"Nothing will stop a strong-minded young Inuit girl from learning how to read."

Olemaun is eight and knows a lot of things. But she does not know how to read. She must travel to the outsiders' school to learn, ignoring her father's warning of what will happen there.

The nuns at the school take her Inuit name and call her Margaret. They cut off her long hair and force her to do chores. She has only one thing left -- a book about a girl named Alice, who falls down a rabbit hole.

Margaret's tenacious character draws the attention of a black-cloaked nun who tries to break her spirit at every turn. But she is more determined than ever to read.

By the end, Margaret knows that, like Alice, she has traveled to a faraway land and stood against a tyrant, proving herself to be brave and clever.

Based on the true story of Margaret Pokiak-Fenton, and complemented by stunning illustrations, "When I Was Eight" makes the bestselling "Fatty Legs" accessible to young children. Now they, too, can meet this remarkable girl who reminds us what power we hold when we can read.

"Nothing will stop a strong-minded young Inuit girl from learning how to read."

Olemaun is eight and knows a lot of things. But she does not know how to read. She must travel to the outsiders' school to learn, ignoring her father's warning of what will happen there.

The nuns at the school take her Inuit name and call her Margaret. They cut off her long hair and force her to do chores. She has only one thing left -- a book about a girl named Alice, who falls down a rabbit hole.

Margaret's tenacious character draws the attention of a black-cloaked nun who tries to break her spirit at every turn. But she is more determined than ever to read.

By the end, Margaret knows that, like Alice, she has traveled to a faraway land and stood against a tyrant, proving herself to be brave and clever.

Based on the true story of Margaret Pokiak-Fenton, and complemented by stunning illustrations, "When I Was Eight" makes the bestselling "Fatty Legs" accessible to young children. Now they, too, can meet this remarkable girl who reminds us what power we hold when we can read.

The beloved story of an Inuvialuit girl standing up to the bullies of residential school, updated for a new generation of readers. Margaret Olemaun Pokiak-Fenton's powerful story of residential school in the far North has been reissued to commemorate the memoir's 10th anniversary with updates to the text, reflections on the book's impact, and a bonus chapter from the acclaimed follow-up, A Stranger at Home. New content includes a foreword from Dr. Debbie Reese, noted Indigenous scholar and founder of American Indians in Children's Literature, while Christy Jordan-Fenton, mother of Margaret's grandchildren and a key player in helping Margaret share her stories, discusses the impact of the book in a new preface. With important updates since it first hit the shelves a decade ago, this new edition of Fatty Legs will continue to resonate with readers young and old.

The beloved story of an Inuvialuit girl standing up to the bullies of residential school, updated for a new generation of readers. Margaret Olemaun Pokiak-Fenton's powerful story of residential school in the far North has been reissued to commemorate the memoir's 10th anniversary with updates to the text, reflections on the book's impact, and a bonus chapter from the acclaimed follow-up, A Stranger at Home. New content includes a foreword from Dr. Debbie Reese, noted Indigenous scholar and founder of American Indians in Children's Literature, while Christy Jordan-Fenton, mother of Margaret's grandchildren and a key player in helping Margaret share her stories, discusses the impact of the book in a new preface. With important updates since it first hit the shelves a decade ago, this new edition of Fatty Legs will continue to resonate with readers young and old.

"When I Was Eight" was called "utterly compelling" by "Kirkus"in a starred review.

"Margaret can't wait to see her family, but her homecoming is not what she expected."

Two years ago, Margaret left her Arctic home for the outsiders' school. Now she has returned and can barely contain her excitement as she rushes towards her waiting family -- but her mother stands still as a stone. This strange, skinny child, with her hair cropped short, can't be her daughter. "Not my girl " she says angrily.

Margaret's years at school have changed her. Now ten years old, she has forgotten her language and the skills to hunt and fish. She can't even stomach her mother's food. Her only comfort is in the books she learned to read at school.

Gradually, Margaret relearns the words and ways of her people. With time, she earns her father's trust enough to be given a dogsled of her own. As her family watches with pride, Margaret knows she has found her place once more.

Based on the true story of Margaret Pokiak-Fenton, and complemented by evocative illustrations, "Not My Girl" makes the original, award-winning memoir, "A Stranger at Home," accessible to younger children. It is also a sequel to the picture book "When I Was Eight." A poignant story of a determined young girl's struggle to belong, it will both move and inspire readers everywhere.

"When I Was Eight" was called "utterly compelling" by "Kirkus"in a starred review.

"Margaret can't wait to see her family, but her homecoming is not what she expected."

Two years ago, Margaret left her Arctic home for the outsiders' school. Now she has returned and can barely contain her excitement as she rushes towards her waiting family -- but her mother stands still as a stone. This strange, skinny child, with her hair cropped short, can't be her daughter. "Not my girl " she says angrily.

Margaret's years at school have changed her. Now ten years old, she has forgotten her language and the skills to hunt and fish. She can't even stomach her mother's food. Her only comfort is in the books she learned to read at school.

Gradually, Margaret relearns the words and ways of her people. With time, she earns her father's trust enough to be given a dogsled of her own. As her family watches with pride, Margaret knows she has found her place once more.

Based on the true story of Margaret Pokiak-Fenton, and complemented by evocative illustrations, "Not My Girl" makes the original, award-winning memoir, "A Stranger at Home," accessible to younger children. It is also a sequel to the picture book "When I Was Eight." A poignant story of a determined young girl's struggle to belong, it will both move and inspire readers everywhere.

Examines the economic and spatial importance of performance arts in West Africa through a close analysis of the masquerade culture of Calabar, the capital city of Nigeria's Cross River State. Driving into urban Calabar, one is struck by two imposing, monumental rectangular columns, operating not unlike ancient triumphal arches, framing the entrance into Nigeria's capital city of the Cross River State. Relief carvings of Calabar's renowned masking characters adorn the monument. The icons, dramatically captured in choreographic poses, freezing the maskers in time, enshrine masquerade as the city's heritage and past identity. Far from being merely "traditional" and relegated to an earlier time, the Calabar-based masquerades explored in this book demonstrate a contemporary and global context indicative of the changing patterns of city life. While the topic of cultural change is not necessarily new to African art history and cultural studies, few scholars or writers have attempted to understand why African arts so readily change. This book, the first full-length monograph addressing contemporary art in Calabar, explains the fluidity and thriving nature of masquerade by analyzing the ways in which masking is steeped in economic transaction and how street performances have become more public and spatially calculated. By unraveling the urban layers of masquerade arts and their performances, this book shows how so-called traditional culture gains new roles or currencies within a contemporary, city-based context.