A fresh eyewitness account of the Japanese invasion of mid-China in 1937-1938, these letters by an American missionary in Hangzhou provide a vividly detailed, first-hand account of the spread of war from Shanghai across the Yangzi valley and the subsequent ordeals of military occupation seen against the better-known backdrop of the Nanjing Massacre - one man's embedded experience in one major Chinese city of one chaotic year of war. Already 25 years in Republican China and fluent in the language when the Japanese arrived, the author was well-placed as both an observer of, and participant in harrowing events - the provost of the Hangzhou Christian College and responsible for its campus, president of the local Red Cross which organized refugee camps and shelter for those displaced by the looting and raping that ensued, and chairman of an International Committee which sought to mediate between Japanese and Chinese forces in an effort to limit destruction and then to negotiate with the occupation regime on a day-to-day basis. The letters - written twice weekly - describe pitched battles and aerial bombing, the fearful conditions of civilian refugees, the exigencies of the missionary enterprise and the experiences of foreign neutrals in wartime China, as well as the practical dilemmas of collaboration that arose under occupation - moving about, protecting refugees, procuring food, tending a dairy herd, and ministering to embattled congregations. The letters are fully annotated to give readers a fuller perspective on places, people, and events that surround the eyewitness accounts. A substantially researched introductory essay provides necessary historical background and situates the author in a longer missionary career that began in 1911 and ended with wartime internment in 1943.

A fresh eyewitness account of the Japanese invasion of mid-China in 1937-1938, these letters by an American missionary in Hangzhou provide a vividly detailed, first-hand account of the spread of war from Shanghai across the Yangzi valley and the subsequent ordeals of military occupation seen against the better-known backdrop of the Nanjing Massacre – one man’s embedded experience in one major Chinese city of one chaotic year of war. Already 25 years in Republican China and fluent in the language when the Japanese arrived, the author was well-placed as both an observer of, and participant in harrowing events – the provost of the Hangzhou Christian College and responsible for its campus, president of the local Red Cross which organized refugee camps and shelter for those displaced by the looting and raping that ensued, and chairman of an International Committee which sought to mediate between Japanese and Chinese forces in an effort to limit destruction and then to negotiate with the occupation regime on a day-to-day basis. The letters – written twice weekly – describe pitched battles and aerial bombing, the fearful conditions of civilian refugees, the exigencies of the missionary enterprise and the experiences of foreign neutrals in wartime China, as well as the practical dilemmas of collaboration that arose under occupation – moving about, protecting refugees, procuring food, tending a dairy herd, and ministering to embattled congregations. The letters are fully annotated to give readers a fuller perspective on places, people, and events that surround the eyewitness accounts. A substantially researched introductory essay provides necessary historical background and situates the author in a longer missionary career that began in 1911 and ended with wartime internment in 1943.

In Developing Mission, Joseph W. Ho offers a transnational cultural history of US and Chinese communities framed by missionary lenses through time and space-tracing the lives and afterlives of images, cameras, and visual imaginations from before the Second Sino-Japanese War through the first years of the People's Republic of China. When American Protestant and Catholic missionaries entered interwar China, they did so with cameras in hand. Missions principally aimed at the conversion of souls and the modernization of East Asia, became, by virtue of the still and moving images recorded, quasi-anthropological ventures that shaped popular understandings of and formal foreign policy toward China. Portable photographic technologies changed the very nature of missionary experience, while images that missionaries circulated between China and the United States affected cross-cultural encounters in times of peace and war. Ho illuminates the centrality of visual practices in the American missionary enterprise in modern China, even as intersecting modernities and changing Sino-US relations radically transformed lives behind and in front of those lenses. In doing so, Developing Mission reconstructs the almost-lost histories of transnational image makers, subjects, and viewers across twentieth-century China and the United States.

In Developing Mission, Joseph W. Ho offers a transnational cultural history of US and Chinese communities framed by missionary lenses through time and space-tracing the lives and afterlives of images, cameras, and visual imaginations from before the Second Sino-Japanese War through the first years of the People's Republic of China. When American Protestant and Catholic missionaries entered interwar China, they did so with cameras in hand. Missions principally aimed at the conversion of souls and the modernization of East Asia, became, by virtue of the still and moving images recorded, quasi-anthropological ventures that shaped popular understandings of and formal foreign policy toward China. Portable photographic technologies changed the very nature of missionary experience, while images that missionaries circulated between China and the United States affected cross-cultural encounters in times of peace and war. Ho illuminates the centrality of visual practices in the American missionary enterprise in modern China, even as intersecting modernities and changing Sino-US relations radically transformed lives behind and in front of those lenses. In doing so, Developing Mission reconstructs the almost-lost histories of transnational image makers, subjects, and viewers across twentieth-century China and the United States.