The small town of Stone, Virginia is about to get the show of its life. The president is coming for an appearance, and his aids have a surprise. When a staged assassination plot starts to unravel, Millicent Van Horn, tries to clear her brother's name, and is pulled deeper into a deadly web of presidential deceit. Police Detective Van Horn finds herself investigating incidences she'd rather let lie, but there are too many lives at stake. Never realizing the lengths that would be taken to protect the president's name, Millicent embarks on an adventure to save her own life.

THE TRUE STORY OF A YOUNG METH DEALER WHO GREW UP AND BECAME A MERCENARY DEA INFORMANT. You will be taken into the underworld drug business dominated by the California Hells Angels. Joe Clark graduates from high-school wondering where his path to adulthood will take him. He sees his peers driving expensive cars with expensive women sitting next to them. He is envious and wonders why he cannot be a part of the life that he sees. A life of money, respect, beautiful women and expensive homes. He makes a decision that will affect his future. He soon has what his peers have.....Suddenly the DEA is in his life.

This book explores European soldiers' encounters with their continent's exotic frontiers from the French Revolution to the First World War. In numerous military expeditions to Italy, Spain, Russia, Greece and the 'Levant' they found wild landscapes and strange societies inhabited by peoples who needed to be 'civilized.' Yet often they also discovered founding sites of Europe's own 'civilization' (Rome, Jerusalem) or decaying reminders of ancient grandeur. The resulting encounters proved seminal in forging a military version of the 'civilizing mission' that shaped Europe's image of itself as well as its relations with its own periphery during the long nineteenth century.

Since the appearance of the first edition of 'Energy Simulation in Building Design', the use of computer-based appraisal tools to solve energy design problems within buildings has grown rapidly. A leading figure in this field, Professor Joseph Clarke has updated his book throughout to reflect these latest developments. The book now includes material on combined thermal/lighting and CFD simulation, advanced glazings, indoor air quality and photovoltaic components. This thorough revision means that the book remains the key text on simulation for architects, building engineering consultants and students of building engineering and environmental design of buildings. The book's purpose is to help architects, mechanical & environmental engineers and energy & facility managers to understand and apply the emerging computer methods for options appraisal at the individual building, estate, city, region and national levels. This is achieved by interspersing theoretical derivations relating to simulation within an evolving description of the built environment as a complex system. The premise is that the effective application of any simulation tool requires a thorough understanding of the domain it addresses.

This book explores European soldiers' encounters with their continent's exotic frontiers from the French Revolution to the First World War. In numerous military expeditions to Italy, Spain, Russia, Greece and the 'Levant' they found wild landscapes and strange societies inhabited by peoples who needed to be 'civilized.' Yet often they also discovered founding sites of Europe's own 'civilization' (Rome, Jerusalem) or decaying reminders of ancient grandeur. The resulting encounters proved seminal in forging a military version of the 'civilizing mission' that shaped Europe's image of itself as well as its relations with its own periphery during the long nineteenth century.

From the fall of the Bastille in 1789 to the coming of Napoleon ten years later, the commemoration of the dead was a recurring theme during the French Revolution. Based on extensive research across a wide range of sources, this book is the first comprehensive study of the cultural politics of commemoration in Revolutionary France. It examines what remembrance meant to the people who staged and attended ceremonies, raised monuments, listened to speeches and purchased souvenirs in memory of the Revolution's dead. It explores the political purposes these commemorations served and the conflicts they gave rise to while also examining the cultural traditions they drew upon. Above all, it asks what private ends did the Revolution's rites of memory serve? What consolation did commemoration bring to those the dead left behind, and what conflicts did this relationship between the public and the private dimensions of remembrance give rise to?

From the fall of the Bastille in 1789 to the coming of Napoleon ten years later, the commemoration of the dead was a recurring theme during the French Revolution. Based on extensive research across a wide range of sources, this 2007 book was the first comprehensive study of the cultural politics of commemoration in Revolutionary France. It examines what remembrance meant to the people who staged and attended ceremonies, raised monuments, listened to speeches and purchased souvenirs in memory of the Revolution's dead. It explores the political purposes these commemorations served and the conflicts they gave rise to while also examining the cultural traditions they drew upon. Above all, it asks what private ends did the Revolution's rites of memory serve? What consolation did commemoration bring to those the dead left behind, and what conflicts did this relationship between the public and the private dimensions of remembrance give rise to?

A fascinating look at the United States' conflicted relationship with news and the media, through the lens of the newsreel When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized "indisputable evidence" of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel's methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel's place in the history of twentieth-century American culture and film history. Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel's coverage of Charles Lindbergh's transatlantic flight and the Sino-Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship. In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public's relationship with the news in the 1930s-a history that can help us to better understand the transformations happening today.

A fascinating look at the United States' conflicted relationship with news and the media, through the lens of the newsreel When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized "indisputable evidence" of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel's methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel's place in the history of twentieth-century American culture and film history. Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel's coverage of Charles Lindbergh's transatlantic flight and the Sino-Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship. In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public's relationship with the news in the 1930s-a history that can help us to better understand the transformations happening today.