Innovative and challenging study that provides fresh insights on the anthropology of death and postcolonial politics. In 1898, just before she was hanged for rebelling against colonial rule, Charwe Nyakasikana, spirit medium of the legendary ancestor Ambuya Nehanda, famously prophesised that "my bones will rise again". A century later bones, bodies and human remains have come to occupy an increasingly complex place in Zimbabwe's postcolonial milieu. From ancestral "bones" rising again in the struggle for independence, and later land, to resurfacing bones of unsettled wardead; and from the troubling decaying remains of post-independence gukurahundi massacres to the leaky, tortured bodies of recent election violence, human materials are intertwined in postcolonial politics in ways that go far beyond, yet necessarily implicate, contests over memory, commemoration and the representation of the past. In this book Joost Fontein examines the complexities of human remains in Zimbabwe's 'politics of the dead'. Challenging and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of 'traditional' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize. Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Press

A detailed ethnographic and historical study of the implications of fast-track land reform in Zimbabwe from the perspective of those involved in land occupations around Lake Mutirikwi, from the colonial period to the present day. Finalist for the African Studies Association 2016 Melville J. Herskovits Award The Mutirikwi river was dammed in the early 1960s to make Zimbabwe's second largest lake. This was a key moment in the Europeanisation of Mutirikwi's landscapes, which had begun with colonial land appropriations in the 1890s. But African landscapes were not obliterated by the dam. They remained active and affective. At independence in 1980, local clans reasserted ancestral land claims in a wave of squatting around Lake Mutirikwi. They were soon evicted as the new government asserted control over the remaking of Mutirikwi's landscapes. Amid fast-track land reform in the 2000s, the same people returned again to reclaim the land. Many returned to the graves and ruins of past lives forged in the very substance of the soil, and even incoming war veterans and new farmers appealed to autochthonous knowledge to make safe theirresettlements. This book explores those reoccupations and the complex contests over landscape, water and belonging they provoked. The 2000s may have heralded a long-delayed re-Africanisation of Lake Mutirikwi, but just as African presence had survived the dam, so white presence remains active and affective through Rhodesian-era discourses, place-names and the materialities of ruined farms, contour ridging and old irrigation schemes. Through lenses focused on the political materialities of water and land, this book reveals how the remaking of Mutirikwi's landscapes has always been deeply entangled with changing strategies of colonial and postcolonial statecraft. It highlights howthe traces of different pasts intertwine in contemporary politics through the active, enduring yet emergent, forms and substances of landscape. Joost Fontein is Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. Published in association with the British Institute in Eastern Africa.

Finalist for the African Studies Association 2016 Melville J. Herskovits Award A detailed ethnographic and historical study of the implications of fast-track land reform in Zimbabwe from the perspective of those involvedin land occupations around Lake Mutirikwi, from the colonial period to the present day. The Mutirikwi river was dammed in the early 1960s to make Zimbabwe's second largest lake. This was a key moment in the Europeanisation of Mutirikwi's landscapes, which had begun with colonial land appropriations in the 1890s. ButAfrican landscapes were not obliterated by the dam. They remained active and affective. At independence in 1980, local clans reasserted ancestral land claims in a wave of squatting around Lake Mutirikwi. They were soon evicted asthe new government asserted control over the remaking of Mutirikwi's landscapes. Amid fast-track land reform in the 2000s, the same people returned again to reclaim the land. Many returned to the graves and ruins of past lives forged in the very substance of the soil, and even incoming war veterans and new farmers appealed to autochthonous knowledge to make safe their resettlements. This book explores those reoccupations and the complex contests overlandscape, water and belonging they provoked. The 2000s may have heralded a long-delayed re-Africanisation of Lake Mutirikwi, but just as African presence had survived the dam, so white presence remains active and affective through Rhodesian-era discourses, place-names and the materialities of ruined farms, contour ridging and old irrigation schemes. Through lenses focused on the political materialities of water and land, this book reveals how the remaking of Mutirikwi's landscapes has always been deeply entangled with changing strategies of colonial and postcolonial statecraft. It highlights how the traces of different pasts intertwine in contemporary politics through the active, enduring yet emergent, forms and substances of landscape. Joost Fontein is Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. Published in association with the British Institute in Eastern Africa.

This book examines the politics of landscape and heritage by focusing on the example of Great Zimbabwe National Monument in southern Zimbabwe. The controversy that surrounded the site in the early part of the 20th century, between colonial antiquarians and professional archaeologists, is well reported in the published literature. Based on long term ethnographic field work around Great Zimbabwe, as well as archival research in NMMZ, in the National Archives of Zimbabwe, and several months of research at the World Heritage Centre in Paris, this new book represents an important step beyond that controversy over origins, to focus on the site's position in local contests between, and among individuals within, the Nemanwa, Charumbira and Mugabe clans over land, power and authority. To justify their claims, chiefs, spirit mediums and elders of each clan make appeals to different, but related, constructions of the past. Emphasising the disappearance of the 'Voice' that used to speak there, these narratives also describe the destruction, alienation and desecration of Great Zimbabwe that occurred, and continues, through the international and national, archaeological and heritage processes and practices by which Great Zimbabwe has become a national and world heritage site today.

This book examines the politics of landscape and heritage by focusing on the example of Great Zimbabwe National Monument in southern Zimbabwe. The controversy that surrounded the site in the early part of the 20th century, between colonial antiquarians and professional archaeologists, is well reported in the published literature. Based on long term ethnographic field work around Great Zimbabwe, as well as archival research in NMMZ, in the National Archives of Zimbabwe, and several months of research at the World Heritage Centre in Paris, this new book represents an important step beyond that controversy over origins, to focus on the site's position in local contests between, and among individuals within, the Nemanwa, Charumbira and Mugabe clans over land, power and authority. To justify their claims, chiefs, spirit mediums and elders of each clan make appeals to different, but related, constructions of the past. Emphasising the disappearance of the 'Voice' that used to speak there, these narratives also describe the destruction, alienation and desecration of Great Zimbabwe that occurred, and continues, through the international and national, archaeological and heritage processes and practices by which Great Zimbabwe has become a national and world heritage site today.

Innovative and challenging study that provides fresh insights on the anthropology of death and postcolonial politics. In 1898, just before she was hanged for rebelling against colonial rule, Charwe Nyakasikana, spirit medium of the legendary ancestor Ambuya Nehanda, famously prophesised that "my bones will rise again". A century later bones, bodies and human remains have come to occupy an increasingly complex place in Zimbabwe's postcolonial milieu. From ancestral "bones" rising again in the struggle for independence, and later land, to resurfacing bones of unsettled wardead; and from the troubling decaying remains of post-independence gukurahundi massacres to the leaky, tortured bodies of recent election violence, human materials are intertwined in postcolonial politics in ways that go far beyond, yet necessarily implicate, contests over memory, commemoration and the representation of the past. In this book Joost Fontein examines the complexities of human remains in Zimbabwe's 'politics of the dead'. Challenging and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of 'traditional' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.

PAPERBACK FOR SALE IN AFRICA ONLY Finalist for the ASA 2016 Melville J. Herskovits Award A detailed ethnographic and historical study of the implications of fast-track land reform in Zimbabwe from the perspective of those involved in land occupations around Lake Mutirikwi, from the colonial period to the present day. The Mutirikwi river was dammed in the early 1960s to make Zimbabwe's second largest lake. This was a key moment in the "Europeanisation" of Mutirikwi's landscapes, which had begun with colonial land appropriations in the 1890s. But African landscapes were not obliterated by the dam. They remained active and affective. At independence in 1980, local clans reasserted ancestral land claims in a wave of squatting around Lake Mutirikwi. They were soon evicted as the new government asserted control over the remaking of Mutirikwi's landscapes. Amid fast-track land reform in the 2000s, the same people returned again to reclaim the land. Many returned to the graves and ruins of past lives forged in the very substance of the soil, and even incoming war veterans and "new farmers" appealed to "autochthonous knowledge" to "make safe" their resettlements. This book explores those reoccupations and the complex contests over landscape, water and belonging they provoked. The 2000s may have heralded a long-delayed "re-Africanisation" of Lake Mutirikwi, but just as African presence had survived the dam, so "white" presence remains active and affective through Rhodesian-era discourses, place-names and the materialities of ruined farms, contour ridging and old irrigation schemes. Through lenses focused on the political materialities of water and land, this book reveals how the remaking of Mutirikwi's landscapes has always been deeply entangled with changing strategies of colonial and postcolonial statecraft. It highlights how the traces of different pasts intertwine in contemporary politics through the active, enduring yet emergent, forms and substances of landscape. Joost Fontein is Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. Published in association with the British Institute in Eastern Africa.

This book explores the politics of heritage. Beyond its use in the construction of identity or the politics of representation, labeling something 'heritage' is an intensely political act that legitimises certain processes over others. As a 'policy document' the World Heritage Convention gives institutional authority to discourses of 'heritage' and 'internationalism'. At the core of the world heritage 'system' is a tension between the need to protect the world's heritage, and the sovereignty of 'State Parties'. While there have been many recent changes to the world heritage 'system' - provoked by the imbalances of the World Heritage List, the eurocentricities its definitions, and a growing concern for its wider credibility, what cannot change is the sovereignty of 'State Parties'. Through labelling something 'world heritage' certain actions of the state are legitimised and empowered by claims to its 'outstanding universal value', which must be preserved for 'humanity'. Thus the world heritage 'system' can be viewed as an 'anti-politics machine' (Ferguson1990) which reifies the role of state bureaucracy in Africa through de-politicised claims to 'universal value'.