This book provides a comprehensive overview of the fabric works from the last two decades in the career of legendary artist Louise Bourgeois. "I've always had a fascination with the needle," she said, "the magic power of the needle. The needle is used to repair damage. It's a claim to forgiveness." This body of work began when the artist started incorporating clothes from all stages of her life into her art, and later expanded to include a range of other textiles such as bedlinen, handkerchiefs, tapestry, and needlepoint. The fabric works mine the themes of identity and sexuality, trauma and memory, guilt and reparation, and serve as metaphors for emotional and psychological states. The catalog - which accompanies the exhibition at the Hayward Gallery, London and the Gropius Bau, Berlin - features works from numerous series, including the monumental Cell installations, figurative sculptures, and abstract drawings.

Taryn Simon’s earliest body of work, The Innocents (2002), documents the stories of individuals who served time in prison for violent crimes they did not commit. The series centres on the question of photography as credible witness and arbiter of justice, since the primary cause of wrongful conviction is mistaken identification. Suspected perpetrators are identified through photographs and lineups, a procedure that relies on the assumption of precise visual memory. But through exposure to composite sketches, mug shots, Polaroids, and lineups, eyewitness memory can change. In these cases, photography offered the criminal justice system a tool that transformed innocent citizens into criminals. Simon photographed these men at sites that had particular significance to their illegitimate conviction: the scene of misidentification, the scene of arrest, the scene of the crime, or the scene of the alibi. The Innocents was first exhibited at MoMA PS1 in 2003. The 2021 edition of the book includes previously unpublished images, a new essay by Innocence Project co-founders Peter Neufeld and Barry C. Scheck, and an interview by professor and curator Nicole R. Fleetwood with criminal justice reform activist Tyra Patterson.