The Routledge Handbook of Reenactment Studies provides the first overview of significant concepts within reenactment studies. The volume includes a co-authored critical introduction and a comprehensive compilation of key term entries contributed by leading reenactment scholars from Europe, North America, and Australia. Well into the future, this wide-ranging reference work will inform and shape the thinking of researchers, teachers, and students of history and heritage and memory studies, as well as cultural studies, film, theater and performance studies, dance, art history, museum studies, literary criticism, musicology, and anthropology.

This work represents a concise history of sympathy in the eighteenth and early nineteenth centuries, considering the phenomenon of shared feeling from five related angles: charity, the market, global exploration, theatre, and torture.

This work represents a concise history of sympathy in the eighteenth and early nineteenth centuries, considering the phenomenon of shared feeling from five related angles: charity, the market, global exploration, theatre and torture. Sympathy, the sudden and spontaneous entry of one person s feelings into those of another, made it possible for people to share sentiments so vividly that neither reason nor self-interest could limit the degree to which individuals might care for others, or act involuntarily on their behalf. The progress of sympathy is intertwined with the period of global exploration evidenced by Cook s voyages and the rise of the sentimental novel before being met by growing suspicion in the works of radicals such as Wollstonecraft and Godwin. The history of sympathy seems to involve a dialectic of immediacy and artifice in which the knowledge of what it is like to be someone else is alternately the product of involuntary passion and of conscious manipulation. The question of social virtue, where it comes from, how it is aroused and in what direction it tends is perpetually being interrogated with no definite answer ever emerging.

The Routledge Handbook of Reenactment Studies provides the first overview of significant concepts within reenactment studies. The volume includes a co-authored critical introduction and a comprehensive compilation of key term entries contributed by leading reenactment scholars from Europe, North America, and Australia. Well into the future, this wide-ranging reference work will inform and shape the thinking of researchers, teachers, and students of history and heritage and memory studies, as well as cultural studies, film, theater and performance studies, dance, art history, museum studies, literary criticism, musicology, and anthropology.

Scurvy, a disease often associated with long stretches of maritime travel, generated sensations exceeding the standard of what was normal. Eyes dazzled, skin was morbidly sensitive, emotions veered between disgust and delight. In this book, Jonathan Lamb presents an intellectual history of scurvy unlike any other, probing the speechless encounter with powerful sensations to tell the story of the disease that its victims couldn't because they found their illness too terrible and, in some cases, too exciting. Drawing on historical accounts from scientists and voyagers as well as major literary works, Lamb traces the cultural impact of scurvy during the eighteenth-century age of geographical and scientific discovery. He explains the medical knowledge surrounding scurvy and the debates about its cause, prevention, and attempted cures. He vividly describes the phenomenon and experience of "scorbutic nostalgia," in which victims imagined mirages of food, water, or home, and then wept when such pleasures proved impossible to consume or reach. Lamb argues that a culture of scurvy arose in the colony of Australia, which was prey to the disease in its early years, and identifies a literature of scurvy in the works of such figures as Herman Melville, Samuel Taylor Coleridge, Francis Bacon, and Jonathan Swift. Masterful and illuminating, Scurvy shows how the journeys of discovery in the eighteenth century not only ventured outward to the ends of the earth, but were also an inward voyage into the realms of sensation and passion.

"As my sense of the turpitude and guilt of sin was weakened, the vices of the natives appeared less odious and criminal. After a time, I was induced to yield to their allurements, to imitate their manners, and to join them in their sins . . . and it was not long ere I disencumbered myself of my European garment, and contented myself with the native dress. . . ."--from "Narrative of the late George Vason, of Nottingham"
As George Vason's anguished narrative shows, European encounters with Pacific peoples often proved as wrenching to the Europeans as to the natives. This anthology gathers some of the most vivid accounts of these cultural exchanges for the first time, placing the works of well-known figures such as Captain James Cook and Robert Louis Stevenson alongside the writings of lesser-known explorers, missionaries, beachcombers, and literary travelers who roamed the South Seas from the late seventeenth through the late nineteenth centuries.
Here we discover the stories of the British buccaneers and privateers who were lured to the Pacific by stories of fabulous wealth; of the scientists, cartographers, and natural historians who tried to fit the missing bits of terra incognita into a universal scheme of knowledge; and of the varied settlers who established a permanent European presence in Polynesia and Australia. Through their detailed commentary on each piece and their choice of selections, the editors--all respected scholars of the literature and cultures of the Pacific--emphasize the mutuality of impact of these colonial encounters and the continuity of Pacific cultures that still have the power to transform visitors today.

An intellectual history of scurvy in the eighteenth century Scurvy-a disease usually associated with long stretches of maritime travel-generated extraordinary sensations. Eyes dazzled, skin was morbidly sensitive, emotions veered between disgust and delight. In this book, Jonathan Lamb presents an intellectual history of scurvy unlike any other, probing its cultural impact during the eighteenth-century age of geographic and scientific discovery. Drawing on historical accounts from scientists and voyagers as well as major literary works, Lamb explains the medical knowledge surrounding scurvy and the debates about its cause, prevention, and attempted cures. He argues that a "culture" of scurvy arose in the colony of Australia, which was prey to the disease in its early years, and identifies a literature of scurvy in the works of such figures as Herman Melville, Samuel Taylor Coleridge, Francis Bacon, and Jonathan Swift. Masterful and illuminating, Scurvy shows how eighteenth-century journeys of discovery not only ventured outward to the ends of the earth, but were also an inward voyage into the realms of sensation and passion.

One of the new forms of prose fiction that emerged in the eighteenth century was the first-person narrative told by things such as coins, coaches, clothes, animals, or insects. This is an ambitious new account of the context in which these "it narratives" became so popular. What does it mean when property declares independence of its owners and begins to move and speak? Jonathan Lamb addresses this and many other questions as he advances a new interpretation of these odd tales, from Defoe, Pope, Swift, Gay, and Sterne, to advertisements, still life paintings, and South Seas journals. Lamb emphasizes the subversive and even nonsensical quality of what things say; their interests are so radically different from ours that we either destroy or worship them. Existing outside systems of exchange and the priorities of civil society, things in fact advertise the dissident obscurity common to slave narratives all the way from Aesop and Phaedrus to Frederick Douglass and Primo Levi, a way of meaning only what is said, never saying what is meant. This is what Defoe's Roxana calls "the Sense of Things," and it is found in sounds, substances, and images rather than conventional signs. This major work illuminates not only "it narratives," but also eighteenth-century literature, the rise of the novel, and the genealogy of the slave narrative.

Who is in control? The sustained threat from rogue states, international terrorism, religious extremists, and moral confusion arising from liberal views of all kinds begs the question: what is happening to our world? Is no-one in control? This is a deep vulnerability that many people express. And not simply in global events. Our own personal world often seems out of control as we reel from suffering, family tragedies and unanswered prayers. The prophet Habakkuk knew that God was in control but, like us, his personal experience seemed to contradict this and he wrestled with the tension. This book is a dialogue between the prophet and God. Habakkuk confronts God with his confusion and, in doing so, he expresses the voice of the godly in Judah and he speaks for us. We join in the journey from 'why?' to worship.

The oil business has never been truly a market, where prices are determined by simple supply and demand. Instead it is distorted by long lead times, a producer cartel, subsidies and a lack of true alternatives. Jonathan Lamb argues that this is all changing. Fracking has provided a resource with unparalleled flexibility, subsidies are in retreat, natural gas is conquering all, while the price gyrations of the past decade have forced an industry focus on costs and technology. The threat of alternatives is forcing the pace of efficiency and the threat of peak demand has changed the way that resource holders view the business. Oil prices are driven more by market forces than ever before, making high prices unsustainable, potentially good news for consumers, if not the planet.

Understanding and Using the Bible is an engaging and exciting introduction to biblical methods and practices of study, edited by two trusted teachers in collaboration with a diverse array of contributors. Part one explores key Christian beliefs about the Bible and why it matters, guides effective use and application of the Bible in different cultural and social contexts, and encourages readers to take the Bible as a whole and build a biblical worldview. Part two illustrates applied Bible use in different contexts with contributions from a variety of authors.

The Banjax Arrest is a psychological mystery set among religious fanatics on a distant lunar colony. This fast-paced novel combines a young man's inner struggle with a quest to bring down a tyrant and rescue a community from impending destruction. After sustaining a traumatic head injury as a teenager Troy Pace suffers severe memory loss and his personality is altered. Once a promising student he becomes an anti-social drop-out whose repeated brushes with the law embarrass his high-ranking politician father. Following a violent nocturnal episode with a young woman he is dispatched to a remote moon acquired for habitation by the fugitive tycoon Baron Banjax. There he discovers a colony whose inhabitants are struggling to survive after a devastating meteorite impact and over which hangs the shadow of the ruthless cult leader, Croman. Still struggling to control his own demonic urges, Troy undertakes to carry out an assassination that will save the colonists. Yet in seeking redemption for his past misdeeds he will ultimately learn that he is a pawn in an even more sinister game.