German actor Conrad Veidt, and was also
the first actor to ever speak on screen in Britain. Yet despite a
film career lasting six decades and comprising 172 films, his name
and achievement are little known today. With access to Stuart's
private archive, his surviving films, press cuttings, film reviews,
interviews, profiles, features, and gossip columns, his son
Jonathan Croall presents a detailed account of an actor who made a
significant contribution to the British film industry of the 20th
century.
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