Esta obra clasica del romanticismo de la Espana del siglo XIX relata el martirio infligido por el emperador bizantino Majencio a la cristiana Sofronia.

La Apoteosis de don Pedro... es una apologia a la hispanidad y al orgullo herido de un imperio que dio sus ultimos estertores en el siglo XIX. El texto resulta interesante, incluso desde su idea epica de una estructura nacional, y merece un analisis mas centrado en lo politico que en la nocion de divertimento literario con que fue concebido originalmente. Cabe concluir comentando que aqui la figura de Calderon de la Barca es presentada como un estandarte nacional, una reivindicacion de ese orgullo imperial antes referido.

En las afueras de Toledo, ante un Cristo enclavado en un madero, la bella Ines de Vargas hace jurar a Diego Martinez, que a su vuelta de Flandes, la desposara. Pero pasan tres anos y Diego no vuelve. Regresan varios hombres de Flandes, y entre ellos Ines cree avistar a Diego, que no la reconoce. Resulta que Diego ha sido hecho capitan por el rey, y los humos se le han subido a la cabeza, y porfia que en ningun momento prometio casarse.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Recuerdos Del Tiempo Viejo, Volume 1; Recuerdos Del Tiempo Viejo; Jose Zorrilla Jose Zorrilla Impr. de los Sucesores de Ramirez, 1880 Literary Criticism; European; Spanish & Portuguese; Biography & Autobiography / General; Literary Criticism / European / Spanish & Portuguese

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Lealtad De Una Muger Y Aventuras De Una Noche: Comedia En Tres Actos Y En Verso Jose Zorrilla Impr. J.Ma. Repulles, 1840 Drama; General; Drama / Continental European; Drama / General

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Oliva Y El Laurel: Alegoria Escrita Para Las Fiestas De La Proclamacion De S.M. La Reina Dona Isabel II Jose Zorrilla, Galeria Dramatica (Spain) Impr. de Yenes, 1843

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Creacion Y El Diluvio: Espectaculo Teatral En Cuatro Actos, Divididos En Seis Partes Jose Zorrilla Impr. de la Sociedad de Operarios del mismo Arte, 1848

Jose Zorrilla (Valladolid, 1817-Madrid, 1893). Espana. Tras estudiar en el Seminario de Nobles de Madrid, fue a las universidades de Toledo y Valladolid a estudiar leyes y poco despues abandono los estudios y se fue a Madrid. Las penurias economicas le hicieron a vender a perpetuidad los derechos de Don Juan Tenorio (1844), la mas celebre de sus obras. En 1846, viajo a Paris y conocio a Alejandro Dumas, padre, George Sand y Teophile Gautier que influyeron en su obra. Tras una breve estancia en Madrid, regreso a Francia y de ahi, en 1855, marcho a Mexico donde el emperador Maximiliano lo nombro director del teatro Nacional. Publico un libro de memorias a su regreso a Espana.

Jose Zorrilla (Valladolid, 1817-Madrid, 1893). Espana. Tras estudiar en el Seminario de Nobles de Madrid, fue a las universidades de Toledo y Valladolid a estudiar leyes y poco despues abandono los estudios y se fue a Madrid. Las penurias economicas le hicieron a vender a perpetuidad los derechos de Don Juan Tenorio (1844), la mas celebre de sus obras. En 1846, viajo a Paris y conocio a Alejandro Dumas, padre, George Sand y Teophile Gautier que influyeron en su obra. Tras una breve estancia en Madrid, regreso a Francia y de ahi, en 1855, marcho a Mexico donde el emperador Maximiliano lo nombro director del teatro Nacional. Publico un libro de memorias a su regreso a Espana.