Fell Hunger, Joseph Lennon's first volume of poetry, gathers a body of work from twenty years of writing. The poems, most derived from the sonnet, reflect on living for many years with an undiagnosed illness, coeliac disease. These reflections are interlaced with childhood memories and experiences of living in New York City, Ireland, Italy, and elsewhere. Seeking new resolutions, the poems offer soft imperatives of harmony, endurance, and recovery.

Victorian Literary Cultures: Studies in Textual Subversion provides readers with close textual analyses regarding the role of subversive acts or tendencies in Victorian literature. By drawing clear cultural contexts for the works under review-including such canonical texts as Dracula, Jane Eyre, Middlemarch, and stories featuring Sherlock Holmes-the critics in this anthology offer groundbreaking studies of subversion as a literary motif. For some late nineteenth-century British novelists, subversion was a central aspect of their writerly existence. Although-or perhaps because-most Victorian authors composed their works for a general and mixed audience, many writers employed strategies designed to subvert genteel expectations. In addition to using coded and oblique subject matter, such figures also hid their transgressive material "in plain sight." While some writers sought to critique, and even destabilize, their society, others juxtaposed subversive themes and aesthetics negatively with communal norms in hopes of quashing progressive agendas.

Victorian Literary Cultures: Studies in Textual Subversion provides readers with close textual analyses regarding the role of subversive acts or tendencies in Victorian literature. By drawing clear cultural contexts for the works under review-including such canonical texts as Dracula, Jane Eyre, Middlemarch, and stories featuring Sherlock Holmes-the critics in this anthology offer groundbreaking studies of subversion as a literary motif. For some late nineteenth-century British novelists, subversion was a central aspect of their writerly existence. Although-or perhaps because-most Victorian authors composed their works for a general and mixed audience, many writers employed strategies designed to subvert genteel expectations. In addition to using coded and oblique subject matter, such figures also hid their transgressive material "in plain sight." While some writers sought to critique, and even destabilize, their society, others juxtaposed subversive themes and aesthetics negatively with communal norms in hopes of quashing progressive agendas.

In organizations, accounting produces organizational knowledge that affects decision-making and managerial action. Companies placing importance on shareholder value sometimes tend to elevate accounting to a higher truth criterion for justifying managerial actions. Yet, the nature of accounting renders it difficult to argue that accounting information necessarily produce a better basis for decision-making than arguments which are not based on accounting. This is because, as previous research has also argued, accounting counts some things but omits many others, while managers are accountable for much more than what accounting actually counts. Using a theoretical apparatus from Deleuze and Guattari, this book illustrates that accounting-based actions such as making management decisions, maintaining organisational responsibility and hierarchical control are manifestations of the ways in which accounting is composed. This concise introduction will be invaluable for researchers and advanced students of management accounting exploring responsibility accounting and accountability.

Places the warrior-poet Aldana in the appropriate poetic and philosophical context of the Spanish Golden Age and the European Renaissance. This study explores the love lyric of one of the greatest, yet oft-neglected, warrior-poets of the Spanish Golden Age - Francisco de Aldana (1537-78). Hailed for his skill by Cervantes, Lope de Vega, Quevedo, and the Generation of27's Cernuda alike, Aldana's lyric is the unique result of his Florentine education and interactions with the Medici family as well as Benedetto Varchi's literary circle. Aldana died young, fighting in the Battle of Alcazaquivirin the service of Portugal's Sebastian I. His brother, Cosme, subsequently edited and published his poetry in three volumes between 1589-93. Perhaps the most alluring aspect of Aldana's poetry is his exploration of the natureof love via the reconciliation of seemingly opposing and discordant elements of physical love with the Neoplatonic spirituality more common to sixteenth-century poetry, especially as portrayed by the Petrarchan tradition. Throughclose examination of Aldana's lyric -religious, philosophical, pastoral, and mythological- this study reveals how Aldana exploits the gaps in Petrarchism, Neoplatonism, and contemporary poetic models to communicate his belief inthe importance of the physical in our search for those fleeting moments of transcendental bliss on the earthly plane. Paul Joseph Lennon is Lecturer in Spanish and Comparative Literature at the University of St Andrews,UK.

In organizations, accounting produces organizational knowledge that affects decision-making and managerial action. Companies placing importance on shareholder value sometimes tend to elevate accounting to a higher truth criterion for justifying managerial actions. Yet, the nature of accounting renders it difficult to argue that accounting information necessarily produce a better basis for decision-making than arguments which are not based on accounting. This is because, as previous research has also argued, accounting counts some things but omits many others, while managers are accountable for much more than what accounting actually counts. Using a theoretical apparatus from Deleuze and Guattari, this book illustrates that accounting-based actions such as making management decisions, maintaining organisational responsibility and hierarchical control are manifestations of the ways in which accounting is composed. This concise introduction will be invaluable for researchers and advanced students of management accounting exploring responsibility accounting and accountability.

Centuries before W. B. Yeats wove Indian, Japanese, and Irish forms together in his poetry and plays, Irish writers found kinships in Asian and West Asian cultures. This book maps the unacknowledged discourse of Irish Orientalism within Ireland's complex colonial heritage. Relying on cultural and postcolonial theory, Joseph Lennon examines Irish impressions of Asia and West Asia, understood together as the Orient in the West. British writers from Cambrensis to Spenser depicted Ireland as a remote border land inhabited by wild descendants of Asian Scythians--barbarians to the ancient Greeks. Contemporaneous Irish writers likewise borrowed classical traditions, imagining the Orient as an ancient homeland. Lennon traces Irish Orientalism through origin legends, philology, antiquarianism, historiography into Irish literature and culture, exploring the works of Keating, O'Flaherty, Swift, Vallancey, Sheridan, Moore, Croker, Owenson, Mangan, de Vere, and others. He focuses on a key moment of Irish Orientalism--the twentieth-century Celtic Revival--discussing the works of Gregory, Casement, Connolly, and Joyce, but including Theosophist writers W. B. Yeats, George Russell, James Stephens, and James Cousins.