Collection of two comedies. In 'No Strings Attached' (2011), when long-time friends Emma (Natalie Portman) and Adam (Ashton Kutcher) decide to add a physical dimension to their relationship and move into 'friends with benefits' territory, they agree to keep things strictly casual and on a 'no strings' basis. But before long both of them find things becoming more complicated than planned as those pesky emotions get in the way. In 'Morning Glory' (2010), a sparky, ambitious young television producer spies an opportunity to claw her way up the career ladder when she is offered a job on 'Daybreak', the worst-performing morning chat show in the ratings. Her decision to hire veteran newscaster Mike Pomeroy (Harrison Ford) to host the show meets with scepticism from network executive Jerry (Jeff Goldblum) and co-host Colleen Peck (Diane Keaton), and with little enthusiasm from Pomeroy himself, who is obliged by his contract to take this less-than-promising gig. Can Becky overcome the poor ratings and in-fighting to bring the team together and transform the show into something to be proud of?

Hell's Kitchen is among Manhattan's most storied and studied neighborhoods. A working-class district situated next to the West Side's middle- and upper-class residential districts, it has long attracted the focus of artists and urban planners, writers and reformers. Now, Joseph Varga takes us on a tour of Hell's Kitchen with an eye toward what we usually take for granted: space, and, particularly, how urban spaces are produced, controlled, and contested by different class and political forces. Varga examines events and locations in a crucial period in the formation of the Hell's Kitchen neighborhood, the Progressive Era, and describes how reformers sought to shape the behavior and experiences of its inhabitants by manipulating the built environment. But those inhabitants had plans of their own, and thus ensued a struggle over the very spaces--public and private, commercial and personal--in which they lived. Varga insightfully considers the interactions between human actors, the built environment, and the natural landscape, and suggests how the production of and struggle over space influence what we think and how we live. In the process, he raises incisive questions about the meaning of community, citizenship, and democracy itself.

Hell's Kitchen is among Manhattan's most storied and studied neighborhoods. A working-class district situated next to the West Side's middle- and upper-class residential districts, it has long attracted the focus of artists and urban planners, writers and reformers. Now, Joseph Varga takes us on a tour of Hell's Kitchen with an eye toward what we usually take for granted: space, and, particularly, how urban spaces are produced, controlled, and contested by different class and political forces. Varga examines events and locations in a crucial period in the formation of the Hell's Kitchen neighborhood, the Progressive Era, and describes how reformers sought to shape the behavior and experiences of its inhabitants by manipulating the built environment. But those inhabitants had plans of their own, and thus ensued a struggle over the very spaces--public and private, commercial and personal--in which they lived. Varga insightfully considers the interactions between human actors, the built environment, and the natural landscape, and suggests how the production of and struggle over space influence what we think and how we live. In the process, he raises incisive questions about the meaning of community, citizenship, and democracy itself.