This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Best remembered today for his technically innovative design for the Crystal Palace of 1851, Joseph Paxton (1803-65) was head gardener to the Duke of Devonshire at Chatsworth by the age of twenty-three, and remained involved in gardening throughout his life. Tapping in to the burgeoning interest in gardening amongst the Victorians, in 1841 he founded the periodical The Gardener's Chronicle with the botanist John Lindley (1799-1865), with whom he had worked on a Government report on Kew Gardens. Paxton's Flower Garden appeared between 1850 and 1853, following a series of plant-collecting expeditions. Only three of the planned ten volumes were published, but with hand-coloured plates (which can be viewed online alongside this reissue) and over 500 woodcuts, the work is lavish. Volume 1 includes colour plates of orchids, Lindley's speciality, along with a pitcher plant and Moutan peony, both still unusual and exotic at the time of publication.

Best remembered today for his technically innovative design for the Crystal Palace of 1851, Joseph Paxton (1803-65) was head gardener to the Duke of Devonshire at Chatsworth by the age of twenty-three, and remained involved in gardening throughout his life. Tapping in to the burgeoning interest in gardening amongst the Victorians, in 1841 he founded the periodical The Gardener's Chronicle with the botanist John Lindley (1799-1865), with whom he had worked on a Government report on Kew Gardens. Paxton's Flower Garden appeared between 1850 and 1853, following a series of plant-collecting expeditions. Only three of the planned ten volumes were published, but with hand-coloured plates (which can be viewed online alongside this reissue) and over 500 woodcuts, the work is lavish. Further colour plates of orchids are to be found in Volume 2, clearly a reflection of Lindley's interest, but also of the wider fascination for these flowers.

Best remembered today for his innovative design for the Crystal Palace of 1851, Joseph Paxton (1803-65) was head gardener to the Duke of Devonshire at Chatsworth by the age of twenty-three, and remained involved in gardening throughout his life. Tapping in to the burgeoning interest in gardening amongst the Victorians, in 1841 he founded the periodical The Gardener's Chronicle with the botanist John Lindley (1799-1865), with whom he had worked on a Government report on Kew Gardens. Paxton's Flower Garden appeared between 1850 and 1853, following a series of plant-collecting expeditions. Only three of the planned ten volumes were published, but with hand-coloured plates (which can be viewed online alongside this reissue) and over 500 woodcuts, the work is lavish. Volume 3 includes further studies of numerous orchids, and Captain Cook's account of the discovery of the pine that would take his name, Araucaria cookii (Captain Cook's Pine).