Winner of the 2022 Nobel Prize in Literature “Annie Ernaux’s work,� wrote Richard Bernstein in the New York Times, “represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory.� In the New York Times Book Review, Kathryn Harrison concurred: “Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse.�   In this “journal� Ernaux turns her penetrating focus on those points in life where the everyday and the extraordinary intersect, where “things seen� reflect a private life meeting the larger world. From the war crimes tribunal in Bosnia to social issues such as poverty and AIDS; from the state of Iraq to the world’s contrasting reactions to Princess Diana’s death and the starkly brutal political murders that occurred at the same time; from a tear-gas attack on the subway to minute interactions with a clerk in a store: Ernaux’s thought-provoking observations map the world’s fleeting and lasting impressions on the shape of inner life.  

What is the relationship between culture and mental health? Is mental illness universal? Are symptoms of mental disorders different across social groups? In the late 1960s these questions gave rise to a groundbreaking series of articles written by the psychiatrist Henri Ellenberger, who would go on to publish The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry in 1970. Fifty years later they are presented for the first time in English translation, introduced by historian of science Emmanuel Delille. Ethnopsychiatry explores one of the most controversial subjects in psychiatric research: the role of culture in mental health. In his articles Ellenberger addressed the complex clinical and theoretical problems of cultural specificity in mental illness, collective psychoses, differentiations within cultural groups, and biocultural interactions. He was especially attuned to the correlations between rapid cultural transformations in postwar society, urbanization, and the frequency of mental illness. Ellenberger drew from a vast and varied primary and secondary literature in several languages, as well as from his own findings in clinical practice, which included work with indigenous peoples. In analyzing Ellenberger's contributions Delille unveils the transnational and interdisciplinary origins of transcultural psychiatry, which grew out of knowledge networks that crisscrossed the globe. The book has a rich selection of appendices, including Ellenberger's lecture notes on a case of peyote addiction and his correspondence with anthropologist and psychoanalyst Georges Devereux. These original essays, and their masterful contextualization, provide a compelling introduction to the foundations of transcultural psychiatry and one of its most distinguished and prolific researchers.

This book tells the story of the Battle of Vertières, fought in 1803 between indigenous Haitian forces under the leadership of Jean-Jacques Dessalines and a French expeditionary army commanded by Napoleon. The battle marked the culmination of a thirteen-year revolutionary struggle to end slavery and the dawn of an independent Haiti. Yet despite its pivotal importance to the history of Haiti, France, and the Americas, the Battle of Vertières has been struck from the record. The Cry of Vertières is the first book-length study of the battle, drawing from an array of sources including military correspondence, Haitian literature, art, and popular music. The event itself is recounted in vivid detail: it is a dramatic story of a volunteer army of former slaves, seeking the promises of freedom and citizenship held out by the revolution, defeating a colonial power determined to re-enslave them. The book also examines why the history of the battle has been suppressed in France - an act of erasure of a humiliating defeat - and why it remains fragile even in Haiti. Jean-Pierre Le Glaunec explains that today Vertières is both a key lieu de mémoire that embodies reconciliation, pride, and strength for the Haitian people, and a figure of speech exploited by politicians to reinforce their power. Describing a decisive yet largely forgotten moment in the revolutionary history of the Americas, The Cry of Vertières makes an essential contribution to the complex subjects of race, memory, colonialism, and cultural nationalism in present-day France and Haiti.

Winner of the 2022 Nobel Prize in Literature “Annie Ernaux’s work,� wrote Richard Bernstein in the New York Times, “represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory.� In the New York Times Book Review, Kathryn Harrison concurred: “Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse.�   In this “journal� Ernaux turns her penetrating focus on those points in life where the everyday and the extraordinary intersect, where “things seen� reflect a private life meeting the larger world. From the war crimes tribunal in Bosnia to social issues such as poverty and AIDS; from the state of Iraq to the world’s contrasting reactions to Princess Diana’s death and the starkly brutal political murders that occurred at the same time; from a tear-gas attack on the subway to minute interactions with a clerk in a store: Ernaux’s thought-provoking observations map the world’s fleeting and lasting impressions on the shape of inner life.