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Discourse-pragmatic markers are central to everyday language, yet
many aspects of their use and functions remain elusive or
under-investigated. Bringing together a global team of leading
scholars, this volume presents a representative showcase of work
currently being conducted in the field of discourse-pragmatic
variation and change, including investigations of features such as
uh/um, please, sentence-final is all, and discourse-pragmatic
features from a number of languages. The book emphasizes that not
only have researchers answered the call to address complex issues
such as cross-linguistic reliability, extending research across
languages, and expanding and improving on methods and analysis, but
that they continue to address perennial questions in the field of
language variation and change. With sections on theoretical and
methodological issues, innovative variables, and language contact
situations, the volume offers a robust overview of best practices
for both new and experienced researchers.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Die Grundzuge Der Linear-perspektivischen Darstellung In Der
Kunst Der Gebruder Van Eyck Und Ihrer Schule: I. Die
Perspektivische Projektion Guido Joseph Kern E. A. Seeman, 1904
Art; Techniques; General; Art / Techniques / General; Perspective
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