Winner of the 2022 Pulitzer Prize for Fiction.

Corbin College, not-quite-upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian--but not an historian of the Jews--is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host, to guests who proceed to lay waste to his American complacencies.

Mixing fiction with non-fiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics.

In 1937, Elias Canetti began collecting notes for the project that 'by definition, [he] could never live to complete', as translator Peter Filkins writes in his afterword. The Book Against Death is the work of a lifetime: a collection of Canetti’s aphorisms, diatribes, musings and commentaries on and against death – published in English for the first time since his death in 1994 – interposed with material from philosophers and writers including Goethe, Walter Benjamin and Robert Walser. This major work by the 1981 Nobel Prize in Literature Laureate is a reckoning with the inevitability of death and with its politicization, evoking despair at the loss of loved ones and the impossibility of facing one’s own death, while fiercely protesting the mass deaths incurred during war and the willingness of the despot to wield death as power. Infused with fervour and vitality, The Book Against Death ultimately forms a moving affirmation of the value of life itself.

Seven Rooms brings together highlights from Hotel, a magazine for new approaches to fiction, non-fiction & poetry which, since its inception in 2016, provided a space for experimental reflection on literature's status as art & cultural mediator. Co-published by Tenement Press and Prototype, this anthology captures, refracts, and reflects a vital moment in independent publishing in the UK, and is built on the shared values of openness, collaboration, and total creative freedom.

A career-spanning collection of writings by the Nobel laureate Elias Canetti, edited and introduced by Pulitzer Prize winner Joshua Cohen. He embarked on no adventures, he was in no war. He was never in prison, he never killed anyone. He neither won nor lost a fortune. All he ever did was live in this century. But that alone was enough to give his life dimension, both of feeling and of thought. Here, in his own words, is one of the twentieth century's foremost chroniclers: a dizzyingly inventive, formally unplaceable, unstoppably peripatetic writer named Elias Canetti, who was awarded the Nobel Prize in Literature in 1981. I Want to Keep Smashing Myself Until I Am Whole is a summa of Canetti's life and thought, and the definitive introduction to a writer whose genius for interpreting world-historical changes was matched by a keen sense of wonder and an abiding skepticism about the knowability of the self. Born into a Sephardi Jewish family in Bulgaria, Canetti later lived in Austria, England, and Switzerland while traversing, in writing, the great thematic provinces of his time: politics, identity, mortality, and more. Sourced from Canetti's landmark texts, including Crowds and Power, an analysis of authoritarianism and mobs; Auto-da-Fe, a darkly comic, daringly modernist novel about the fate of European literature; the famous sequence of sensory-titled memoirs, including The Tongue Set Free and The Torch in My Ear; and never-before-translated writings such as the posthumous The Book Against Death, this collection assembles its luminous shards into the fullest portrait yet of Canetti's remarkable achievement. Edited and introduced by Joshua Cohen (Book of Numbers, The Netanyahus), I Want to Keep Smashing Myself Until I Am Whole leads us from Canetti's polyglot childhood to his mature preoccupations, and his friendships and rivalries with Hermann Broch, James Joyce, Karl Kraus, Thomas Mann, Robert Musil, and others. This collection is also interspersed with aphorisms and diary entries, revealing Canetti's formal range and stylistic versatility in flashes of erudition and introspective humor. Throughout, we come to see Canetti's restless fascination with the instability of identity as one of the keys to his thought--as he reminds us, It all depends on this: with whom we confuse ourselves.

British Antifascism and the Holocaust, 1945-79 explores the extent to which the Holocaust has shaped British antifascism. The author tests assertions of an uncomplicated relationship between Holocaust memory and the imperative to resist postwar fascist revivals. For those with a scholarly interest in how antifascists confront their opponents, it is essential to understand whether the Holocaust has always been seen as an insurmountable barrier against fascism: is the idea of the genocide's constant antifascist 'use' actually a dangerous assumption and, if so, what are the implications of this for 'Antifa' as its battle with the contemporary far right unfolds? This book provides a political and structural history of the Holocaust's relationship to antifascist organisations and questions whether networks of solidarity formed around Holocaust memory, including analysing the impact of the genocide in Jewish antifascists' motivations and rhetoric. It also assesses the Holocaust's political capital in wider antifascism and connected anti-racism, including in defence of the Black and Asian communities increasingly victimised by fascists over the postwar period. This book will appeal to scholars and students with interests in antifascism, fascism, racism, and Jewish and left-wing history in Britain, and how these intersect with Holocaust consciousness.

A powerful case for why majority rule—not representation—is the defining feature of democratic politics The idea that democratic governance rests on active self-rule by citizens plays surprisingly little part in current theories of democracy, which instead stress the importance of representation by elected, appointed, or randomly selected bodies such as legislatures, courts, and juries. This would have astonished eighteenth-century theorists of democracy, who viewed universal suffrage and majoritarian voting as the sole criteria for democratic politics. Active and Passive Citizens defends the view of these earlier thinkers, asserting that individual agency is the very essence of democracy. In this provocative and lucidly argued book, Richard Tuck draws on the distinction made by the Abbé Sieyès, a leading political theorist of the French Revolution, between “active� citizens, the electorate, and “passive� citizens, those who are represented by the institutions of the state. Tuck traces our current representative view of democracy to Sieyès and contrasts him with Rousseau, a theorist of active self-rule by the people. Tuck argues that modern theories of democracy have effectively turned us into passive citizens and calls for a renewal of a majoritarian democracy that realizes the full potential of active citizenship. Based on the prestigious Tanner Lectures delivered at Princeton University’s Center for Human Values, Active and Passive Citizens is edited and introduced by Stephen Macedo and includes commentary by political theorists Simone Chambers, Joshua Cohen, John Ferejohn, and Melissa Schwartzberg.

In famously beautiful and laconic prose, Jean-Jacques Rousseau presents us with a forceful picture of a democratic society, in which we live together as free and equal, and our politics focuses on the common good. In Rousseau: A Free Community of Equals Joshua Cohen explains how the values of freedom, equality, and community all work together as parts of the democratic ideal expressed in Rousseau's conception of the 'society of the general will'. The book also explains Rousseau's anti-Augustinian and anti-Hobbesian idea that we are naturally good, shows why Rousseau thinks it is reasonable for us to endorse that idea, and discusses how our natural goodness might make a free community of equals possible for us. And Cohen examines in detail Rousseau's picture of the institutions of a democratic society: why he emphasised the importance of political participation, how he argued against extreme inequalities, and what led him to embrace a civil religion as necessary for the society of the general will. This book provides an analytical and critical appraisal of Rousseau's political thought that, while frank about its limits, also explains its enduring power.

This volume provides a collection of recent essays that address a wide variety of moral concerns regarding slavery as an institutionalized social practice. Over half of the essays present novel interpretations of Aristotle and of Enlightenment views. In some cases explicit comparisons are drawn between the arguments given by former slaves and certain political theories that may have influenced them. By considering the slave's critical appropriation of the natural rights doctrine, the ambiguous implications of various notions of consent and liberty are examined. The authors assume that, although slavery is undoubtedly an evil social practice, its moral assessment stands in need of a more nuanced treatment. They address the question of what is wrong with slavery by critically examining, and in some cases endorsing, certain principles derived from communitarianism, paternalism, utilitarianism, and jurisprudence. This volume provides a collection of recent essays by today's most innovative social thinkers. Anita Allen, Bernard Boxhill, Joshua Cohen, R.M. Hare, Bill Lawson, Tommy Lott, Howard McGary, Julius Moravesik, Laurence Thomas, William Uzgalis, Julie Ward, Bernard Williams, and Cynthia Wilett address a wide variety of moral concerns regarding slavery as an institutionalized social practice.

The Second Edition of this ground-breaking collection gives students all the tools they need to understand and engage with major philosophical issues. Students are presented with clear yet thorough topic introductions, historical context, reading guides for challenging selections and exclusive commissioned essays written by leading contemporary philosophers specifically for undergraduates. The Second Edition features a NEW co-author, a NEW focus on diversity within the field and NEW readings and topics relevant to students' lives.

Three opens with the disappearance at sea, possibly suicide, of a young woman, identified only as S. A middle-aged couple, Ruth and Leonard, had been spying on their young lodger in their summer house by the sea, and now begin to pore over her diary, her audio recordings and her movies – only to discover that she had been spying on them with even greater intensity. As this disturbing, highly charged act of reciprocal voyeurism comes to light, and as the couple’s fascination with S comes to dominate their already flawed marriage, what emerges is an absorbing portrait of their triangular relationship and the emotional and sexual undercurrents of 1950s British middle-class life.

Fiction. Translated from the Czech by Joshua Cohen and Marketa Hofmeisterova. Winner of the Orten Prize and the State Prize for Literature in 2004. I, CITY is a story about the north Bohemian city of Most, an ancient city founded on a primeval wetland that was literally "relocated" to get to the brown coal beneath it. For Pavel Brycz, the youngest ever recipient of the Czech State Prize for Literature, Most is its varied inhabitants, and he as the city tell its own story through these inhabitants, who make their "appearances" in fleeting, ghost-like vignettes. As they emerge from the pollution, or from the swamp of the town's founding, we find not individuals but representatives. Theirs are historical lives that mistrust history, or that live it at least with typical irony. As Brycz makes fictional people say factual things and factual people (Kafka, the pope, Gustav Husak) say fictional things, post-modernity via magical realism makes its almost requisite--though noiseless--appearance in the best easterly European tradition of Danilo Kis or Isaac Babel.

Until the age of fifty-two, the protagonist of On the Edge of Reason suffered a monotonous existence as a highly respected lawyer. He owned a carriage and wore a top hat. He lived the life of "an orderly good-for-nothing among a whole crowd of neat, gray good-for-nothings." But, one evening, surrounded by ladies and gentlemen at a party, he hears the Director-General tell a lively anecdote of how he shot four men like dogs for trespassing on his property. In response, our hero blurts out an honest thought. From this moment, all hell breaks loose. Written in 1938, On the Edge of Reason reveals the fundamental chasm between conformity and individuality. As folly piles upon folly, hypocrisy upon hypocrisy, reason itself begins to give way, and the edge between reality and unreality disappears.

Fiction. Joshua Cohen has performed in-depth investigations into mirrors and navels to return with THE QUORUM, his first collection of short fiction. A set of ten stories, a set of dreams, and a long monologue, these are all first-person rants given over by the somehow alienated individuals seeking only a sympathetic hearing, all dealing with identity and religion as well as occupied with technical ideas of reliable narration and the structure of "the mind's ear." From a review of a book about the Holocaust that's six-million blank pages to a suicide note from a young university student, from a letter home detailing an economy based on hair to a eulogy for a poem from a story narrated by three-hundred concubines to the title story about a group of people who interchange appearances, habits, proclivities and talents, THE QUORUM is a tightly-written, sensitive, and inevitably absurd take on the individual's lifelong quest to get someone, anyone, to listen.

A just society guarantees its members rights to basic civil liberties protecting the political liberties associated with democratic governance, while ensuring state accountability and responsiveness to citizens. Despite broad agreement on these abstract requirements, the conditions that foster justice, thus understood, are a matter of long-standing controversy in political theory.This important collection addresses these controversies with over fifty articles on basic political institutions such as the rule of law, judicial review, federalism, separation of powers, freedom of speech, elections and parties, direct democracy, organized social groups, and administrative agencies.

This reader introduces students of philosophy and politics to the contemporary critical literature on the classical social contract theorists: Thomas Hobbes (1599-1697), John Locke (1632-1704), and Jean-Jacques Rousseau (1712-1778). Twelve thoughtfully selected essays guide students through the texts, familiarizing them with key elements of the theory, while at the same time introducing them to current scholarly controversies. A bibliography of additional work is provided. The classical social contract theorists represent one of the two or three most important modern traditions in political thought. Their ideas dominated political debates in Europe and North America in the 17th and 18th centuries, influencing political thinkers, statesmen, constitution makers, revolutionaries, and other political actors alike. Debates during the French Revolution and the early history of the American Republic were often conducted in the language of Hobbes, Locke, and Rousseau. Later political philosophy can only be understood against this backdrop. And the contemporary revival of contractarian moral and political thought, represented by John Rawls' A Theory of Justice (1971) or David GauthierOs Morals by Agreement (1986), needs to be appreciated in the history of this tradition.

One of the boldest voices of his generation, Joshua Cohen returns with Moving Kings, a propulsive, incendiary novel that interweaves, in profoundly intimate terms, the housing crisis in America’s poor black and Hispanic neighborhoods with the world’s oldest conflict, in the Middle East. The year is 2015, and twenty-one-year-olds Yoav and Uri, veterans of the last Gaza War, have just completed their compulsory military service in the Israel Defense Forces. In keeping with national tradition, they take a year off for rest, recovery, and travel. They come to New York City and begin working for Yoav’s distant cousin David King – a proud American patriot, Republican, and Jew, and the recently divorced proprietor of King’s Moving Inc., a heavyweight in the Tri-State area’s moving and storage industries. What starts off as a profitable if eerily familiar job – an “Occupation� – quickly turns violent when they encounter one homeowner seeking revenge. Driven by Cohen’s characteristic intelligence, boundless energy, psychological tension, and humor, Moving Kings is a powerful and provocative novel about faith, race, class, and what it means to have a home.

In famously beautiful and laconic prose, Jean-Jacques Rousseau presents us with a forceful picture of a democratic society, in which we live together as free and equal, and our politics focuses on the common good. In Rousseau: A Free Community of Equals Joshua Cohen explains how the values of freedom, equality, and community all work together as parts of the democratic ideal expressed in Rousseau's conception of the "society of the general will." The book also explains Rousseau's anti-Augustinian and anti-Hobbesian idea that we are naturally good, shows why Rousseau thinks it is reasonable for us to endorse that idea, and discusses how our natural goodness might make a free community of equals possible for us. And Cohen examines in detail Rousseau's picture of the institutions of a democratic society: why he emphasized the importance of political participation, how he argued against extreme inequalities, and what led him to embrace a civil religion as necessary for the society of the general will. This book provides an analytical and critical appraisal of Rousseau's political thought that, while frank about its limits, also explains its enduring power.

From the ground breaking legal decisions on gay marriage to the promotion of marriage for low-income families, the "sacred institution" of marriage has turned into a public battleground. Who should be allowed to marry and is marriage a public or private act? Should marriage be abandoned completely? Or should marriage be redefined as a civil institution that promotes sexual and racial equality?
As the fierce national debate over same-sex marriage and civil unions continues, Mary Lyndon Shanley argues that while the state should continue to play a role in regulating personal relations, the law must be fundamentally reformed if marriage is to become a more just institution. Fourteen prominent writers and thinkers respond, including Nancy F. Cott, William N. Eskridge, Jr., Amitai Etzioni, Martha Albertson Fineman, and Cass R. Sunstein.

A dazzling meditation on the philosophical, scientific, and historical roots of attention, an attempt to pin down this elusive state of being. To write a book in which every sentence is a first sentence. To write a book in which every sentence is as good as the first sentence. READ THE SMALL FONT FIRST. “To live as if every day were your first,� “to live as if every day were your last�— conditionally. READ THE LARGE FONT LAST. To begin with sex. DO NOT BE DISTRACTED. To begin with loss. DO NOT BE DIVERTED. To begin with death. THERE IS NOTHING TO READ HERE. To begin with the end. YOU ARE STILL WASTING YOUR TIME.