Growing up in South Dakota, Josh Garrett-Davis knew he would leave. But as a young adult, he kept going back--in dreams and reality and by way of books. With this beautifully written narrative about a seemingly empty but actually rich and complex place, he has reclaimed his childhood, his unusual family--and the Great Plains.
Among the subjects and people that bring his Midwestern Plains to life are the destruction and resurgence of the American bison; Native American "Ghost Dancers," who attempted to ward off destruction by supernatural means; the political allegory to be found in "The Wonderful Wizard of Oz;" and current attempts by ecologists to "rewild" the Plains, complete with cheetahs. Garrett-Davis infuses the narrative with stories of his family as well--including his great-great-grandparents' twenty-year sojourn in Nebraska as homesteaders and his progressive Methodist cousin Ruth, a missionary in China ousted by Mao's revolution. GHOST DANCES is a fluid combination of memoir and history and reportage that reminds us our roots matter.

There's "western", and then there's "Western" - and where history becomes myth is an evocative question, one of several questions posed by Josh Garrett-Davis in What Is a Western? Region, Genre, Imagination. Part cultural criticism, part history, and wholly entertaining, this series of essays on specific films, books, music, and other cultural texts brings a fresh perspective to long-studied topics. Under Garrett-Davis's careful observation, cultural objects such as films and literature, art and artifacts, and icons and oddities occupy the terrain of where the West as region meets the Western genre. One crucial through line in the collection is the relationship of regional "western" works to genre "Western" works, and the ways those two categories cannot be cleanly distinguished - most work about the West is tinted by the Western genre, and Westerns depend on the region for their status and power. Garrett-Davis also seeks to answer the question "What is a Western now?" To do so, he brings the Western into dialogue with other frameworks of the "imagined West" such as Indigenous perspectives, the borderlands, and environmental thinking. The book's mosaic of subject matter includes new perspectives on the classic musical film Oklahoma!, a consideration of Native activism at Standing Rock, and surprises like Pee-wee's Big Adventure and Dr. Seuss's The Lorax. The book is influenced by the borderlands theory of Gloria Anzaldua and the work of the indie rock band Calexico, as well as the author's own discipline of western cultural history. Richly illustrated, primarily from the collection of the Autry Museum of the American West, Josh Garrett-Davis's work is as visually interesting as it is enlightening, asking readers to consider the American West in new ways.