For issue 86, on the occasion of "Parkett"'s 25th anniversary, the magazine's patron saint, John Baldessari has provided a special anniversary collaboration, buttressed with an interview and critical assessments. Josiah McElheny's proliferative glass works and Philippe Parreno's appropriations, interventions and films are also featured here, in spreads, interviews and critical assessments, as is the work of Carol Bove, who appears in conversation here with "Parkett" senior editor Bettina Funcke.

German writer, critic, and theorist Paul Scheerbart died nearly a century ago, but his influence is still being felt today. Considered by some a mad eccentric and by others an important visionary in his own time, he is now experiencing a revival thanks to a new generation of scholars who are rightfully situating him in the modernist pantheon.
"Glass Love Perpetual Motion " is the first collection of Scheerbart's multifarious writings to be published in English. In addition to a selection of his fantastical short stories, it includes the influential architectural manifesto "Glass Architecture" and his literary tour-de-force "Perpetual Motion: The Story of an Invention." The latter, written in the guise of a scientific work (complete with technical diagrams), was taken as such when first published but in reality is a fiction--albeit one with an important message. "Glass Love Perpetual Motion " is richly illustrated with period material, much of it never before reproduced, including a selection of artwork by Paul Scheerbart himself. Accompanying this original material is a selection of essays by scholars, novelists, and filmmakers commissioned for this publication to illuminate Scheerbart's importance, then and now, in the worlds of art, architecture, and culture.
Coedited by artist Josiah McElheny and Christine Burgin, with new artwork created for this publication by McElheny and beautifully designed by Purtill Family Business, "Glass Love Perpetual Motion " is a long-overdue monument to a modern master.

Paul Scheerbart (1863-1915) was a visionary German novelist, theorist, poet, and artist who made a lasting impression on such icons of modernism as Walter Benjamin, Bruno Taut, and Walter Gropius. Fascinated with the potential of glass as a medium for expressionist architecture and moved by tales of the fantastic, Scheerbart envisioned the sublime through a series of futurist milieus composed entirely of crystalline, colored glass architecture. In 1912, Scheerbart published "The Light Club of Batavia", a novelette about the formation of a club dedicated to building a glass spa for bathing - not in water, but in light - at the bottom of an abandoned mineshaft. Translated here into English for the first time, this rare story serves as a point of departure for Josiah McElheny, who, with an esteemed group of collaborators, offers a fascinating array of responses to this enigmatic work. "The Light Club" makes clear that the themes of utopian hope, desire, and madness in Scheerbart's tale represent a part of modernism's lost project: a world that would have looked entirely different from the one we now inhabit. In his compelling introduction, McElheny describes Scheerbart's life as well as his own enchantment with the artist, and he explains the ways in which 'The Light Club of Batavia' inspired him to produce art of uncommon breadth. "The Light Club" also features inspired writings from Gregg Bordowitz and Ulrike Muller, Andrea Geyer, and Branden W. Joseph, as well as translations of original texts by and about Scheerbart. A unique response by one visionary artist to another, "The Light Club" is an unforgettable examination of what it might mean to see radical potential in the readily transparent.