This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontes, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.

One late spring morning the American artist Jackson Pollock began work on the canvas that would ultimately come to be known as Number 1, 1950 ("Lavender Mist").
Award-winning authors Jan Greenberg and Sandra Jordan use this moment as the departure point for a unique picture book about a great painter and the way in which he worked. Their lyrical text, drawn from Pollock's own comments and those made by members of his immediate circle, is perfectly complemented by vibrant watercolors by Robert Andrew Parker that honor his spirit of the artist without imitating his paintings.
A photographic reproduction of the finished painting, a short biography, a bibliography, and a detailed list of notes and sources that are fascinating reading in their own right make this an authoritative as well as beautiful book for readers of all ages.

Academy Award-winning animated comedy by Walt Disney Studios featuring the voice talents of Scott Adsit and Ryan Potter. 14-year-old robotics genius Hiro Hamada (Potter) spends his days being a typical teenager, getting into fights and struggling to cope with his changing body. When his older brother Tadashi (Daniel Henney) becomes concerned that his brother is wasting his potential, he takes him to the robotics lab at his university where he introduces him to Baymax (Adsit), an inflatable robot created and developed by Tadashi himself. Programmed to take care of humans, Baymax starts to work with Hiro and encourages him to focus on his invention of microbots. When Hiro and Baymax discover that someone has been copying his ideas and creating microbots of their own, the pair team up to find the masked assailant. The film won the Academy Award for Best Animated Feature.

This innovative collection of essays addresses important issues in the history of the book. The multidisciplinary essays consider different aspects of the production, circulation, and consumption of printed texts, analyzing such topics as market trends, modes of publication, and the use of pseudonyms by women writers. Contributors draw on speech act, reader response and gender theory in addition to historical, narratological, materialist, and bibliographical perspectives to study authors such as Dickens, the Brontës and George Eliot.

Completed in 1959, hidden from the Soviet secret police for twenty years, THE ROSE OF THE WORLD was first made public through excerpts in the magazine Novy Mir in 1989. THE ROSE OF THE WORLD is a unique and poetic cosmological treatise, passionately written out of personal spiritual experience. It offers a prophetic call for the spiritual reunification of all people and an open and harmonious relationship among the great world religions. For Daniel Andreev, The Rose of the world is a spiritual flower whose roots are in heaven; each petal is a unique image of the great world religions and cultures, and the whole flower is their joint co-creation with God. Lindisfarne Books is proud to publish the first English translation of this masterpiece of contemporary Russian spiritual literature, a work that belongs to Russian religious thought in the tradition of Vladimir Soloviev, and to the West in the tradition of Dante and Blake-truly a work for the twenty-first century.