In a thrilling interconnected narrative, You're in the Wrong Place presents characters reaching for transcendence from a place they cannot escape. Charles Baxter stated that "Joseph Harris has a particular feeling for the Detroit suburbs and the slightly stunted lives of the young people there....You're in the Wrong Place isn't uniformly downbeat-there are all sorts of rays of hope that gleam toward the end". The book, composed of twelve stories, begins in the fall of 2008 with the shuttering of Dynamic Fabricating-a fictional industrial shop located in the Detroit suburb of Ferndale. Over the next seven years, the shop's former employees - as well as their friends and families-struggle to find money, purpose, and levity in a landscape suddenly devoid of work, faith, and love. In "Would You Rather", a young couple brought together by Dynamic Fabricating shares a blissful weekend in Northern Michigan, unaware of the catastrophe that awaits them upon their return home. In "Acolytes", a devout Catholic clings to her faith as her brothers descend into cultish soccer violence. In "Memorial", an ex-Dynamic worker scrapes money together for a tribute to his best friend, lost to the war in Afghanistan. In "Was It Good for You?" a cam girl deconstructs materialism with her ageng great aunt, a luxury sales associate, and an anxious, faceless client. And in the title story, simmering tensions come to a boil on a hot summer day for a hardscrabble landscaping crew, hired by the local bank to maintain the lawns of foreclosures In turns elegiac and harrowing, You're in the Wrong Place blends lyric intensity with philosophical eroticism to create a singular, powerful vision of contemporary American life. Readers of contemporary fiction grounded in place need to take up this collection.

Examinations of the date of Beowulf have tremendous significance for Anglo-Saxon culture in general. This book will be a milestone, and deserves to be widely read. The early Beowulf that overwhelmingly emerges here asks hard questions, and the same strictly defined measures of metre, spelling, onomastics, semantics, genealogy, and historicity all cry out to be tested further and applied more broadly to the whole corpus of Old English verse. Andy Orchard, Rawlinson and Bosworth Professor of Anglo-Saxon, University of Oxford. The datingof Beowulf has been a central question in Anglo-Saxon studies for the past two centuries, since it affects not only the interpretation of Beowulf, but also the trajectory of early English literary history. By exploring evidence for the poem's date of composition, these essays contribute to a wide range of pertinent fields, including historical linguistics, Old English metrics, onomastics, and textual criticism. Many aspects of Anglo-Saxon literary culture are likewise examined, as contributors gauge the chronological significance of the monsters, heroes, history, and theology brought together in Beowulf. Discussions of methodology and the history of the discipline also figure prominently in this collection. Overall, the dating of Beowulf here provides a productive framework for evaluating evidence and drawing informed conclusions about its chronological significance. These conclusions enhance our appreciation of Beowulf and improve our understanding of the poem's place in literary history. Leonard Neidorf is a Junior Fellow at the Harvard Society of Fellows. Contributors: Frederick M. Biggs, Thomas A. Bredehoft, George Clark, Dennis Cronan, Michael D.C. Drout, Allen J. Frantzen, R.D. Fulk, Megan E. Hartman, Joseph Harris, Thomas D. Hill, Leonard Neidorf, Rafael J. Pascual, Tom Shippey

Examinations of the date of Beowulf have tremendous significance for Anglo-Saxon culture in general. This book will be a milestone, and deserves to be widely read. The early Beowulf that overwhelmingly emerges here asks hard questions, and the same strictly defined measures of metre, spelling, onomastics, semantics, genealogy, and historicity all cry out to be tested further and applied more broadly to the whole corpus of Old English verse. Andy Orchard, Rawlinson and Bosworth Professor of Anglo-Saxon, University of Oxford. The datingof Beowulf has been a central question in Anglo-Saxon studies for the past two centuries, since it affects not only the interpretation of Beowulf, but also the trajectory of early English literary history. By exploring evidence for the poem's date of composition, the essays in this volume contribute to a wide range of pertinent fields, including historical linguistics, Old English metrics, onomastics, and textual criticism. Many aspects of Anglo-Saxon literary culture are likewise examined, as contributors gauge the chronological significance of the monsters, heroes, history, and theology brought together in Beowulf. Discussions of methodology and the history of the discipline also figure prominently in this collection. Overall, the dating of Beowulf here provides a productive framework for evaluating evidence and drawing informed conclusions about its chronological significance. These conclusions enhance our appreciation of Beowulf and improve our understanding of the poem's place in literary history. Leonard Neidorf is a Junior Fellow at the Harvard Society of Fellows. Contributors: Frederick M. Biggs, Thomas A. Bredehoft, George Clark, Dennis Cronan, Michael D.C. Drout, Allen J. Frantzen, R.D. Fulk, Megan E. Hartman, Joseph Harris, Thomas D. Hill, Leonard Neidorf, Rafael J. Pascual, Tom Shippey

Comparative studies of a number of mixed prose-and-verse literatures, from Europe to the Orient, from classical culture to the 19th century. In virtually all the literary traditions of the world there are works of verbal art that depend for part of their effect on the juxtaposition of prose and verse. This volume takes the first step towards a comparative study of "prosimetrum", the mixture of prose and verse, with essays by leading linguists and literary scholars of a selection of prosimetrical traditions. The nature of what constitutes verse or prose is one underlying question addressed. An outline of historical developments emerges, especially for Europe and the Near East, with articles on classical, medieval and nineteenth-century literatures. Oriental prosimetrical literatures discussed include that of Vedic Indiaand the old literary cultures of China and Japan; also represented are oral and oral-derived folk literatures of recent centuries in Africa, the West, and Inner Asia. Professor KARL REICHL teaches in the English Department at the University of Bonn; Professor JOSEPH HARRIS teaches in the English Department at Harvard University. Contributors: KRISTIN HANSON, PAUL KIPARSKY, JAN ZIOLKOWSKI, ARDIS BUTTERFIELD, PROINSIAS Mac CANA, JOSEPH HARRIS, JUDITH RYAN, W.F.H. NICOLAISEN, LEE HARING, STEVEN WEITZMAN, WOLFHART HEINRICHS, DWIGHT REYNOLDS, JULIE SCOTT MEISAMI, KARL REICHL, WALTHER HEISSIG

The latest volume of the Yale French Studies Series reexamines the vexed relationship between the theater and contemporary conceptions of morality in seventeenth-century France Although the Catholic Church condemned the power of plays to stir up compelling and irresistible passions, theater flourished in seventeenth-century France, making it the era's archetypal guilty pleasure. Bringing together specialists on theater and early modern culture from the United States, Britain, and France, the editors approach the intersections of morality, theater, guilt, and pleasure from a variety of perspectives. Individually and collectively, the articles in this volume juxtapose theoretical debates with case studies of actual dramatic practice.