Suffering and Evil in Nature: Comparative Responses from Ecstatic Naturalism and Healing Cultures, edited by Joseph E. Harroff and Jea Sophia Oh, provides many unique experiments in thinking through the implications of ecstatic naturalism. This collection of essays directly addresses the importance of values sustaining cultures of healing and offers a variety of perspectives inducing radical hope requisite for cultivating moral and political imaginings of democracy-to-come as a regulative ideal. Through its invocation of "healing cultures," the collection foregrounds the significance of the active, gerundive, and processual nature of ecstatic naturalism as a creative horizon for realizing values of intersubjective flourishing, while also highlighting the significance of culture as an always unfinished project of making discursive, interpretive and ethical space open for the subaltern and voiceless. Each contribution gives voice to the tensions and contradictions felt by living participants in emergent communities of interpretation-namely those who risk replacing authoritarian tendencies and fascist prejudices with a faith in future-oriented archetypes of healing to make possible truth and reconciliation between oppressor and oppressed, victimizers and victims of violence and trauma. These essays then let loose the radical hope of healing from suffering in a ceaseless community of communication within a horizon of creative democratic interpretation.

In this succinct yet ample work, Zhao Tingyang, one of China's most distinguished intellectuals, provides a profoundly original philosophical interpretation of China's story and also develops a Chinese worldview for the future. Over the past few decades, the question Where did China come from? has absorbed the thoughts of many of China's best historians. Zhao, keenly aware of the persistent and pernicious asymmetry in the prevailing way scholars have gone about theorizing China according to Western concepts and categories, has tasked both Chinese and Western scholars to "rethink China." Zhao introduces what he terms a distinctively Chinese centripetal "whirlpool" model of world order to interpret the historical progression of China's tianxia (All under Heaven) identity construction. In this book, Zhao forwards a compelling thesis not only on how we should understand China, but also on how China until recently has understood itself.

In this succinct yet ample work, Zhao Tingyang, one of China’s most distinguished intellectuals, provides a profoundly original philosophical interpretation of China’s story and also develops a Chinese worldview for the future. Over the past few decades, the question Where did China come from? has absorbed the thoughts of many of China's best historians. Zhao, keenly aware of the persistent and pernicious asymmetry in the prevailing way scholars have gone about theorizing China according to Western concepts and categories, has tasked both Chinese and Western scholars to "rethink China." Zhao introduces what he terms a distinctively Chinese centripetal "whirlpool" model of world order to interpret the historical progression of China’s tianxia (All under Heaven) identity construction. In this book, Zhao forwards a compelling thesis not only on how we should understand China, but also on how China until recently has understood itself.