Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Driven by the dissatisfaction and turmoil in religion at the time this book was originally published in 1923, the author sets out a belief that all people have an inborn religion and investigates what the future of this religion might be as it changes from age to age. In the short chapters here the author reflects on the current trends in theology at the time and the history of Christianity. This is an early critique of formalised religion and a simple advocacy of natural religion which is a glimpse into the basic philosophy of the early twentieth century.

Driven by the dissatisfaction and turmoil in religion at the time this book was originally published in 1923, the author sets out a belief that all people have an inborn religion and investigates what the future of this religion might be as it changes from age to age. In the short chapters here the author reflects on the current trends in theology at the time and the history of Christianity. This is an early critique of formalised religion and a simple advocacy of natural religion which is a glimpse into the basic philosophy of the early twentieth century.

Cult horror directed by David Cronenberg. Frank Carveth (Art Hindle)'s wife Nola (Samantha Eggar) is being treated at an institute run by the eccentric psychologist Dr Raglan (Oliver Reed), who is known for using bizarre techniques to break down defensive barriers in the psyche of his patients. After Nola's parents are brutally killed and his daughter returns from a visit to her mother covered in bruises, Frank comes to suspect that his wife and Raglan are up to no good. What he discovers is stranger still: a group of cloned midgets, apparently spurred on by Nora's psychopathic rages, are responsible for the attacks. Since no one else will believe him, it is up to Frank to try and put an end to the violence...

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT112901 London]: In the Savoy: printed by Henry Lintot, (assignee of Edw. Sayer, Esq;) for F. Cogan, and J. Nourse, 1743. 6],374, 12]p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT130772The epistle dedicatory signed: Joseph Shaw. With a half-title.London: printed for Daniel Midwinter, 1709. 4], xx,150p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.This collection reveals the history of English common law and Empire law in a vastly changing world of British expansion. Dominating the legal field is the Commentaries of the Law of England by Sir William Blackstone, which first appeared in 1765. Reference works such as almanacs and catalogues continue to educate us by revealing the day-to-day workings of society.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Harvard University Law Library<ESTCID>N012114<Notes><imprintFull> London]: In the Savoy: printed by Henry Lintot; for James Hodges, and Edward Wicksteed, 1756. <collation>2v.; 8

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.This collection reveals the history of English common law and Empire law in a vastly changing world of British expansion. Dominating the legal field is the Commentaries of the Law of England by Sir William Blackstone, which first appeared in 1765. Reference works such as almanacs and catalogues continue to educate us by revealing the day-to-day workings of society.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Harvard University Law Library<ESTCID>N012114<Notes><imprintFull> London]: In the Savoy: printed by Henry Lintot; for James Hodges, and Edward Wicksteed, 1756. <collation>2v.; 8