All nine episodes from the fourth series of the BBC comedy starring Matt LeBlanc, Stephen Mangan and Tamsin Greig. Sean and Beverly Lincoln (Mangan and Greig) are co-writers of American sitcom 'Pucks!' with the lead role played by Matt LeBlanc (as himself). In this series, Sean and Beverly are summoned back to LA to film six more episodes of 'Pucks!' as they also try to launch new show 'The Opposite of Us'. Meanwhile, Matt experiences financial troubles after being conned by his accountant and, as a result, considers remarrying his ex-wife.

Intervening at the crossroads of philosophy, politics, and cinema, this book argues that the career of Robert Guediguian is the result of one of the most original and coherent projects in contemporary French cinema: to make a committed, historically-conscious cinema, in a local space, over a long period of time, but most especially with friends. The account starts with in-depth consideration of friendship and its relation to philosophy, politics, time, and space. The book chronologically traces this project as it begins in Guediguian's hometown, the Communist-leaning Marseille. It further unfolds through the political transformations of the 1980s Left and the local activism and utopias of the 1990s, and spreads into Guediguian's varied explorations of genre and register. Close analysis is accompanied with historical and social contextualization, but also with a consistent return to the underlying, radical and philosophically rich project. -- .

For well over a decade, Jean-Pierre and Luc Dardenne have produced highly original and ethically charged films that immerse their audiences in an intense and embodied viewing experience. Their work has consistently attracted international recognition, including the rare feat of two Palmes d'Or at Cannes. In this first book-length study of the Belgian brothers, Joseph Mai delivers sophisticated close analyses of their directorial style and explores the many philosophical issues dealt with in their films (especially the ethics of Emmanuel Levinas). Mai discusses the Dardennes' varied and searching career from its inception in the late 1970s, starting with the working-class political consciousness and lost utopias of their documentary period; passing through their transition toward fictional narrative, experimental techniques, and familial themes; and finishing with a series of in-depth and philosophically informed interpretations of the brothers' more recent work. In such highly influential films such as La promesse, Rosetta, The Son, and The Child, the brothers have recast filmmaking through what Mai calls a "sensuous realism"--realism capable of touching the audience with the most compelling problems and moral dilemmas of contemporary society. This volume also features an interview in which the Dardennes discuss their approach to film production and the direction of actors.