Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Providing readers with the unusual opportunity to enter into the extraordinary mind of a patriot immediately before the Revolution, the Portrait of a Patriot series presents the major papers of the Boston lawyer and patriot penman Josiah Quincy Jr. (1744-1775). In volume 2 of the series we are introduced to Quincy's Legal Commonplace Book; the companion of his Political Commonplace Book from volume 1, the Legal Commonplace Book illustrates the systematic program of reading through which aspiring young lawyers learned their trade in colonial New England. In the accompanying introduction, coeditor Daniel R. Coquillette explains how the system of legal apprenticeship worked in Boston and contends that the level of legal argument practiced in Massachusetts prior to the Revolution was much less provincial than previously assumed. Volume 2 also includes a new transcription of the journal Quincy kept on a 1773 trip to the southern colonies undertaken on behalf of the Boston Committee of Correspondence to assess the depth of commitment to the patriot cause there, in which Quincy comments tartly on southern manners, womenfolk, and the institution of slavery.