Post-Pandemic Pedagogy: A Paradigm Shift discusses how the COVID-19 pandemic radically altered teaching and learning for faculty and students alike. The increased prevalence of video-conferencing software for conducting classes fundamentally changed the way in which we teach and seemingly upended many best practices for good pedagogy in the college classroom. Whether it was the reflection over surveillance software, or the increased mental health demands of the pandemic on teachers and students, or the completely reshaped ways in which classes and co-curricular experiences were delivered, the pandemic year represented an opportunity for one of the largest shifts in our understanding of good pedagogy unlike any experienced in the modern era. This edited collection explores what we thought we knew about a variety of teaching ideas, how the pandemic changed our approach to them, and proposes ways in which some of the adjustments made to accommodate the pandemic will remain for years to come. Scholars of communication, pedagogy, and education will find this book particularly interesting.

Religion Across Television Genres: Community, Orange Is the New Black, The Walking Dead, and Supernatural connects communication theories to the religious content of TV programs across an array of platforms and content genres, specifically the NBC comedy Community, the critically acclaimed Netflix series Orange Is the New Black, AMC's international megahit The Walking Dead, and the CW's long-running fan favorite Supernatural. Its contemporary relevancy makes Religion Across Television Genres ideal for use as a library resource, scholarly reference, and textbook for both undergraduate and graduate courses in mass media, religious studies, and popular culture.

The tie that binds all Americans, regardless of their demographic background, is faith in the American system of government. This faith manifests as a form of civil, or secular, religion with its own core documents, creeds, oaths, ceremonies, and even individuals. In The Rhetoric of American Civil Religion: Symbols, Sinners, and Saints, contributors seek to examine some of those core elements of American faith by exploring the proverbial saints, sinners and dominant symbols of the American system.

Television, Religion, and Supernatural examines the text of the CW network television series Supernatural, a program based in the horror genre that offers viewers myriad religious-based antagonists through the portrayals of monsters, which its two main characters "hunt" and destroy, as well as storylines based on the Bible. Even as the series' producers claim a nonreligious perspective, the authors contend that story arcs and outcomes of episodes actually forward a hegemonic portrayal of Christianity that portrays a good-versus-evil motif regarding the superiority of Catholicism. The depiction of its protagonist brothers, Dean and Sam Winchester of Lawrence, Kansas, provides a pro-American perspective regarding a more generalized fight against evil in contemporary times.

The tie that binds all Americans, regardless of their demographic background, is faith in the American system of government. This faith manifests as a form of civil, or secular, religion with its own core documents, creeds, oaths, ceremonies, and even individuals. In The Rhetoric of American Civil Religion: Symbols, Sinners, and Saints, contributors seek to examine some of those core elements of American faith by exploring the proverbial saints, sinners and dominant symbols of the American system.

Television, Religion, and Supernatural examines the text of the CW network television series Supernatural, a program based in the horror genre that offers viewers myriad religious-based antagonists through the portrayals of monsters, which its two main characters "hunt" and destroy, as well as storylines based on the Bible. Even as the series' producers claim a nonreligious perspective, the authors contend that story arcs and outcomes of episodes actually forward a hegemonic portrayal of Christianity that portrays a good-versus-evil motif regarding the superiority of Catholicism. The depiction of its protagonist brothers, Dean and Sam Winchester of Lawrence, Kansas, provides a pro-American perspective regarding a more generalized fight against evil in contemporary times.

Religion Across Television Genres: Community, Orange Is the New Black, The Walking Dead, and Supernatural connects communication theories to the religious content of TV programs across an array of platforms and content genres, specifically the NBC comedy Community, the critically acclaimed Netflix series Orange Is the New Black, AMC's international megahit The Walking Dead, and the CW's long-running fan favorite Supernatural. Its contemporary relevancy makes Religion Across Television Genres ideal for use as a library resource, scholarly reference, and textbook for both undergraduate and graduate courses in mass media, religious studies, and popular culture.