This fascinating 1873 publication is a version of the catalogue produced by the Wedgwood company almost one hundred years earlier, in 1787. Its editor, the feminist writer Eliza Meteyard (1816-79), was a friend of the Wedgwood/Darwin families, and had published a two-volume biography of Josiah Wedgwood in 1865. She explains in her preface that the sixth (and last) such catalogue of Wedgwood's lifetime, 'having been long out of print ... is thus verbally reprinted, without other alteration than a few press corrections and the insertion of various illustrations from the Life of Wedgwood'. A brief history of the catalogues is provided, followed by a long list of the cameos, intaglios, figurines, vases and dinner, tea and coffee services which the firm offered. Wedgwood also advised on how to form a collection of cameos, which are listed by subject: sets containing Greek gods, or kings of France, or popes were available.

Josiah Wedgwood (1730-1795) was a master potter who pioneered the industrialisation of pottery manufacture during the early Industrial Revolution. His experimental work on ceramics resulted in many innovations in the production and decoration of pottery. This three-volume work, edited by his great-granddaughter Katherine Eufemia Farrer and first published between 1903 and 1906, contains Wedgwood's letters to his business partner, the Liverpool merchant Thomas Bentley (1730-1780). Wedgwood's highly successful partnership with Bentley is credited with the expansion and development of Wedgwood's reputation across Europe. The letters cover the years 1762 to 1794 and provide a lively account both of the growth of the business partnership and of Wedgwood's domestic life. Wedgwood and Bentley also maintained a keen interest in current affairs, and these volumes provide a fascinating glimpse into the society and domestic life of the late eighteenth century. Volume 1 covers 1762-1772.

Josiah Wedgwood (1730-1795) was a master potter who pioneered the industrialisation of pottery manufacture during the early Industrial Revolution. His experimental work on ceramics resulted in many innovations in the production and decoration of pottery. This three-volume work, edited by his great-granddaughter Katherine Eufemia Farrer and published between 1903 and 1906, contains Wedgwood's letters to his business partner Thomas Bentley (1730-1780) and others. Wedgwood's highly successful partnership with Bentley is credited with the expansion and development of Wedgwood's reputation across Europe. The letters cover the years 1762 to 1794 and provide a lively account both of the growth of the business partnership and of Wedgwood's domestic life. Wedgwood maintained a keen interest in current affairs, and these volumes provide a fascinating glimpse into the society and domestic life of the late eighteenth century. Volume 3 covers 1781-1794.

Josiah Wedgwood (1730-1795) was a master potter who pioneered the industrialisation of pottery manufacture during the early Industrial Revolution. His experimental work on ceramics resulted in many innovations in the production and decoration of pottery. This three-volume work, edited by his great-granddaughter Katherine Eufemia Farrer and first published between 1903 and 1906, contains Wedgwood's letters to his business partner, the Liverpool merchant Thomas Bentley (1730-1780). Wedgwood's highly successful partnership with Bentley is credited with the expansion and development of Wedgwood's reputation across Europe. The letters cover the years 1762 to 1794 and provide a lively account both of the growth of the business partnership and of Wedgwood's domestic life. Wedgwood and Bentley also maintained a keen interest in current affairs, and these volumes provide a fascinating glimpse into the society and domestic life of the late eighteenth century. Volume 2 covers 1772-1780.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT060830The author is identified as Mr Wedgwood With a half-title in the foreward. -. London, 1788?]. 4],43, 1]p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT067768 London, 1784]. 28p., plates; 4

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T120485<Notes>Pp.91-102 contain a 'Supplement'. With a general comment on the errata pasted on p.vi.<imprintFull> London?], 1788. <collation>vi,102p., plates: ill.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT013080Etruria, 1787. vi,44,45*-46*,45-48, *45-48*,49-73, 1]p., plates: ill.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT020512Newcastle, Staffordshire: printed by J. Smith, 1783. 24, 2]p.; 12

This scarce antiquarian book is a selection from Kessinger PublishingA AcentsAcentsa A-Acentsa Acentss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of intere