This multidisciplinary collection examines different dimensions of the interrelationships between sport and the arts. It is a consequence of the Fields of Vision initiative that challenges their typical separation into distinct realms. Whether at school or in the highest realms of public life people struggle to reconcile the two; they lack the necessary conceptual vocabulary. Worse, there are entrenched positions characterised by mutual suspicion, distrust and denigration. In contrast, the contributors to this book challenge the creativity/competition binary and highlight the potential for collaboration in theoretical discourse, policy, education and professional practice. In doing so, the authors draw strength from the Olympian ethos of the Greeks and the vison of the founder of the modern Olympic movement, Pierre de Coubertin. The book seeks to 'problematise, interrogate and provoke'. The papers shed new light on sport and the arts as representations of cultural identity and embodying processes of social change. This book is a significant new contribution to understanding both sports and the arts, not just in their separate contexts, but also in amalgam. It represents a valuable resource for researchers and advanced students of Sports, Visual Art, Literature, History, Sociology, Social Theory and Cultural Studies. It was originally published as a special issue of Sport in Society.

Social inequalities are often reproduced in sport and leisure contexts. However, sport and leisure can be sites of resistance as well as oppression; they can be repressive or promote positive social change. This challenging and important book brings together contemporary cases examining different dimensions of inequality in sport and leisure, ranging from race and ethnicity to gender, sexual orientation, disability, religion and class. Presenting research-based strategies in support of social justice, this book places the experiences of disadvantaged communities centre stage. It addresses issues affecting participation, inclusion and engagement in sport, while discussing the challenges faced by specific groups such as Muslim women and LGBT young people. Including original theoretical and methodological insights, it argues that the experiences of these marginalised groups can shed a light on the political struggles taking place over the significance of sport and leisure in society today. Sport, Leisure and Social Justice is fascinating reading for students and academics with an interest in sport and politics, sport and social problems, gender studies, race and ethnicity studies, or the sociology of sport.

Social inequalities are often reproduced in sport and leisure contexts. However, sport and leisure can be sites of resistance as well as oppression; they can be repressive or promote positive social change. This challenging and important book brings together contemporary cases examining different dimensions of inequality in sport and leisure, ranging from race and ethnicity to gender, sexual orientation, disability, religion and class. Presenting research-based strategies in support of social justice, this book places the experiences of disadvantaged communities centre stage. It addresses issues affecting participation, inclusion and engagement in sport, while discussing the challenges faced by specific groups such as Muslim women and LGBT young people. Including original theoretical and methodological insights, it argues that the experiences of these marginalised groups can shed a light on the political struggles taking place over the significance of sport and leisure in society today. Sport, Leisure and Social Justice is fascinating reading for students and academics with an interest in sport and politics, sport and social problems, gender studies, race and ethnicity studies, or the sociology of sport.

New essays by leading scholars on major aspects of the most significant Austrian writer of the postwar generation. Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich Boell and Gunter Grass on the German literary scene. His idiosyncratic prose consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of UEbertreibungskunstler (artist of exaggeration). In this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his cosmopolitanism and its significance forthe rapidly changing multicultural landscape of Europe. Matthias Konzett is associate professor of German at Yale University. He is the author of The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000). Click here to view the introduction (PDF file 97KB)

New essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture. 20th-century Austrian literature boasts many outstanding writers: Schnitzler, Musil, Rilke, Kraus, Celan, Canetti, Bernhard, Jelinek. These and others feature in broader accounts of German literature, but it is desirable to see how the Austrian literary scene -- and Austrian society itself -- shaped their writing. This volume thus surveys Austrian writers of drama, prose fiction, and lyric poetry; relates them to the distinctive history of modern Austria,a democratic republic that was overtaken by civil war and authoritarian rule, absorbed into Nazi Germany, and re-established as a neutral state; and examines their response to controversial events such as the collusion with Nazism, the Waldheim affair, and the rise of Haider and the extreme right. In addition to confronting controversy in the relations between literature, history, and politics, the volume examines popular culture in line with current trends. Contributors: Judith Beniston, Janet Stewart, Andrew Barker, Murray Hall, Anthony Bushell, Dagmar Lorenz, Juliane Vogel, Jonathan Long, Joseph McVeigh, Allyson Fiddler. Katrin Kohl is Lecturer in German and a Fellow of Jesus College, and Ritchie Robertson is Taylor Professor of German and a Fellow of The Queen's College, both at the University of Oxford.

Time in German Literature and Culture, 1900 - 2015 is an interdisciplinary volume that explores the social, psychological, and historical impact of acceleration through the medium of culture. New interpretations of modernist and contemporary works of literature, visual art, architecture, film and popular culture highlight the wide range of cultural responses to social acceleration. In so doing, they call into question dominant theories of acceleration, which can be excessively totalising and pessimistic. The volume includes original readings of works by classic modernist authors Franz Kafka, Thomas Mann, Robert Musil, Peter Altenberg and Robert Walser; contemporary writers Angela Krauss, Clemens Meyer, Wolfgang Herrndorf and Karen Duve; filmmaker Christian Petzold; artists Wassily Kandinsky and Umberto Boccioni; and photographers Umbo, Gyorgy Kepes and Paul Schuitema. This exciting volume shows that cultural expressions of and responses to acceleration are varied, and offer the spaces of resistance to the ongoing onward rush of our twenty-first-century lives.

New essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture. 20th-century Austrian literature boasts many outstanding writers: Schnitzler, Musil, Rilke, Kraus, Celan, Canetti, Bernhard, Jelinek. These and others feature in broader accounts of German literature, but it is desirable to see how the Austrian literary scene -- and Austrian society itself -- shaped their writing. This volume thus surveys Austrian writers of drama, prose fiction, and lyric poetry; relates them to the distinctive history of modern Austria,a democratic republic that was overtaken by civil war and authoritarian rule, absorbed into Nazi Germany, and re-established as a neutral state; and examines their response to controversial events such as the collusion with Nazism, the Waldheim affair, and the rise of Haider and the extreme right. In addition to confronting controversy in the relations between literature, history, and politics, the volume examines popular culture in line with current trends. Contributors: Judith Beniston, Janet Stewart, Andrew Barker, Murray Hall, Anthony Bushell, Dagmar Lorenz, Juliane Vogel, Jonathan Long, Joseph McVeigh, Allyson Fiddler. Katrin Kohl is Lecturer in German and a Fellow of Jesus College, and Ritchie Robertson is Taylor Professor of German Language and Literature and a Fellow of The Queen's College, both at the University of Oxford.

When prayers are answered and truth overpowers confusion; it is another milestone in life to be cherished. Every encounter with God is a humbling life changing experience. Through rich moments of prayer, we discover the strength of peace along with a joyful confidence that God in heaven speaks to earthly man about everyday affairs. Enjoy moments of reassurance and strength as Jonathan Long shares what he received as God's heart responding to the life of man.