Religious liberalism in America has often been equated with an ecumenical Protestant establishment. By contrast, American Religious Liberalism draws attention to the broad diversity of liberal cultures that shapes America s religious movements. The essays gathered here push beyond familiar tropes and boundaries to interrogate religious liberalism s dense cultural leanings by looking at spirituality in the arts, the politics and piety of religious cosmopolitanism, and the interaction between liberal religion and liberal secularism. Readers will find a kaleidoscopic view of many of the progressive strands of America s religious past and present in this richly provocative volume."

In Black is a Church, Josef Sorett maps the ways in which black American culture and identity have been animated by a particular set of Protestant ideas and practices in order to chart the mutually reinforcing discourses of racial authenticity and religious orthodoxy that have made Christianity essential to the very notion of blackness. In doing so, Sorett reveals the ways that Christianity, white supremacy, and colonialism coalesced in the modern category of "religion" and became formative to the emergence of black identity in North America. Black is a Church examines the surprising alliances, peculiar performances, and at times contradictory ideas and complex institutions that shape the contours of black life in the United States. The book begins by arguing that Afro-Protestantism has relied upon literary strategies to explain itself since the earliest years of its formation. Through an examination of slave narratives and spiritual autobiographies, it shows how Protestant Christianity was essential to the establishment of the earliest black literary forms. Sorett then follows Afro-Protestantism's heterodox history in the convergence of literature, politics, and religion at the end of the nineteenth century. And he shows how religious aspirations animated early calls for a "race literature" and "the color line" provided an organizing logic for religious innovations as divergent as pluralism and Pentecostalism. From the earliest literary productions of the eighteenth century to the #BlackLivesMatter movement in the twenty-first, religion—namely Protestant Christianity—is seen to be at the very center of black life in North America.

This book brings together an interdisciplinary roster of scholars and practitioners to analyze the politics of sexuality within Black churches and the communities they serve. In essays and conversations, leading writers reflect on how Black churches have participated in recent discussions about issues such as marriage equality, reproductive justice, and transgender visibility in American society. They consider the varied ways that Black people and groups negotiate the intersections of religion, race, gender, and sexuality across historical and contemporary settings. Individually and collectively, the pieces included in this book shed light on the relationship between the cultural politics of Black churches and the broader cultural and political terrain of the United States. Contributors examine how churches and their members participate in the formal processes of electoral politics as well as how they engage in other processes of social and cultural change. They highlight how contemporary debates around marriage, gender, and sexuality are deeply informed by religious beliefs and practices. Through a critically engaged interdisciplinary investigation, The Sexual Politics of Black Churches develops an array of new perspectives on religion, race, and sexuality in American culture.

This book brings together an interdisciplinary roster of scholars and practitioners to analyze the politics of sexuality within Black churches and the communities they serve. In essays and conversations, leading writers reflect on how Black churches have participated in recent discussions about issues such as marriage equality, reproductive justice, and transgender visibility in American society. They consider the varied ways that Black people and groups negotiate the intersections of religion, race, gender, and sexuality across historical and contemporary settings. Individually and collectively, the pieces included in this book shed light on the relationship between the cultural politics of Black churches and the broader cultural and political terrain of the United States. Contributors examine how churches and their members participate in the formal processes of electoral politics as well as how they engage in other processes of social and cultural change. They highlight how contemporary debates around marriage, gender, and sexuality are deeply informed by religious beliefs and practices. Through a critically engaged interdisciplinary investigation, The Sexual Politics of Black Churches develops an array of new perspectives on religion, race, and sexuality in American culture.

Many of the most important black intellectual movements of the second half of the twentieth century were perceived as secular, if not profane. When religion has figured into scholarly accounts of these moments, it has almost always appeared as tangential or inconsequential. In Spirit in the Dark, Josef Sorett upends this narrative by exploring the ways in which religion continued to animate and organize African American literary visions throughout the years between the New Negro Renaissance of the 1920s and the Black Arts movement of the 1960s. Sorett unveils the contours of a literary history that remained preoccupied with religion even as it was typically understood, by authors, readers and critics alike, to be secular. In doing so, he reveals how religion, especially Christianity, remained pivotal to the very ideas and aspirations of African American literature across much of the twentieth century. More specifically, Sorett shows that religion and spirituality are key categories for identifying what is (or is not) perceived to constitute or contribute to a black culture. By examining figures and movements that have typically been cast as "secular," he offers theoretical insights that blur the boundaries of the "sacred" in scholarship on African American religion and culture. Ultimately, Spirit in the Dark reveals religion to be an essential ingredient, albeit one that was always questioned and contested, to the forging of an African American literary tradition.