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A Commentary on Ovid's Metamorphoses: Alessandro Barchiesi A Commentary on Ovid's Metamorphoses
Alessandro Barchiesi; Edited by Phillip Hardie, E. J. Kenney, Joseph D. Reed, Gianpiero Rosati
R7,272 Discovery Miles 72 720 Ships in 12 - 17 working days

Comprising fifteen books and over two hundred and fifty myths, Ovid's Metamorphoses is one of the longest extant Latin poems from the ancient world and one of the most influential works in Western culture. It is an epic on desire and transgression that became a gateway to the entire world of pagan mythology and visual imagination. This, the first complete commentary in English, covers all aspects of the text – from textual interpretation to poetics, imagination, and ideology – and will be useful as a teaching aid and an orientation for those who are interested in the text and its reception. Historically, the poem's audience includes readers interested in opera and ballet, psychology and sexuality, myth and painting, feminism and posthumanism, vegetarianism and metempsychosis (to name just a few outside the area of Classical Studies).

A Commentary on Ovid's Metamorphoses: Volume 2, Books 7-12 (Hardcover): Alessandro Barchiesi A Commentary on Ovid's Metamorphoses: Volume 2, Books 7-12 (Hardcover)
Alessandro Barchiesi; Edited by E. J. Kenney, Joseph D. Reed
R3,549 Discovery Miles 35 490 Ships in 12 - 17 working days

Comprising fifteen books and over two hundred and fifty myths, Ovid's Metamorphoses is one of the longest extant Latin poems from the ancient world and one of the most influential works in Western culture. It is an epic on desire and transgression that became a gateway to the entire world of pagan mythology and visual imagination. This, the first complete commentary in English, covers all aspects of the text – from textual interpretation to poetics, imagination, and ideology – and will be useful as a teaching aid and an orientation for those who are interested in the text and its reception. Historically, the poem's audience includes readers interested in opera and ballet, psychology and sexuality, myth and painting, feminism and posthumanism, vegetarianism and metempsychosis (to name just a few outside the area of Classical Studies).

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