“No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own . . . � And so H. G. Wells opened his thrilling The War of the Worlds in 1897. Since then millions of readers have shivered and shrieked at his depiction of a Martian invasion of Earth. The tale has become part of our cultural memory, but Wells didn’t tell the whole story. He never gave us the Martian side of the conflict. Now, Joseph Dougherty, the Emmy-winning writer, reports on the invasion of Earth from an up-close-and-personal Martian point of view. Dougherty views Wells’s epic battles from an all new, painfully modern perspective. Our narrator is Vvv, a reluctant conscript on board The First Cylinder to reach Earth in the invasion. Vvv is the Martian incarnation of all reluctant warriors, from Yossarian in Catch-22 to Billy Pilgrim in Slaughterhouse-Five. War is hell . . . for aliens and humans alike. Sardonic and heartrending, tragic and comic, The First Cylinder is a breakout science fiction novel in the tradition of Kurt Vonnegut, Ray Bradbury.

From Altar-Throne to Table: The Campaign for Frequent Holy Communion in the Catholic Church investigates what the celebrated scholar of liturgy Robert A. Taft, SJ, calls the greatest and most successful liturgical reform in Catholic history. Only a century ago, faithful, practicing Catholics received Holy Communion only once a year; now, among American English-speaking Catholics, Holy Communion is a routine, weekly devotional practice. This book explains how and why this ritual sea-change happened. This book emphasizes that significant ritual change may occur while liturgical texts remain the same, and it also proposes a method for understanding the causes for such a ritual change. It admonishes not to project current ritual practice into even our recent past. Further, it implies an explanation for the massive decline in Catholics' use of the sacrament of reconciliation.

Praise for "Story Salon"

"Gemstones of narrative. Something new, funny, astonishing."
-Los Angeles Daily News

"Tales tall, tragic, and tantalizing."
-Sunset Magazine

"Stories from all walks and talks of life. Tales of yore and ones that make you scream for more-those that will delight with insight while moving an audience from laughter to tears."
-Studio City Sun

"Story Salon" is Los Angeles's longest running storytelling venue. What began as an alternative to stand-up clubs and self-conscious performance spaces has been challenging performers and audiences for more than a decade. Created in a North Hollywood coffee house "Story Salon" now reaches the globe through Podcasting, publishing, and recordings.

The rules of the "Story Salon" haven't changed since it started: Five to seven minutes of original material performed by the author. The result is a unique blend of observation, memoir and comment that makes the "Salon" one of the most eclectic entertainment experiences available. More than a dozen solo theater works have been developed at "Story Salon, " as well as a CD of stories, and several books.

"Live storytelling is a unique art form," says "Story Salon" founder, writer/actor/comedian Beverly Mickins. "Words spoken aloud paint pictures capable of evoking laughter and tears, the whole range of emotion. People have been telling each other stories since the first campfires, talking about the whole mix of things, important and trivial, that go into making life. Storytelling is one of the ways we figure out how to be human."

Collected here for the first time in "Big Book of Stories" are more than forty original pieces first performed by their authors at "Story Salon."

It's an omnibus of memories, rants, affirmations, and shaggy-dog stories that once opened is impossible to shut.

Learn more at www.storysalon.com

"She was one of the working stiff actors who made American movies a sort of extended family for me. If I don't do this for her, who will?"

Memory and movies collide when the narrator of "Comfort and Joi," award-winning screenwriter Joseph Dougherty's imaginative blend of fiction and film fact, sets out to document the life and work of bosomy blonde bombshell Joi Lansing, a minor glamour girl who appeared in such "classics" as "Hillbillys in a Haunted House" and "Queen of Outer Space."

Alone in a borrowed house on the California coast during a winter weekend, he indulges his fascination with the pin-up who rose from extra girl to work with Orson Welles, only to end her career in grade-z horror pictures.

Offbeat movie history from the fringes of Hollywood triggers haunting personal memories as he follows this "beautiful beacon in a Sargasso of bad filmmaking" and finds an unexpected path to his own past.

"Dougherty is a humanist who argues that each of us has to look, listen, choose, and commit. His work is as encouraging as it is enlightening."
--Douglas Heil, "Prime-Time Authorship"

“I was a writer before I knew what a writer was.� —Joseph Dougherty Joseph Dougherty has been a successful playwright and television writer, producer, and director for more than thirty years. He’s written for breakthrough series that have changed the way we look at television drama, from thirtysomething to Pretty Little Liars, winning everything from Emmys to Teen Choice Awards along the way. Dougherty’s voice comes off the page with anecdotes about the writing process, hard-learned tips for survival in “the business,� and reflections on the influences that have led him to a successful career. Honestly, entertainingly, without cynicism, he gives readers permission to embrace the writer they want to be, so they can experience the rewards and satisfactions of writing. Beyond an insider’s take on story and structure, dialogue, action and outlining, A Screenwriter’s Companion is as much mentor as it is manual. With every insider observation about how to keep a potential producer reading till the last page of a script, there’s encouragement to explore your thoughts and memories, things a writer needs to embrace in order to become more than “a pro.�