Short stories are usually defined in terms of characteristics of modernism, in which the story begins in the middle, develops according to a truncated plot, and ends with an epiphany. This approach tends to ignore postmodernism, a movement often characterized by a negation of objective reality where plots are seemingly abandoned, surfaces are extraordinary, and symbols turn inward on themselves. This book examines postmodern forms and characteristic themes by analyzing a group of short stories that make use of postmodern narrative strategies, including nonfictional fiction, gender profiling, and death as an image.

The volume begins with a discussion of the blurred lines between fiction and nonfiction in the short story and imaginative personal essay. It then looks at the role of women in works by such authors as Sandra Cisneros, Leslie Marmon Silko, Joyce Carol Oates, and Lorrie Moore. This is followed by a section of chapters on postmodern masculinity and short fiction. The next section focuses on death as an image and theme in works by Richard Ford, Richard Brautigan, and James Joyce. The final set of chapters considers postmodern short fiction from South Africa and Canada.

Postmodernism, as a mode of the contemporary short story, has been clearly established and recognized by short story theorists. But postmodern theory, as pervasive as it has become among academics in the last half century, has scarcely been applied to the short story genre in particular. Many contemporary scholars, nonetheless, are currently making use of certain postmodern thematic approaches to help them determine meanings of particular short stories. T

Short story theory began with Edgar Allan Poe's review of "Twice-Told Tales," a collection of stories by his contemporary, Nathaniel Hawthorne. But theoretical discussions of the short story languished until modernism and the new criticism provided impetus for further development. Surprisingly, though, the next large critical movement, postmodernism, failed to address the short story as a genre. But while there is little postmodern theory concerning the short story, contemporary scholars have used certain postmodern critical approaches to help determine meaning. This book demonstrates the effect of postmodern theory on the study of the short story genre.

The expert contributors to this volume examine such topics as genre and form, the role of the reader, cultural and ethnic diversity, and feminist perspectives on the short story. In doing so, they apply postmodern theoretical approaches to international short stories, be they in the traditional mode, the modern mode, or the postmodern mode. The volume looks at fiction by Edith Wharton, Henry James, Katherine Mansfield, and other authors, and at Iranian short fiction, the postcolonial short story, the fantastic in short fiction, and other subjects.

WINNER OF THE LIBRIS AWARD FOR BEST FICTION & BEST AUTHOR SHORTLISTED FOR THE GOVERNOR GENERAL'S LITERARY AWARD SHORTLISTED FOR THE ROGER WRITERS' TRUST FICTION AWARD LONGLISTED FOR THE SCOTIABANK GILLER PRIZE 'Historical fiction at its best' Sunday Telegraph A mesmerizing epic set in the wilds of 17th century North America, from a Giller Prize-winning author 1640s, The New World In the remote winter landscape, a brutal massacre and the kidnapping of a young Iroquois girl violently re-ignites a deep rift between two tribes. The girl's captor, Bird, is one of the Huron Nation's great warriors and statesmen. Years have passed since the murder of his family, but they are never far from his mind. In the girl, he recognizes the ghost of his lost daughter, but as he fights for her heart and allegiance, small battles erupt into bigger wars as both tribes face a new, more dangerous threat. Travelling with the Huron is Christophe, a charismatic missionary who has found his calling among the tribe. An emissary from distant lands, he brings much more than his faith to this new world, with its natural beauty and riches. As these three souls dance with each other through intricately woven acts of duplicity, their social, political and spiritual worlds collide - and a new nation rises from a world in flux.

From internationally acclaimed author Joseph Boyden comes a powerful novel about two native Canadian sisters and the forces that pull them apart. Fifteen years after the death of their patriarch, the Bird Clan finds itself struggling to survive on the hardscrabble reservation they call home. On Christmas Day, the youngest of the clan, Suzanne, leaves with her boyfriend Gus Netmaker, against both families' wishes, hoping to find purpose and a better life in Toronto. When word from Suzanne and Gus suddenly ceases, the Netmakers and Birds fear the worst and tensions between the two families escalate to violent levels. Suzanne's sister Annie decides to search for them, leaving behind their uncle Will, a man haunted by loss. While Annie travels from Toronto to New York, from modeling studios to A-list parties, Will encounters dire troubles at home. Both eventually come to painful discoveries about the inescapable ties of family.

The stories of an American Indian sniper caught up in the Great War and of his aunt, one of the last Cree Indians to live off the land, are intertwined in a mesmerising journey as they travel home over three days This beautiful, haunting novel begins as Niska is reunited with her nephew, Xavier, after he returns from the horrors of the First World War. As she slowly paddles her canoe on the 3-day journey to take him home, travelling through the stark but stunning landscape of Northern Canada, their respective stories emerge. Niska is the last Cree Indian woman living off the land in Canada. She recalls her memories of growing up among her kinsfolk, of trying to remain true to her ancestors and traditions in a rapidly changing world. Xavier joined the war reluctantly at the urging of his only friend, Elijah - a Cree boy raised in the reservation schools. Elijah and Xavier honed their hunting skills as snipers in the horrors of the trenches and the wastes of No-man's land. But as the war continues, they react in very different ways to the never-ending carnage around them. Niska realises that in the aftermath of war, Xavier's very soul is dying - but will the three day journey home be enough to help him find hope again?

In 2007 Joseph Boyden, author of the bestselling novel Three Day Road, was invited by the Canadian Literature Centre to deliver the inaugural Henry Kreisel Lecture at the University of Alberta. Boyden spoke passionately, relating Aboriginal people in Canada to poor African-Americans, Whites, and Hispanics in post-Katrina New Orleans. At the end of his lecture he presented a manifesto to the audience, demanding independence from the shackles of North American governments on behalf of these oppressed cultures. The lecture was received with much acclaim and enthusiasm.

Set in Canada and the battlefields of France and Belgium, Three-Day Road is a mesmerizing novel told through the eyes of Niska--a Canadian Oji-Cree woman living off the land who is the last of a line of healers and diviners--and her nephew Xavier.

At the urging of his friend Elijah, a Cree boy raised in reserve schools, Xavier joins the war effort. Shipped off to Europe when they are nineteen, the boys are marginalized from the Canadian soldiers not only by their native appearance but also by the fine marksmanship that years of hunting in the bush has taught them. Both become snipers renowned for their uncanny accuracy. But while Xavier struggles to understand the purpose of the war and to come to terms with his conscience for the many lives he has ended, Elijah becomes obsessed with killing, taking great risks to become the most accomplished sniper in the army. Eventually the harrowing and bloody truth of war takes its toll on the two friends in different, profound ways. Intertwined with this account is the story of Niska, who herself has borne witness to a lifetime of death--the death of her people.

In part inspired by the legend of Francis Pegahmagabow, the great Indian sniper of World War I, Three-Day Road is an impeccably researched and beautifully written story that offers a searing reminder about the cost of war.

In this hugely acclaimed author's new novel, history comes alive before us when, in the seventeenth century, a Jesuit missionary ventures into the wilderness in search of converts--the defining moment of first contact between radically different worlds, each at once old and new in its own ways. What unfolds over the next few years is truly epic, constantly illuminating and surprising, sometimes comic, always entrancing, and ultimately all-too-human in its tragic grandeur.
Christophe, as educated as any Frenchman could be about the" ""sauvages" of the New World whose souls he has sworn to save, begins his true enlightenment shortly after he sets out when his native guides--terrified by even a scent of the Iroquois--abandon him to save themselves. But a Huron warrior and elder named Bird soon takes him prisoner, along with a young Iroquois girl, Snow Falls, whose family he has just killed. The Huron-Iroquois rivalry, now growing vicious, courses through this novel, and these three are its principal characters.
Christophe and Snow Falls are held captive in Bird's massive village. Champlain's Iron People have only lately begun trading with the Huron, who mistrust them as well as this Jesuit Crow who has now trespassed onto their land; and Snow Falls's people, of course, have become the Hurons' greatest enemy. Bird knows that to get rid of them both would resolve the issue, but he sees Christophe, however puzzling, as a potential envoy to those in New France, and Snow Falls as a replacement for the two daughters he'd lost to the Iroquois.
These relationships wax and wane as life comes at them relentlessly: a lacrosse match with an allied tribe, a dangerous mission to trade furs with the French for the deadly shining wood that could save the Huron nation, shocking victories in combat and devastating defeats, then a sickness the likes of which none of them has ever seen. The world of "The Orenda" blossoms to include such unforgettable characters as Bird's oldest friend, Fox; his lover, Gosling, who some believe possesses magical powers; two more Jesuit Crows who arrive to help form a mission; and boys from both tribes whose hearts veer wildly from one side to the other, for one reason or another. Watching over all of them are the spirits that guide their every move.
"The Orenda" traces a story of blood and hope, suspicion and trust, hatred and love, that comes to a head when Jesuit and Huron join together against the stupendous wrath of the Iroquois, when everything that any of them has ever known or believed in faces nothing less than annihilation. A saga nearly four hundred years old, it is also timeless and eternal.

"From the Hardcover edition."

A haunting novel of love, identity, and loss-from the internationally acclaimed author of Three Day Road Beautifully written and startlingly original, Through Black Spruce takes the considerable talents of Canadian novelist Joseph Boyden to new and exciting heights. This is the story of two immensely compelling characters: Will Bird, a legendary Cree bush pilot who lies comatose in a remote Ontario hospital; and Annie Bird, Will's niece, a beautiful loner and trapper who has come to sit beside her uncle's bed. Broken in different ways, the two take silent communion in their unspoken kinship, revealing a story rife with heartbreak, fierce love, ancient feuds, mysterious disappearances, murders, and the bonds that hold a family, and a people, together. From the rugged Canadian wilderness to the drug-fueled glamour of the Manhattan club scene, this is thrilling, atmospheric storytelling at its finest.