A panorama of literature by Latinos, whether born or resident in the United States. This volume, documenting the linguistic and cultural diversity of Latino literary output in the United States, offers an exciting introduction for non-specialist readers. Unique in its scope and perspective, it focuses on variousliterary genres, and cinema, related to Latinos. Each essay considers not only Latino writers who were born or raised in the United States, but also Latin American writers who took up residence in the United States but may also beconsidered part of the literary scene of their countries of origin. Rather than follow one specific mode of organization and presentation, each contributor has offered his or her original perspective on the subject matter or theme. The result is an inclusive spectrum of the voices of the U.S. Latin American diaspora, illuminating the rich and complex culture of Latinos. Carlota Caulfield is Professor of Spanish and Spanish-American Studies at Mills College, California. Darien J. Davis is Associate Professor of History and Latin American Studies at Middlebury College, Vermont. CONTRIBUTORS: Eva Bueno, Carlota Caulfield, Elizabeth Coonrod Martinez, DarienJ. Davis, Jorge Febles, Lydia Gil, Armando Gonzalez-Perez, Patricia M. Montilla, Vincent Spina, Antonio Tosta, Sergio Waisman

Into the Mainstream: Essays on Spanish American and Latino Literature and Culture is a direct outgrowth of Jorge Febles's involvement with the annual conference of the American Culture Association and the Popular Culture Association. In that sense, the compilation expands on a project initiated in 1993 by Helen Ryan-Ransom with her book Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity (Bowling Green, Ohio: Bowling Green State University Popular Press, 1993). David William Foster, who penned a lengthy preface to that collection, justified its intent by underscoring: "The very fact that our approach to culture is dominated by categories based on high, academic, institutionalized phenomena poses from the very outset the question of how to deal with all those other cultural manifestations that do not comfortably assimilate to the accepted canon" (Ryan-Ransom 3). The past fourteen years, however, have witnessed a radical transformation of that so-called canon due to the widespread acceptance of ideas espoused by cultural theorists like Garcia Canclini, Homi Bhabba, Said, Stuart Hall, Benhabib, Bourdieu and countless others. Therefore, the ambivalence regarding what constitutes culture identified by Foster is inoperative nowadays to a substantial degree. In fact, a fundamental component of the postmodern outlook resides in the ability to blend comfortably the high and the low, the elitist and the popular realms of production in a multiplicity of textual artifacts, creative as well as critical in nature. Hence, the essays that conform Into the Mainstream do not question barriers anymore, nor do they expound on the need to assign a discursive intellectual space to matters pertaining to popular culture. Thus, this collection espouses an inclusive approach in which a variety of analytical approaches coalesce to reflect on an equally kaleidoscopic textuality.Pursuant to its comprehensive nature, Into the Mainstream airs established as well as developing critical voices so as to reflect both ideological continuity and evolving viewpoints. Scholars who have compiled strong academic records like Hortensia Morell, Raquel Rivas Rojas, Elsa Gilmore, David Petreman and Benjamin Torres Caballero share a venue with younger critics like Corey Shouse Tourino, Roberto Vela Cordova, Stacy Hoult, Eduardo del Rio, Bruce Campbell, Laura Redruello, Dinora Cardoso and April Marshall, as well as with two graduate students about to complete their academic preparation: Nuria Ibanez Quintana and Maria Teresa Vera Rojas. The result is an eclectic compilation meant to elicit discussion on the basis of its variety. Into the Mainstream's primordial objective is to place these provocative essays-which are expanded versions of papers presented during the annual gathering of the American Culture Association and the Popular Culture Association in the period 2002-2005-along with the numerous subjects they treat in the academic mainstream where they rightfully belong.