The botanist Robert Brown (1773-1858) is regarded as one of the most significant figures in the advancement of plant science in the nineteenth century. After studying at Aberdeen and Edinburgh, he made the acquaintance of Sir Joseph Banks via William Withering, and in 1801 was appointed as naturalist on Matthew Flinders' expedition to Australia. Brown made extensive collections of animals and minerals, but his 3,400 plant specimens from Australia, Tasmania and Timor were the foundation of his work for the rest of his life, as an active member of the Linnean Society, as Banks's librarian, and as an under-librarian in the British Museum. This two-volume collection of his 'miscellaneous botanical works', edited by John J. Bennett, Brown's assistant at the British Museum, was published in 1866-7. It has not been possible to reissue the accompanying quarto volume of plates. Volume 1 contains 'Geographico-Botanical Memoirs' and 'Structural and Physiological Memoirs'.

The botanist Robert Brown (1773-1858) is regarded as one of the most significant figures in the advancement of plant science in the nineteenth century. After studying at Aberdeen and Edinburgh, he made the acquaintance of Sir Joseph Banks via William Withering, and in 1801 was appointed as naturalist on Matthew Flinders' expedition to Australia. Brown made extensive collections of animals and minerals, but his 3,400 plant specimens from Australia, Tasmania and Timor were the foundation of his work for the rest of his life, as an active member of the Linnean Society, as Banks's librarian, and as an under-librarian in the British Museum. This two-volume collection of his 'miscellaneous botanical works', edited by John J. Bennett, Brown's assistant at the British Museum, was published in 1866-7. It has not been possible to reissue the accompanying quarto volume of plates. Volume 2 contains 'Systematic Memoirs' and 'Contributions to Systematic Works'.

The Hudson Review has always had an international focus. Travel and reports from abroad have figured prominently in the journal, including essays on exotic and picturesque locales, as well as accounts from war-torn areas and the experiences of exiles. Many of these are pilgrimages; others are harrowing memoirs. What unites even the most devastating of these accounts are intellectual curiosity and a spirit of adventure. Places Lost and Found is a treasury of distinctive and compelling essays selected from six decades of the Hudson Review. From a description of the gardens of Kyoto and a portrait of Syria just before its civil war to reflections on Veblen and the Mall of America, these essays explore an array of places that are deeply layered with history and meaning. The stunning cover photo of the Semper Opera House in Dresden encapsulates many of the themes of the book: war and its aftermath, the importance of the built environment in any discussion of "place," the endurance of civilization and resilience, and of course the romance of travel.