Many prominent science fiction writers, artists, and editors began as s.f. "fans." This is the first book to survey fandom's history, manifestations, and accomplishments, including clubs, fanzines, and conventions. The 24 essays are divided into sections that consider the following: the types of people who become fans and the satisfactions they receive; the development of fandom in America; fandom in Europe and the Orient; social interactions in the form of local clubs or wider-drawing conventions; and long-term results in the form of beginning professional careers in writing or publishing, exercising critical attention, and so forth. The writers of these essays have all participated in the activities they describe. The book also contains a glossary, an annotated bibliography, and an index. Overall, this book gives a detailed look at the most important facets of a fascinating subculture that has contributed significantly to the direction of modern science fiction.

This book, originally published in 1987, focuses on the factors which contributed to the Moscow uprising of December 1905, by comprehensively surveying a vast field of both Russian and English language literature on the subject. In order to explain why the uprising occurred in Moscow when it did, the author discusses the contributions of the Bolsheviks, the Mensheviks, the Soviet-Revolutionaries and the government, concluding that the uprising happened at that time because the parties were committed to it and agitated for it and the local government in Moscow was not in control of the situation.

This book, originally published in 1987, focuses on the factors which contributed to the Moscow uprising of December 1905, by comprehensively surveying a vast field of both Russian and English language literature on the subject. In order to explain why the uprising occurred in Moscow when it did, the author discusses the contributions of the Bolsheviks, the Mensheviks, the Soviet-Revolutionaries and the government, concluding that the uprising happened at that time because the parties were committed to it and agitated for it and the local government in Moscow was not in control of the situation.

This collection of 23 essays represents the best papers from the Thirteenth International Conference on the Fantastic in the Arts. Scholars representing diverse perspectives on the fantastic address a variety of works - including those by Jane Austen, J.R.R. Tolkien, Stephen Donaldson, Ursula Le Guin, Jean Baudrillard, Anatole France, William Blake, and Angela Carter. Subjects addressed range from children's tales and classic literature to paper sculptures and popular television series. Containing provocative applications of scholarly observation to practical life, this volume should be of interest to scholars of science fiction, fantasy, horror, and popular culture, and to others who want to know which topics are currently in vogue in the field. 7 LC95-10222.._GM9521